Chastity Belt Chastity Belt

• 1 Ann's Jam 04:56
• 2 Elena 03:20
• 3 Effort 05:07
• 4 Rav-4 03:39
• 5 It Takes Time 04:04
• 6 Apart 03:33
• 7 Half-hearted 05:25
• 8 Split 03:53
• 9 Drown 04:06
• 10 Pissed Pants 04:54
• Total Runtime 42:57

Info for Chastity Belt

Chastity Belt’s energy is like a circuit, circling around the silly and the sincere. Tongue-in-cheek shit-shooting and existential rumination feed into each other infinitely.

Theirs is a long-term relationship, and that loop sustains them. That’s a creative thesis in and of itself, but isn’t that also just the mark of a true-blue friendship?

The band talks a lot about intention these days—how to be more present with each other. The four piece—Julia Shapiro (vocals, guitar, drums), Lydia Lund (vocals, guitar), Gretchen Grimm (drums, vocals, guitar) and Annie Truscott (bass)—is nine years deep in this, after all. It seems now, more than ever, that circuit is a movement of intentionality, one that creates a space inside which they can be themselves, among themselves. It’s a space where the euphoria of making music with your best friends is protected from the outside world’s churning expectations. It’s a kind of safe zone for the band to occupy as their best selves: a group of friends who love each other.

Their fourth record, Chastity Belt, comes out of that safe space. After a restorative few months on hiatus in 2018, each member worked on solo material or toured with other bands. “So much of the break was reminding ourselves to stay present, and giving ourselves permission to stop without saying when were gonna meet up again,” says guitarist Lydia Lund. “It was so important to have that—not saying, ‘we’re gonna get back together at this point,’ but really just open it up so we could get back to our present connection.”

Their experience navigating adult life within the strange seasons of the music industry has Chastity Belt orienting themselves towards whatever gets them to feel the most present with each other, in any part of the band grind. With the luxury of spending several weeks in the studio with Jay Som’s Melina Duterte, Chastity Belt was able to experiment. The new self-titled album is the work of the band playing “old songs, and trying new things on top of it,” like adding more dynamic harmonies and violin, says bassist Annie Truscott. Lydia, Gretchen, and Julia all share lead vocals on different tracks on the album. The result is their most sonically developed and nuanced record yet; one that’s not only a product of, but a series of reflections on what it means to take what you need and to understand yourself better.

Many of Chastity Belt’s signature dynamics, from the silly to the sincere, have read as feminist gestures: the Cool Slut DGAF-iness, the shrugging off of the “women in rock” press gargle, the fundamentally punk act of creating music on your own as a woman, and being lyrically forthright. What the making of Chastity Belt reveals is that the band has tapped into a deeper tradition of women making art on their terms: the act of self-preservation in favor of the long game. In favor of each other. In this cultural moment, taking space like this to prioritize the love over the product seems progressive. Chastity Belt’s intentions have resulted in an album deeply expressive of four people’s commitment to what they love most: making music with each other.

Chastity Belt

Chastity Belt
Taking cues from both the politics of the riot grrrl scene and the intricate, moody guitar-based sound of early-'90s Pacific Northwestern indie bands like Sleater-Kinney and Autoclave, Walla Walla, Washington-based Chastity Belt formed in 2010. The band consisted of lead vocalist/guitarist Julia Shapiro, bassist Annie Truscott, drummer Gretchen Grimm, and guitarist Lydia Lund. The group quickly integrated irreverent humor into its seemingly serious musical presence. Apart from witty and cutting lyrical content, the band named its first locally circulated demo recordings Fuck Chastity Belt and later shot press photos that portrayed Shapiro wearing a chastity belt made out of a raw steak. They continued this trend when releasing their proper debut, No Regerts, in 2013, subtly but intentionally misspelling "No Regrets" as one might on a horribly, ironically botched tattoo. The band toured heavily in support of No Regerts, and returned in early 2015 with sophomore album Time to Go Home on their new label home of Hardly Art Records. Chastity Belt traveled to Portland, Oregon to record fresh material with producer Matthew Simms in the summer of 2016. The result was I Used to Spend So Much Time Alone, a moodier and more personal third album from the group that was released by Hardly Art in June 2017.

This album contains no booklet.