Ries: Sonatas for Violin & Piano, Vol. 3 Eric Grossman & Susan Kagan
Album info
Album-Release:
2018
HRA-Release:
12.10.2018
Label: Naxos
Genre: Classical
Subgenre: Chamber Music
Artist: Eric Grossman & Susan Kagan
Composer: Ferdinand Ries (1784-1838)
Album including Album cover Booklet (PDF)
- Ferdinand Ries (1784 - 1838): Violin Sonata in E-Flat Major, Op. 18:
- 1 Violin Sonata in E-Flat Major, Op. 18: I. Allegro 12:53
- 2 Violin Sonata in E-Flat Major, Op. 18: II. Andantino 07:33
- 3 Violin Sonata in E-Flat Major, Op. 18: III. Rondo. Allegretto moderato 09:03
- Violin Sonata in G Minor, Op. 38 No. 3:
- 4 Violin Sonata in G Minor, Op. 38 No. 3: I. Allegro con spirito 08:36
- 5 Violin Sonata in G Minor, Op. 38 No. 3: II. Adagio 04:12
- 6 Violin Sonata in G Minor, Op. 38 No. 3: III. Allegro 04:40
- Violin Sonata in D Major, Op. 83:
- 7 Violin Sonata in D Major, Op. 83: I. Allegro con brio 09:48
- 8 Violin Sonata in D Major, Op. 83: II. Andantino con moto 04:33
- 9 Violin Sonata in D Major, Op. 83: III. Rondo. Allegro vivace 05:51
Info for Ries: Sonatas for Violin & Piano, Vol. 3
Ferdinand Ries grew up in the same musical environment that nurtured Beethoven, both counting Ferdinand’s father Franz as one of their teachers and the two of them becoming the closest of friends. Ries was a gifted and prolific composer in every instrumental genre. His Violin Sonatas are based on the Viennese Classical style established by Mozart but with a freshness and originality that includes movements such as the Adagio of the Sonata, Op. 38, No. 3, one of Ries’s loveliest creations. The Sonatas Op. 38, Nos. 1 & 2 can be heard on the 2nd volume of this edition, which was “unreservedly recommended” by Fanfare magazine. Violinist Eric Grossman is a versatile performer hailed for his flawless technique, superb musicianship, and commitment to a wide range of repertoire. Grossman has performed across the US, Europe, Korea, Japan, and Cuba in recital and as soloist under such conductors as Zubin Mehta, Stanislaw Skrowaczewski, and Michael Gielen.
Eric Grossman, violin
Susan Kagan, piano
Eric Grossman
is a versatile performer hailed for his flawless technique, superb musicianship, and commitment to a wide range of repertoire. A graduate of The Juilliard School where he studied with Dorothy DeLay, Grossman has performed across the US, Europe, Korea, Japan and Cuba in recital and as soloist under such conductors as Zubin Mehta, Stanisław Skrowaczewski and Michael Gielen. Grossman has recorded Lowell Liebermann’s Violin Sonata with the composer, Ravel’s Tzigane for a PBS documentary of the dancer Suzanne Farrell, and won the Cubadisco award for his recording of the two Violin Concertos by Jorge López Marín.
As a chamber musician, Grossman has collaborated with David Soyer, Seymour Lipkin and Philip Myers. He played a recital at the Metropolitan Museum of Art on the museum’s ‘golden period’ Stradivarius. Highlights of his 2018–19 season include recitals at the Detroit Institute of Art and Carnegie Hall.
Susan Kagan
was educated at the University of Chicago and Columbia University, where she received a B.S. cum laude in English literature. She later received a Master of Arts in Musicology from Hunter College, and earned a Ph.D in Music History at the Graduate Center of the City University of New York. Her dissertation was a life-and-works study of Archduke Rudolph of Austria, which was published in 1988 as Archduke Rudolph, Beethoven's Patron, Pupil, and Friend (Pendragon Press, Stuyvesant, NY). She is a contributor to The New Grove, and has regularly reviewed new CDs for Fanfare Magazine since its first issue in 1977.
In researching the Archduke's history in Vienna and Czechoslovakia (where Rudolph was Archbishop and Cardinal of Olmütz (now Olomouc), Susan studied the Archduke's compositions, many of the manuscripts with annotations and corrections by Beethoven, who gave him lessons in composition over a period of two decades. Many of these works have been brought back to life in her recordings, and they reveal a composer of considerable talent whose passion for music was inspired and stimulated by the greatest composer of his time.
In 1989 Susan Kagan and Josef Suk, the renowned Czech violinist, played the premiere performance of Archduke Rudolph's Violin Sonata in concert in Prague, and in 1992 they recorded the Sonata and a set of variations for Koch International Classics. A second Archduke Rudolph CD, of a Sonata and a Trio with clarinet, followed, performed by the Metropolitan Opera Orchestra's Principal Clarinet, Ricardo Morales, and Susan and her husband Gerald, Assistant Principal Cellist of the Metropolitan Opera Orchestra.
Kagan complemented her performance career as a pianist with a Ph.D in Musicology In 1996 Susan was invited to play as soloist with the Suk Chamber Orchestra of Prague, a 13 member string orchestra established in the 1970's in honor of the composer Josef Suk, son-in-law of Antonin Dvorak. She has continued to join the orchestra as soloist every June in their festival series at Prague Castle.
A lifelong passion for Beethoven, intensified by her work with Archduke Rudolph's music, brought Susan into contact with the newly established American Beethoven Society at San Jose State University in 1985, of which she became a member of the Advisory Board. In 1995 she established a New York Chapter of the ABS at Hunter College, which has presented numerous Beethoven events, including several symposiums and recitals by such noted artists as Claude Frank, Jacob Lateiner, Seymour Lipkin, Charles Rosen, and Josef Suk.
With the Suk Chamber Orchestra, she recorded two sets of Mozart piano concertos, which included all of Mozart's early concertos scored for an orchestral ensemble of strings, two oboes, and two horns. The first set, containing the concertos No.11 in F (K.411), No.12 in A (K.412) and No. 14 in E-flat (K.449), was issued on Vox Classics in 1995. The second set, containing concerto No. 8 in C (K.246), No.9 in E-Flat (K.271), and the Rondo in A (K.386) were released on Koch Discover International. All of these concertos were performed without conductor. Two other CDs featuring the partnership of Josef Suk and Susan Kagan were released by Koch International: the complete violin and piano sonatas of Edvard Grieg (1997) and the Mendelssohn Sonata in F, coupled with works by Woldemar Bargiel, in 2000.
In 2001, Susan recorded her first CD of solo piano music - a program that illustrates Beethoven's connection with his two important pupils, Archduke Rudolph and Ferdinand Ries. Released on Koch International Classics, the CD contains Beethoven's Eleven Bagatelles, Op.119, and two rare piano compositions by the Archduke and Ries: the Archduke's Forty Variations on a Theme by Beethoven (1819), and Ries's fantasy, The Dream (1813).
In late 2005, Susan recorded Ferdinand Ries: Two Piano Sonatas Opus 1 -- Dedicated to Beethoven (Raptus Records 305.05.03). A gifted pianist, Ries' importance to Beethoven scholars is significant beyond his relationship as a piano student and prolific performer of Beethoven's music. Ries also collaborated with another early Bonn friend of Beethoven, Franz Wegeler, on a biographical memoir comprising letters, anecdotes, and important biographical details.
In 2006 Susan began an extended recording project for Naxos records: the complete piano sonatas of Ferdinand Ries, Beethoven's pupil and close friend. Five CDs of Ries's solo sonatas have been issued, and one more, with his 3 sonatas for piano four-hands (with pianist Vassily Primakov) will be released in 2013.
Booklet for Ries: Sonatas for Violin & Piano, Vol. 3