Hostiles (Original Motion Picture Soundtrack) Max Richter
Album info
Album-Release:
2018
HRA-Release:
05.01.2018
Label: Deutsche Grammophon (DG)
Genre: Soundtrack
Subgenre: Film
Artist: Max Richter
Composer: Max Richter (1966)
Album including Album cover Booklet (PDF)
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1 The First Scalp 07:24
- 2 A Woman Alone 01:50
- 3 Leaving The Compound 04:29
- 4 Cradle To The Grave 04:11
- 5 Scream At The Sky 06:05
- 6 Camanche Ambush 04:45
- 7 Where We Belong 02:56
- 8 River Crossing 02:53
- 9 A New Introduction 02:44
- 10 Leaving Fort Winslow 01:48
- 11 How Shall A Sparrow Fly 03:46
- 12 What Did They Die For? 03:58
- 13 The Lord's Rough Ways 03:22
- 14 Something To Give 02:18
- 15 The Last Of Them 03:52
- 16 Appeasing The Chief 02:42
- 17 Yellow Hawk's Warning 02:35
- 18 Never Goodbye 07:35
- 19 Rosalee Theme 04:14
Info for Hostiles (Original Motion Picture Soundtrack)
The album features the film’s original music composed by Max Richter (The Leftovers, Taboo, Waltz with Bashir, Miss Sloane, Disconnect). Also included is the original song How Shall a Sparrow Fly written and performed by Ryan Bingham.
Hostiles is directed by Scott Cooper and stars Christian Bale, Rosamund Pike, Wes Studi, Jesse Plemons, Adam Beach, Rory Cochrane, Peter Mullan, Scott Wilson, Timothée Chalamet, Ben Foster and Q’orianka Kilcher.
Max Richter
The work of the award-winning British composer Max Richter includes concert music, film scoring, and a series of acclaimed solo albums.
Working with a variety of collaborators including Tilda Swinton, Robert Wyatt, Future Sound of London, and Roni Size, Max's work explores the meeting points of many contemporary artistic languages, and, as might be expected from a student of Luciano Berio, Max’s work embraces a wide range of influences.
Recent projects include the ballet INFRA, for Wayne McGregor at The Royal Ballet, with scenography by Julian Opie, the award-winning score to Ari Folman's Waltz with Bashir, and the music installationThe Anthropocene, with Darren Almond at White Cube.
Max's music has formed the basis of numerous dance works, including pieces by Lucinda Childs, NDT, Ballet du Rhin, American Ballet Theatre, Dresden Semper Oper, The Dutch National Ballet, Norwegian National Ballet, among many others, while film makers using work by Max include Martin Scorsese (Shutter Island).
Recent commissions include the opera SUM, based on David Eagleman’s acclaimed book, premiered at The Royal Opera House, London and Mercy, commissioned by Hilary Hahn.
Current projects include Vivaldi Recomposed for Deutsche Grammophon, recorded by British violinist Daniel Hope and the Konzerthaus Orchester, Berlin, as well as a variety of other recording and film projects.
Booklet for Hostiles (Original Motion Picture Soundtrack)