The V16 Project Jerry Granelli

• 1 Temptation 11:18
• 2 O Bossa, Where Art Thou? 06:59
• 3 Lunch with Mr. Wong/Leaving Mr. Wong's 07:24
• 4 Acoustic Trio 01:45
• 5 Acoustic Duo 03:49
• 6 Cassius 02:50
• 7 Hobo Comedies 04:56
• 8 Family Man 02:50
• 9 Walk By 00:19
• 10 Mutator 04:10
• 11 Good Wheat 02:45
• 12 Texas Oklahoma Conspiracy 03:34
• 13 Black Confederacy 04:20
• Total Runtime 56:59

Info for The V16 Project

The V16 Project is Jerry Granelli's latest sonic adventure. It features a two-guitar frontline and diverse approach - jazz improvisation, blues-rock-funk fusion, freeform jamming, sampled soundscapes and more -making it equally at home in both jazz and avant-rock bins, at jazz festivals and jamband venues. Highlighting the superb interplay of famous slide virtuoso Tronzo, lyrical German guitar ace Kogel (from Jerry's band UFB), and versatile bassist Cox, the group hones its style on a surprising range of material. There are drummerless acoustic improvs, Kogel's trancey bossa nova, Jerry's waltz-to-freetime-to-Latin Mr. Wong suite, a psych-tinged, freegrass flavoured extended cover of the old standard "Temptation," and several varieties of soul jazz by Cox. Expect the unexpected: as Granelli comments in his note, "The heart of the band is risk, not knowing, curiosity and nowness." The high definition, 24 bit/176.4K digital recording and 2 + 5 channel mix to DSD should gain approval from audiophiles and surround-sound music fans.

“Granelli remains one of the best working drummers in any genre of music, but the band’s just as fine--this is an electric-guitar quartet unlike any other.” (Paul Olson, All About Jazz)

Jerry Granelli, electro-acoustic percussion
Anthony Cox, acoustic bass and acoustic bass guitar
David Tronzo, acoustic and electric guitars, sampler
Christian Kögel, acoustic and electric guitars, sampler

Jerry Granelli - Drums
On December 30th of 2010 Jerry Granelli turned 70. 45 years ago he was peaking as a commercially successful Jazz drummer- playing with Vince Guaraldi. It was shortly after that success that Jerry took a hard turn left into the world of improvisation and musical exploration. He has never looked back.
Jazz Times magazine calls Granelli “one of those uncategorizable veteran percussionists who’s done it all.” A Canadian citizen since 1999, Granelli burns with an intensity fuelled by a passion for “the pursuit of the spirit of spontaneity which drives the player.” A veteran of the San Francisco jazz scene, Granelli’s recent flourish of recordings has documented remarkable collaborations between the generations.
Jerry Granelli’s story is one that follows the evolution of the San Francisco Hard Bop jazz scene. Born in 1940 in San Francisco, the boy recognized his passion in 1948 when he spent a day with Gene Krupa. Hanging out during the 50s in San Francisco nightclubs like the Blackhawk, The Jazz Workshop and Jimbo’s Bop City, gave him a direct connection to what was happening in New York City. Soaking in the sounds of Miles, Max Roach, Philly Joe Jones, Elvin Jones and Monk, his passion grew, eventually leading him to Dave Brubeck drummer Joe Morello. After two years as Morello’s star pupil, Granelli became a highly sought-after session player, eventually playing, recording and touring with the Vince Guaraldi Band.
He provides the unmistakable steady swing beats for the classic Charlie Brown “Peanuts” theme song. In the volatile West Coast scene of the 60s, Granelli moved on to the Denny Zeitlin Trio, a group that included bassist Charlie Haden. A hugely successful recording and touring band, they tied with Miles Davis for Group of the Year in Downbeat magazine’s Critics and Readers Poll in 1965. Throughout the 60s he performed with many major players on the scene, including Jimmy Witherspoon, Mose Allison, Lou Rawls, John Handy, Sonny Stitt, Sly Stone, Ornette Coleman and Dewey Redman. He was right there too as jazz styles began to swing towards the beginnings of psychedelia. His free-form improvisational trio held down the opening slot for comedian Lenny Bruce for three months in 1963, and shared bills at The Matrix and The Fillmore with Jefferson Airplane, Big Brother and the Holding Company and the Grateful Dead. They also accompanied the Dead on their first European tour in 1971.
Granelli became a Buddhist in 1970, and from the mid-70s through the 90s he focused on teaching, bringing his insider knowledge to hundreds of students at the Naropa Institute in Boulder, then Seattle’s Cornish Institute, the Conservatory in Halifax, and the Hochschule der Kunst in Berlin.
In the early 90s Jerry moved to Halifax and immediately became a keystone in the jazz community. Along with Halifax’s Jazz East organization he founded the Creative Music Workshop a two-week intensive music program that takes place every summer in conjunction with the Atlantic Jazz Festival. Despite all his accomplishments, until asked by Divorce Records, Granelli had yet to make a solo drum record. It seems fitting that after a life behind the kit, Jerry finally should go it alone. No one, including Jerry, knew what to expect, but the results are remarkable. All the tracks on 1313 except one were played with no overdubs, and most were done in a single take. For those of us involved with documenting the session, it was a magical night. 1313 is dark, masterful, and bravely unique — an outstanding new exploration of percussion and sound by a man who has been challenging himself musically for 60+ years.

David Tronzo - Guitar
A pioneer of the electric guitar, David Tronzo is know for his highly-individual slide-guitar style which mixes jazz, blues, rock, funk, and the avant-garde to produce something truly original. Tronzo is currently on faculty at the Berklee School of Music, where he taught Dani Rabin of the popular group Marbin. Voted one of the top 100 guitarists of the 20th century by Musician magazine the Creative Music Workshop is lucky to have David Tronzo returning this year as on of the members of our faculty.

Anthony Cox - Acoustic Bass
Cox is a world-class bass player who has toured the world, both as a bandleader and with a who’s who of top jazz artists, including Sam Rivers, Dewey Redman, Uri Caine, Geri Allen and others. He has been the top-call bass player in the Twin Cities for nearly three decades, playing on hundreds of studio sessions and performing both with his own bands, his trio and the highly acclaimed Anthony Cox Regional Ensemble, and with dozens of other groups. Anthony Cox is a Twin Cities Bass player who shines in a town full of great bass players. He is a solid, disciplined player who is at home in traditional, post-bop and more rock oriented avant-guard settings that are increasingly popular with a growing young audience in town. He performs and is at home with upright bass, string electric bass guitar and Spanish style acoustic bass guitar (one of my personal favorites because of its unique sound). He has recorded with Dewey Redman Geri Allen, Arthur Blythe, Mike Cain, Uri Caine and many others. He is pictured at right at the old Dakota Bar and Grill in a photograph courtesy of Howard Gitelson.

Christian Kögel - Guitar

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