Everyday Yaron Herman feat. Ziv Ravitz

• 1Fast Life04:56
• 2Vista04:16
• 3Points Of You03:33
• 4Nettish03:19
• 5With Open Hands01:20
• 6Everyday04:04
• 7Five Trees05:34
• 8Volcano03:25
• 9Prelude No4 Opus 7401:49
• 10Children Don't Always Play Fair01:40
• 11Retrograde02:59
• 12City Lights03:26
• 1318:2605:02
• Total Runtime45:23

Info for Everyday

Yaron Herman, the young Paris-based Israeli pianist, has often been a covers specialist so far (Björk, Britney Spears, Leonard Cohen, Scriabin …), but his virtuosic Blue Note debut is mostly original and developed in the studio through improvisations with only one imaginative partner – fellow Israeli and sometime Lee Konitz drummer Ziv Ravitz.

The result is a fast-moving slideshow of contemporary styles. The solo opener, Fast Life, applies classical polish to a dancing vivacity reminiscent of Chick Corea, but the funkier Vista balances Robert Glasper-like caressing of an anthemic melody against rugged drumming, and a distant vocal chant that sounds like the bowing of a ghost-bassist. The robotic Nettish is powered by Herman’s fiercely metronomic left hand, Open Hands and Scriabin’s Prelude No 4 Opus 74 cherish minimal-volume nuances, Volcano (produced by Björk’s Valgeir Sigurðsson and featuring Icelandic singer Helgi Jónsson) sounds like Radiohead, and Children Don’t Always Play Fair is a storm of throbbing left-hand vamps, galloping drums, eerie xylophone pings and children’s voices. Everyday feels like Yaron Herman’s coming-of-age on record. (The Guardian, UK)

Yaron Herman, piano
Ziv Ravitz, piano

Yaron Herman
was born on 12th July 1981. He started out on a promising career as a basketball player on the Israeli national junior team but that was cut short by a serious knee injury which quashed his sporting ambitions. He only decided to take up playing the piano, at the age of 16. His teacher was the renowned Opher Brayer, famous for his methods based on philosophy, mathematics and psychology. Yaron was soon giving his first performances in the most prestigious concert halls in Israel.

At 16, Yaron left for Boston where he planned to enroll at the Berklee College School of Music. He found it didn't satisfy his craving for knowledge and discovery and decided to return to Tel Aviv. On the way back he stopped over in Paris, that evening he met some musicians during a jam session and was given a contract the very next day. He never left Paris from then on. It was a period of musical exchanges and getting to know people while he started to make a name for himself on the parisien musical scene.

His enthusiasm and talent, surprising in someone so young, meant that he quickly became the pianist that everyone was talking about with admiration and stupefaction. He was awarded the Sunside « New Talents » Trophy by unanimous vote. At 21, he recorded his first album « Takes 2 to know 1 »on the Sketch Label alongside Sylvain Ghio. He developed a theory of musical improvisation called « Real Time Composition » which earned him the chance to give a series of lectures at the Sorbonne and Ted Conferences later on.

In October 2005 he recorded his first piano solo album « Variations » on the brand new LaBorie Jazz Label on which he presents his «Variations » concept. Thus each tune, each theme in our collective memory can serve as an excuse for playful, creative innovation, improvisation and invention. Amazingly original and lyrical.

The album received particularly good reviews and Yaron started to give his first solo performances in Europe, in South America, in the United States and in China where he was the first Jazz pianist to play in the Forbidden City in Beijing.

In 2007 he was elected Adami Jazz Talent by the French artistic community. There is the same astonishment each time he plays, his charisma, his enthusiasm and his lyricism leave the audience deeply moved. After more than a hundred solo concerts around the world, Yaron recorded his first album as a trio « A Time for Everything » (launched in October 2007 on the LaBorie Jazz Label) along with Matt Brewer and Gerald Cleaver a subtle blend of jazz , pop and his own personal compositions. His very original version of « Toxic » by Britney Spears and his cover of Police's « Message in a Bottle » brought his music to a wider audience and rapidly won them over. The album received critical acclaim winning « Choc Jazzman » of the year and « Disque d'émoi Jazz Magazine ».

In 2008, the trio toured Europe, the United States and Brazil with impressive results. To mention but a few: the Monterey Festival, the Montreal Jazz Festival, the San Francisco Festival, the Weiner Konzert-Haus, the Auditori in Barcelona, the Juan Les Pins Festival, the Vittoria Gasteiz Festival. At the same time Yaron Herman was working in collaboration with Michel Portal, Bertrand Chamayou, Lars Danielsson, Yael Naim and others, such as Dominic Miller, Gilad hekselman, avishai cohen (trumpet) , Hugh masakela, Ambrose akinmusire, Valgeir Sigursson.

In September 2008, Yaron won the award for best new instrumentalist of the year at the « Victoires du Jazz ». His Belgrade concert, in October, was broadcast live in 39 countries on the musical TV channel Mezzo – an incredible media event in the jazz calender. The trio returned to the recording studio after having done more than a hundred concerts together. This time they have invited a string quartet the « Quatuor Ebène », sensational new artists from the world of classical music, to play on their album « Muse », in March 2009 on the LaBorie Jazz Label.

The Muse Record was nominated for 3 prizes of victoires du jazz and was chosen as album of the year On the Itunes choice awards.

Yaron has released 2 albums on the ACT label, the widely acclaimed follow the white rabbit in 2010 and the more recent Alter ego featuring emile parisien in 2012 .both demonstrated Yaron’s virtuosity and evolution for both developing his personal composition to new heights but also his way of mixing influences from his native israeli roots to pop music in a unique way .

Booklet for Everyday