Beethoven: Piano Concerto No. 2; Grieg: Holberg Suite Martha Argerich

• Ludwig van Beethoven ( 1770 - 1827): Piano Concerto No. 2 in B-Flat Major, Op. 19:
• 1 Ludwig van Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio 14:19
• 2 Ludwig van Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio 09:30
• 3 Ludwig van Beethoven: Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro 06:18
• Wolfgang Amadeus Mozart (1756 - 1791): Divertimento in D Major, K. 136:
• 4 Wolfgang Amadeus Mozart: Divertimento in D Major, K. 136: I. Allegro 04:30
• Edvard Grieg (1843 - 1907): Holberg Suite, Op. 40 (Orch. Grieg):
• 5 Edvard Grieg: Holberg Suite, Op. 40 (Orch. Grieg): I. Praeludium. Allegro vivace 02:58
• 6 Edvard Grieg: Holberg Suite, Op. 40 (Orch. Grieg): II. Sarabande. Andante 04:18
• 7 Edvard Grieg: Holberg Suite, Op. 40 (Orch. Grieg): III. Gavotte. Allegretto 03:48
• 8 Edvard Grieg: Holberg Suite, Op. 40 (Orch. Grieg): IV. Air. Andante religioso 06:20
• 9 Edvard Grieg: Holberg Suite, Op. 40 (Orch. Grieg): V. Rigaudon. Allegro con brio 04:32
• Total Runtime 56:33

Info for Beethoven: Piano Concerto No. 2; Grieg: Holberg Suite

Four decades of friendship and musical partnership brings these two titans of classical music together again. Eagerly anticipated follow-up to their now-legendary recording of the first concerto. Recorded live in concert in Japan in May 2019.

Martha Argerich and Seiji Ozawa first performed together over 40 years ago when Argerich made her Boston Symphony debut. Since then the artists have developed a deep creative friendship and received critical acclaim. In 2018 they recorded their first ever album, featuring Beethoven’s First Symphony and his First Piano Concerto, with the Mito Chamber Orchestra who also feature on this new release. Gramophone described the recording as, “One of the most joyous recordings of Beethoven’s First Piano Concerto to have come out for years.” The Mito Chamber Orchestra, featuring international musicians drawn from Japan, Europe and North America, was established in 1990 under Ozawa’s direction and has since collaborated with some of the world’s most celebrated musicians including Szymon Goldberg, Mstislav Rostropovich and Andras Schiff.

“One of the most joyous recordings of Beethoven’s First Piano Concerto to have come out for years. Ozawa may be entering a glorious Indian Summer of creativity” (Gramophone)

“Argerich and Ozawa spark off each other and energy bubbles in the orchestra” (BBC Music Magazine)

Martha Argerich, piano
Mito Chamber Orchestra
Seiji Ozawa, conductor

Martha Argerich
was born in Buenos Aires. From the age of five, she took piano lessons with Vicenzo Scaramuzza. In 1955 she went to Europe with her family, and received tuition from Friedrich Gulda in Vienna; her teachers also included Nikita Magaloff and Stefan Askenase. Following her first prizes in the piano competitions in Bolzano and Geneva in 1957, she embarked on an intensive programme of concerts. Her victory in the Chopin Competition in Warsaw in 1965 was a decisive step on her path to worldwide recognition.

Martha Argerich rose to fame with her interpretations of the virtuoso piano literature of the 19th and 20th centuries. But she does not regard herself as a specialist in 'virtuoso' works - her repertoire ranges from Bach through Beethoven, Schumann, Liszt, Debussy and Ravel, to Bartók.

Martha Argerich has worked as a concert pianist with many famous conductors. She has also attached great importance to chamber music ever since, at the age of 17, she accompanied the violinist Joseph Szigeti - two generations older than herself. She has toured Europe, America and Japan with Gidon Kremer and Mischa Maisky and has also recorded much of the repertory for four hands and for two pianos with the pianists Nelson Freire, Stephen Bishop-Kovacevich, Nicolas Economou and Alexandre Rabinovitch. Martha Argerich has performed at Gidon Kremer's festival in Lockenhaus, at the Munich Piano Summer, the Lucerne Festival and at the Salzburg Festival, where she gave, for instance, a recital with Mischa Maisky in 1993.

She appeared with Claudio Abbado and the Berlin Philharmonic at the 1992 New Year's Eve Concert with Strauss's Burleske and also at the Salzburg Festival at Easter 1993. May 1998 saw the long-awaited musical 'summit meeting' between Martha Argerich, Mischa Maisky and Gidon Kremer. On the occasion of a memorial concert for the impresario Reinhard Paulsen, the three artists came together in Japan, where they performed piano trios by Shostakovich and Tchaikovsky (recorded live by DEUTSCHE GRAMMOPHON). In March 2000 Martha Argerich gave her first great solo appearance in almost 20 years in New York's Carnegie Hall.

Martha Argerich has close ties with DEUTSCHE GRAMMOPHON, dating back to 1967. She has recorded prolifically during this period: solo works by Bach, Brahms, Chopin, Liszt and Schumann; concerto recordings of works by Chopin, Liszt, Ravel and Prokofiev with Claudio Abbado, Beethoven with Giuseppe Sinopoli, and Stravinsky's Les Noces with Leonard Bernstein. Her recording of Shostakovich's First and Haydn's Eleventh Piano Concertos with the Württembergisches Kammerorchester Heilbronn conducted by Jörg Färber was crowned with the Tokyo RECORD ACADEMY AWARD in 1995 and that of Tchaikovsky's Piano Concerto No. 1 with Claudio Abbado and the Berlin Philharmonic Orchestra was awarded the CD COMPACT AWARD in 1997.

She has also dedicated herself to chamber music, and has recorded works by Schumann and Chopin with Mstislav Rostropovich, and cello sonatas by both Bach and Beethoven with Mischa Maisky. She has made numerous successful recordings with Gidon Kremer, such as violin sonatas by Schumann and works by Bartók, Janácek and Messiaen (PRIX CAECILIA 1991), and Mendelssohn's concerto for violin and piano with the Orpheus Chamber Orchestra. Their recording of Prokofiev sonatas and melodies received the 1992 Tokyo RECORD ACADEMY AWARD, the DIAPASON D'OR 1992 and the EDISON AWARD 1993. One of their most outstanding recording achievements was that of the complete Beethoven violin sonatas (Nos.1-3: RECORD ACADEMY AWARD 1985), which was concluded with the release of the Sonatas op. 47 'Kreutzer' and op. 96 in 1995. Among her more recent releases is the above-mentioned live recording of piano trios by Shostakovich and Tchaikovsky with Mischa Maisky and Gidon Kremer.

Martha Argerich takes a great supportive interest in young artists. In September 1999 the first International 'Martha Argerich' Piano Competition took place in Buenos Aires - a competition which does not only carry her name but in which she is president of the jury. In November 1999 the second 'Martha Argerich Music Festival' took place in southern Japan, with concerts and masterclasses being given not only by Martha Argerich but also by Mischa Maisky and Nelson Freire among others.

Booklet for Beethoven: Piano Concerto No. 2; Grieg: Holberg Suite