Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 Pathétique (Rehearsal Excerpts) Bavarian Radio Symphony Orchestra & Mariss Jansons

• Pyotr Ilyich Tchaikovsky (1840 – 1893): Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts):
• 1Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Dirigenten bei der Probe. Einleitung]01:48
• 2Die russische Literatur:01:16
• 3Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Die letzte Coda. Das Nachwort]05:04
• 4Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Eine Bitte an alle Bläser]03:21
• 5Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Ich bin nicht ganz glücklich mit unserem Pizzicato]02:55
• 6Sie folgen fantastisch dem Dirigente:03:40
• 7Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Mehr träumerisch]02:51
• 8Das Leise, das Tragische:00:28
• 9Der Anfang der Symphonie:04:23
• 10Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Allegro]03:53
• 11Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo [Warten, eins, zwei, drei]04:25
• 12Eine musikalische Beichte der Seele:00:52
• 13Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" (Rehearsal Excerpts): I. Adagio - Allegro non troppo18:47
• Total Runtime53:43

Info for Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 Pathétique (Rehearsal Excerpts)

Mariss Jansons rehearses Pyotr Tchaikovsky’s Symphony No. 6, Pathétique” with the BRSO. Mariss Jansons and suffering in music. In Tchaikovsky’s “Pathétique” symphony, Jansons shows how touching this music sounds when conducted without any superficial pathos. It is precisely this unsentimental approach that makes Tchaikovsky’s work so deeply moving.

What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions – and he sings and speaks. But that’s only during rehearsals, of course. Being able to follow a conductor‘s interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time. „Conductors in Rehearsal“ is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor‘s wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work.

Bavarian Radio Symphony Orchestra
Mariss Jansons, conductor

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Booklet for Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 Pathétique (Rehearsal Excerpts)