Beethoven: Gegenliebe Lieder Daniel Behle & Jan Schultsz

• Ludwig van Beethoven (1770 - 1827): Zärtliche Liebe, WoO 123:
• 1 Beethoven: Zärtliche Liebe, WoO 123 01:50
• Adelaide, Op. 46:
• 2 Beethoven: Adelaide, Op. 46 05:33
• La tiranna, WoO 125:
• 3 Beethoven: La tiranna, WoO 125 04:14
• 6 Lieder, Op. 48 (Excerpts):
• 4 Beethoven: 6 Lieder, Op. 48 (Excerpts): No. 1, Bitten 04:52
• 5 Beethoven: 6 Lieder, Op. 48 (Excerpts): No. 6, Bußlied 04:16
• 8 Lieder, Op. 52:
• 6 Beethoven: 8 Lieder, Op. 52: No. 4, Maigesang 02:18
• Das Glück der Freundschaft, Op. 88:
• 7 Beethoven: Das Glück der Freundschaft, Op. 88 02:13
• Der Wachtelschlag, WoO 129:
• 8 Beethoven: Der Wachtelschlag, WoO 129 03:47
• Als die Geliebte sich trennen wollte, WoO 132:
• 9 Beethoven: Als die Geliebte sich trennen wollte, WoO 132 02:08
• In questa Tomba oscura, WoO 133:
• 10 Beethoven: In questa Tomba oscura, WoO 133 02:46
• Andenken, WoO 136:
• 11 Beethoven: Andenken, WoO 136 02:44
• Lied aus der Ferne, WoO 137:
• 12 Beethoven: Lied aus der Ferne, WoO 137 03:51
• 6 Gesänge, Op. 75 (Excerpts):
• 13 Beethoven: 6 Gesänge, Op. 75 (Excerpts): No. 2, Neue Liebe, neues Leben 03:23
• 14 Beethoven: 6 Gesänge, Op. 75 (Excerpts): No. 3, Aus Goethes Faust 02:30
• 15 Beethoven: 6 Gesänge, Op. 75 (Excerpts): No. 6, Der zufriedene 01:18
• 4 Arietten und ein Duett, Op. 82 (Excerpts):
• 16 Beethoven: 4 Arietten und ein Duett, Op. 82 (Excerpts): No. 1, Hoffnung 01:47
• 17 Beethoven: 4 Arietten und ein Duett, Op. 82 (Excerpts): No. 2, Liebes-Klage 02:52
• 3 Gesänge, Op. 83:
• 18 Beethoven: 3 Gesänge, Op. 83: No. 3, Mit einem gemalten Band 01:58
• An die Hoffnung, Op. 94:
• 19 Beethoven: An die Hoffnung, Op. 94 05:53
• An die Ferne Geliebte, Op. 98:
• 20 Beethoven: An die Ferne Geliebte, Op. 98 12:19
• Der Kuß, Op. 128:
• 21 Beethoven: Der Kuß, Op. 128 02:01
• Seufzer eines ungeliebten und Gegenliebe, WoO 118:
• 22 Beethoven: Seufzer eines ungeliebten und Gegenliebe, WoO 118 05:55
• Total Runtime 01:20:28

Info for Beethoven: Gegenliebe Lieder

The singer and composer Daniel Behle was honored with the prestigious OPUS Klassik as "Singer of the Year" in 2020. He is equally successful in concert, lied and opera. His repertoire ranges from baroque masterpieces, classical and romantic repertoire to 20th and 21st century compositions. His discography includes several award-winning recordings. His Lied recordings, including Die Schöne Müllerin and his two albums of Strauss songs, the most recent of which was awarded the German Record "Critics' Prize", have attracted particular attention.

On his latest recording, Behle now presents a selection of Beethoven songs, accompanied by Jan Schultsz on fortepiano. Unlike Schubert or Schumann, Beethoven is not immediately associated with the Lied; one associates him more with the representative of the grand gesture. Nevertheless, this does not prevent him from leaving almost one hundred songs to posterity. An die ferne Geliebte (1851/1816) is undoubtedly one of the most famous of these works.

Daniel Behle, tenor
Jan Schultsz, pianoforte

Daniel Behle
The versatile tenor and composer Daniel Behle is equally successful in the concert, Lied and opera genres. His extensive repertoire ranges from Baroque masterpieces, Classical and Romantic works to compositions of the 20th and 21st centuries.

Daniel Behle appears in concert with renowned orchestras, including the Sächsische Staatskapelle Dresden, Berliner and Wiener Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, NDR Elbphilharmonie Orchester, Orchestra dell'Accademia Nazianale di Santa Cecilia, Wiener Symphoniker, Gewandhausorchester Leipzig and Bachakademie Stuttgart. He works with conductors such as Stefan Asbury, Bertrand de Billy, Semyon Bychkov, Christoph Eschenbach, James Gaffigan, Thomas Hengelbrock, Pablo Heras Casado, Marek Janowski, Philippe Jordan, Ingo Metzmacher, Kent Nagana, Yannick Nezet-Seguin, Hans-Christoph Rademann, Jeremie Rhorer, Andreas Spering, Christian Thielemann and Franz Welser-Möst.

Several highlights mark his 2019/20 season: he will perform "MoZart" (Sony Classical, release September 2019) together with L'Orfeo Barockorchester at the Elbphilharmonie Hamburg. In spring 2020, he sings Mendelssohn's "Elias" with the Orchestre de Paris under the baton of Daniel Harding and Mahler's "Lied von der Erde" with the Hamburger Symphoniker with Sylvain Cambreling. With the Lautten Compagney Berlin he will appear at the Festspielhaus Baden-Baden, with Klangvokal Dortmund and at the Handel Festival Halle.

He will sing recitals at the Alte Oper Frankfurt, Hugo-Wolf-Akademie Stuttgart, at the Theater Bern and the Brucknerhaus Linz. At the Theater Schweinfurt he will premiere his new chamber music programme "Behlcanto" together with the Alliage Quintett.

Opera commitments take him to several important opera houses. After his highly acclaimed debut in 2016 as Ferrando in "Così fan tutte" he will return to the Royal Opera House Covent Garden in October 2019 as Don Ottavio in "Don Giovanni" under Hartmut Haenchen's baton. Further opera highlights are his role debuts as Lohengrin at the Theater Dortmund and at the Staatsoper Stuttgart (Direction: Cornelius Meister) and as Florestan ("Fidelio") at the Staatsoper Hamburg. He will perform Matteo in a new production of "Arabella" at the Opernhaus Zürich with Fabio Luisi conducting, before returning to the Bayreuther Festspiele as David ("Die Meistersinger von Nürnberg") and Walther von der Vogelweide ("Tannhäuser").

As a composer, his transcriptions for tenor and piano trio have met with great critical acclaim: he has performed "WinterreiseN" (Sony Classical) at the Wigmore Hall London, the Concertgebouw Amsterdam and the Alte Oper Frankfurt. Equally successful are "Mein Hamburg" (Berlin Classics; new compositions and arrangements of famous tenor arias), and his Christmas album "Meine schönsten Weihnachtslieder" (Sony Classical).

To date he has published 13 highly acclaimed solo albums, including "Die schöne Müllerin", Strauss "Lieder" (both Capriccio), Gluck "Arias" (Decca) and Schubert "Arias" (dhm).

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