Patience (Remastered) Tom van der Geld and Children At Play
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 2Golden Stabs07:29
- 5And Then...10:14
Info for Patience (Remastered)
As yet to provide choice “vibes” for Kenny Wheeler’s around 6, in addition to his elusive but well-worth-owning Path, mallet man Tom van der Geld made his ECM debut with this, his second of three “Children At Play” recordings. Less specific than his later work with the group, which was perhaps never meant to be a stable collective/concept in the first place, Patience may require just that. That being said, the abstractions of the opening title track have a charm all their own, seeming to inhabit that blurry space between fading night and the coming dawn. This diurnal circle unrolls into a relatively straight line in the flute of multi-instrumentalist Roger Jannotta through the vibes’ infrared lobs. With “Golden Stabs” we feel that dawn acutely, warming our faces with a gorgeous soprano that always remains tonally centered despite its erratic rays. Those smooth reeds carry over into the even smoother melancholia of “Alison.” “Celia” is an ever-changing mosaic of continental winds and underwater railways. Like a broken vial of liquid mercury, it recedes, unrecoverable, into the cracks of a melodious tessellation. “And Then…” ends the album on a pointillist reverie with the oboe as storyteller. We get the barest intimations of traction in the bass (Ken Carter) and drums (Bill Elgart) before taking shelter in more densely woven brush. It is here where the album at last begins to gel and its trajectory becomes known to us.
Viscous and profoundly solitary, van der Geld’s is an intimate world to be sure. Like the flute that haunts its darkest corners, it is a half-remembered death given a new body through the resurrection of the musical act. One feels Patience in degrees of heat, each track an incremental setting on a toaster that sets the coils aglow with varying intensity, leaving us with a distinct char every time.
Tom van der Geld, vibraharp, percussion
Roger Jannotta, soprano and baritone saxophones, flutes, oboe, bass clarinet
Kent Carter, bass
Bill Elgart, drums, percussion
Recorded May 1977 at Tonstudio Bauer, Ludwigsburg, Germany
Produced by Manfred Eicher
Tom van der Geld
The American vibraphonist Tom van der Geld was born in Boston, and has been living permanently in Europe since 1974. He has performed at nearly all of the significant European Jazz Festivals including Montreux, Weltmusiktage Donaueschingen, Baden-Baden New Jazz Meeting, Willisau Festival, Jazz Festival Berlin and the Leverkusener Jazz Festival.
A partial listing of performances and productions with important jazz musicians would include names like Kenny Wheeler, John Taylor, Charlie Mariano, Manfred Schoof, Luis de Mateo, Eduard Vesala, Barre Philips, Albert Mangelsdorf, Keith Copeland, Mel Lewis, Bob Brookmeyer, Peter Herbolzheimer and Bill Connors.
This album contains no booklet.