Black Encyclopedia of the Air Moor Mother

• 1 Temporal Control Of Light Echoes 02:59
• 2 Mangrove 02:09
• 3 Race Function Limited 02:37
• 4 Shekere 02:10
• 5 Vera Hall 02:28
• 6 Obsidian 01:33
• 7 Iso Fonk 01:37
• 8 Rogue Waves 02:23
• 9 Made A Circle 02:47
• 10 Tarot 05:54
• 11 Nighthawk Of Time 01:13
• 12 Zami 02:01
• 13 Clock Fight 02:08
• Total Runtime 31:59

Info for Black Encyclopedia of the Air

Get yo ass in the house, robot - you cyber-spectre, you outhouse prime minister, you hard-headed mirror ninja, snapping selfies, living in the pixelated seams between bursts of flashing images, birthed in a pool of TV static and Tik Tok dust. BLACK ENCYCLOPEDIA OF THE AIR is here, not to save but to drown you. Heads better learn how to swim cause listen, this record is beat soup, hearty yet still minimal, a sonic mirage of prophetic soul that drop kicks your "chill beats to study to" Youtube playlist and hyper-intellectual rap podcasts into a hadron collider; it's only black matter on the other side - 13 mesmerizing tracks about memory and imprinting and the future, all of them wafting through untouched space like the ghostly cinders of a world on fire, unbound and uncharted, vast and stretching across the universe. Moor Mother is a holographic figment of an Afrotopian dream, all at once goddess and warrior, mystic and cyborg, griot and future time traveller, etching noisy pieces of reverie into our consciousness for decades now. But check it: on BLACK ENCYCLOPEDIA she's joined by a wide-range of friends, collaborators and co-conspirators on a trip through the murky cosmos, navigating the black universe with stardust as currency. In these times, they'll say, as they click and mash their way through the same inter-webs that seek to strangle them, BLACK ENCYCLOPEDIA OF THE AIR is just what we need: a post-everything, 12:01 on the doomsday clock, anti-trip hop type of situation. "We ain't gotta fight no more," they'll say; the rest of us, we'll put this record on and imagine again that it's real.

Moor Mother

Camae Ayewa aka Moor Mother
is a national and international touring musician, poet, visual artist, and workshop facilitator, and has performed at numerous festivals, colleges, galleries, and museums around the world, sharing the stage with King Britt, Roscoe Mitchell, Claudia Rankine, Bell Hooks, and more. Camae is a vocalist in three collaborative performance groups: Irreversible Entanglements, MoorJewelry and 700bliss.

As a soundscape and visual artist, Ayewa’s work has been featured at Baltic Biennale, Samek Art Museum, Vox Populi, Pearlman Gallery, Metropolitan Museum of Art Chicago, ICA Philadelphia, Bergan Kunstall, Hirshorn Gallery, and in an upcoming 2018 solo show at The Kitchen NYC. As a workshop facilitator, Camae has presented at Cornell University, MOFO Festival, Moogfest, Black Dot Gallery and others. Camae is co-founder and curator of Rockers Philly Project a 10-year long running event series and festival focused on marginalized musicians and artists spanning multiple genres of music.

As Moor Mother she released her debut album Fetish Bones on Don Giovanni records to critical acclaim. Fetish Bones was named 3rd best album of the year by The Wire Magazine, number 1 by Jazz Right Now and has appeared on numerous end of the year list from Pitchfork, Noisy, Rolling Stone, and Spin Magazine. Moor Mother was named by Rolling Stone as one of the 10 artists to watch in 2016 and named Bandcamp ’ s 2016 artist of the year. Moor Mother released a 2nd LP called the Motionless Present commissioned by CTM X VINYL FACTORY 2017. Moor Mother has appeared in the Quietus, Interview Magazine, The Guardian, Crack, Pitchfork and others. MoorMother’s schedule has included Berhaign, Borealis, CTM Festival, Le Guess Who, Unsound, Flow and Donau Festival, Rewire, Boiler Room and MOMA PS1.

As a durational performance artist Camae has been commissioned by Moog Festival, Vox Populi Gallery, Icebox Gallery and others. Camae is also a writer and poet her first book of poetry called Fetish Bones released on The AfroFuturist Affair small press. As a member of Black Quantum Futurism Collective (BQF), she has been a part of two literary works and several zines, and has been featured in exhibitions at the Schomburg Center, Rebuild Foundation, Temple Contemporary at Tyler School of Art, and Serpentine Gallery and more.

Camae Ayewa is a 2016 Leeway Transformation Awardee, a Blade of Grass 2016 Fellow as part of Black Quantum Futurism, 2017 PewFellow, and 2017 The Kitchen Inaugural Emerging Artist Awardee, and Rad Girls 2016 philly artist of the year. She has been an in artist in residency at West Philadelphia Neighborhood Time Exchange and WORM! Rotterdam residency, and featured with Black Quantum Futurism at Transmediale Festival in Berlin 2017.

This album contains no booklet.