Quartets Three & Four Peter Gregson

• Peter Gregson (b. 1987): Quartets: Three:
• 1 Gregson: Quartets: Three: I. Even 05:37
• 2 Gregson: Quartets: Three: II. Up 02:43
• 3 Gregson: Quartets: Three: III. Sequence (Eight) 03:19
• 4 Gregson: Quartets: Three: IV. Cantus 04:49
• 5 Gregson: Quartets: Three: V. Murmuration 03:37
• 6 Gregson: Quartets: Three: VI. …from a memory 05:49
• Quartets: Four:
• 7 Gregson: Quartets: Four: I. Three Parallels: 1 05:14
• 8 Gregson: Quartets: Four: II. Three Parallels: 2 05:02
• 9 Gregson: Quartets: Four: III. Three Parallels: 3 04:41
• Total Runtime 40:51

Info for Quartets Three & Four

All good things come in fours, could be the motto of the latest recording by the renowned cellist and composer Peter Gregson. Thus, under the title "Quartets: Three and Four", a digital album will be released by Deutsche Grammophon on 11 November that testifies to the exclusive artist of the yellow label's intensive engagement with the quartet form.

"Quartet of Quartets"

The form of the string quartet has long fascinated the multi-talented artist Peter Gregson. Thus, he appreciates it as a "powerful instrument in its own right with an incredible sound" and, moreover, as a "medium with a magnificent expressive power and an unprecedented repertoire that goes back hundreds of years". He himself wanted to build on this compositional history and set himself the goal of creating a "quartet of quartets", four different pieces for four voices, which together in turn form a quartet. The first two works of this programmatic concept were released in 2016 and 2017 as EPs "Quartets: One" and "Quartets: Two"; with the new album, Gregson now closes the circle and presents the third and fourth part of the large-scale project.

The third quartet: a breathing soundscape

With the third and fourth quartets, Gregson picks up directly from his first two quartets, in which he developed from a purely acoustic overall sound to the use of synthesizers as a further instrumental level. He continues along this path, especially in the 3rd quartet, adding further electronic effects to create rich sonic textures. Gregson's aim here was to create "a breathing soundscape", as he says, "in which the natural warmth of the string quartet and the potentially cold world of electronics can coexist". To do this, he selected various electronic elements such as reverbs, delays, harmonisers and synthesizers, all of which were physically present and recorded in the same way as the string quartet. The musicians, in turn, heard the electronics through headphones and could react to them in the room.

The fourth quartet: pure sound as an aspiration

In the 4th Quartet, the composer's ambition was to further develop his "understanding of pure quartet composition" and to explore the individual lines as well as the common voice of the four instruments. Accordingly, Gregson returns here to a purely acoustic setup in a more classical sound world and has dedicated a remarkable piece to the Carducci Quartet. Under the title "Three Parallels", Gregson repeatedly brings three voices of the ensemble together in this quartet, while the fourth follows its own line, only to switch roles again shortly afterwards. Gregson himself describes the tonal language of this quartet as "outwardly melodic and tonal, but not to be confused with comfortable". Thus, there would be fine details within the piece that, like little ripples in the water, keep evolving and changing through the work's three movements.

Masterly natural

Peter Gregson is a creator of sound who is a master at intuitively blending classical compositional techniques and electronic innovations to create an extremely exciting cosmos of sound. This can be experienced impressively on the new album "Quartets: Three and Four". Gregson shows his skills in both the purely acoustic and the electronic phrases, whereby the electronic effects intensively enrich the sound picture without ever seeming artificial. Thus, the conclusion of Peter Gregson's quartet series offers an impressive listening experience that explores the special density and complexity of the string quartet in a fascinating way.

Peter Gregson, synthesizer, composer, producer
Warren Zielinski, violin
Ben Hancox, violin
Magdalena Filipczak, violin
James Boyd, viol
Meghan Cassidy, viol
Laurie Anderson, viol
Richard Harwood, cello
Ashok Klouda, cello

Peter Gregson
is a cellist and composer "working at the forefront of the new music scene" (The New Yorker) Recently, he has premiered works by composers including Tod Machover, Daníel Bjarnason, Gabriel Prokofiev, Max Richter, Jóhann Jóhannsson, Steve Reich, and Sally Beamish; he collaborates with many of the world’s leading technologists, including Microsoft Labs, UnitedVisualArtists, Reactify and the MIT Media Lab.

Peter developed and was commissioned to compose ‘The Listening Machine‘, a data sonification of Twitter in collaboration with Daniel Jones and Britten Sinfonia for the BBC/Arts Council’s “The Space”, where it ran continuously between May-January 2013.

His debut solo album, ‘Terminal’, was commissioned by Bowers & Wilkins and launched in April 2010. A limited edition 10′′ vinyl was commissioned by Mute in May 2011, featuring new solo works for Peter written by Max Richter and Jóhann Jóhannsson and was released at the ‘Short Circuit’ Festival at The Roundhouse. In May 2012, Nonclassical released Gabriel Prokofiev’s ‘Cello Multitracks’, a cello suite written for Peter which the two have toured around the world.

'Lights in the Sky', his second studio album, composed for cello, piano, and analogue synthesisers, was released at Imogen Heap's 'Reverb Festival' in August 2014.

His third studio album, TOUCH, will be released on Sono Luminus in August 2015.

In demand for his work across major film and television soundtracks, Spitfire Audio developed a sample library of Peter's extended techniques and sounds from his blue, five-string electric cello, all recorded at Pixel, his studio in London.

The score to his first feature film, 'A Little Chaos' , directed by Alan Rickman and starring Kate Winslet and Matthias Schoenaerts, is available now on Milan Records.

This album contains no booklet.