Rococo - Musique à Sanssouci Dorothee Oberlinger

• Gottfried Finger (1660-1730):
• 1 40 Airs anglos pour la flute, 3me livre: A Ground 03:22
• Georg Friedrich Händel (1685-1759):
• 2 Concerto doppio in C Minor, HWV deest: I. Adagio 01:13
• 3 Concerto doppio in C Minor, HWV deest: II. Allegro 03:51
• 4 Concerto doppio in C Minor, HWV deest: III. Adagio 02:06
• 5 Concerto doppio in C Minor, HWV deest: IV. Tempo di Menuet 02:30
• Johann Gottlieb Janitsch (1708-1763):
• 6 Quadro in G Major: I. Adagio 02:22
• 7 Quadro in G Major: II. Allegro ma non tanto 06:59
• 8 Quadro in G Major: III. Vivace 04:54
• Johann Gottlieb Graun (1703-1771):
• 9 Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: I. Allegro 02:35
• 10 Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: II. Adagio 03:53
• 11 Concerto for Recorder and Violin in C Major, GraunWV Cv:XIII:96: III. Allegro 02:36
• Johann Joachim Quantz (1697-1773):
• 12 Fantasies and Preludes, Giedde I.45: Sarabande in G Major 02:58
• Carl Philipp Emanuel Bach (1714-1788):
• 13 Flute Sonata in E Minor, Wq 124: I. Adagio 02:09
• 14 Flute Sonata in E Minor, Wq 124: II. Allegro 01:40
• 15 Flute Sonata in E Minor, Wq 124: III. Menuett 02:15
• 16 Trio Sonata in F Major, Wq 163: I. Un poco andante 03:54
• 17 Trio Sonata in F Major, Wq 163: II. Allegretto 04:20
• 18 Trio Sonata in F Major, Wq 163: III. Allegro 02:48
• Ernst Gottlieb Baron (1696-1760):
• 19 Concerto a flauto dolci, au luth in D Minor: I. Adagio 01:55
• 20 Concerto a flauto dolci, au luth in D Minor: II. Allegro 01:37
• 21 Concerto a flauto dolci, au luth in D Minor: III. Siciliana 02:19
• 22 Concerto a flauto dolci, au luth in D Minor: IV. Gigue 02:16
• Johann Joachim Quantz:
• 23 Fantasies and Preludes, Giedde I.45: Vivace alla Francese 01:30
• Johann Christoph Schultze (1733-1813):
• 24 Concerto à 5 in B-Flat Major: I. Allegro 05:32
• 25 Concerto à 5 in B-Flat Major: II. Adagio 02:02
• 26 Concerto à 5 in B-Flat Major: III. Allegro 05:13
• Total Runtime 01:18:49

Info for Rococo - Musique à Sanssouci

Dorothee Oberlinger is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.

Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan at some of the most prestigious venues such as the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne.

She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.

Dorothee Oberlinger collaborates with the top Italian ensemble "Sonatori de la Gioiosa Marca", with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press.

She directs her own "Ensemble 1700", which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.

Dorothee Oberlinger, recorder

Dorothee Oberlinger
is one of the most amazing discoveries of recent years, an expressive virtuoso who has received numerous awards. Today she is seen as one of the best recorder-players in the world. Her concerts have been received with enthusiasm by critics and audiences alike, earning her unanimous acclaim. Her CDs are regularly fêted as the best new issues on the market.

Dorothee Oberlinger has given solo recitals at festivals all over Europe, in America and Japan at some of the most prestigious venues such as the Ludwigsburger Schlossfestspiele, the Musikfestspiele Potsdam, the Settimane Musicale Stresa, the Nederlandse Oude-Musik-Network, the Festival de Musica Antigua Sajazarra, the Warsaw Beethoven Festival, the Europäische Musikfestwoche Passau, the Rheingau-Musikfestival, the Tage der Alten Musik Regensburg and the MDR-Musiksommer. Other venues in which she has played include the Wigmore Hall in London, the National Philharmonie in Warsaw, the Marianischer Saal in Lucerne, the Rosée Theater in Fuji and the Philharmonie in Cologne.

She has been the guest soloist with leading international Baroque ensembles such as London Baroque and Musica Antiqua Köln directed by Reinhard Goebel, and she also plays regularly with modern symphony orchestras such as the WDR-Rundfunk-Sinfonieorchester and the Detmolder Kammerorchester.

Dorothee Oberlinger collaborates with the top Italian ensemble "Sonatori de la Gioiosa Marca", with whom she has given many concerts throughout Europe. Their joint CD of concertos by Antonio Vivaldi has received numerous awards from the international musical press.

She directs her own "Ensemble 1700", which she formed in 2003. Together they have realized a wide variety of projects relating to the music of the 17th and 18th centuries. In 2004 Dorothee Oberlinger was appointed professor at the renowned Mozarteum academy in Salzburg.

Booklet for Rococo - Musique à Sanssouci