Preludes, Rags & Cakewalks The Symphonic Brass of London & Eric Crees

• Scott Joplin (1868 - 1917):
• 1Swipesey Cake Walk (Arr. E. Crees for Brass & Percussion)03:14
• Claude Debussy (1862 - 1918):
• 2Children's Corner, L. 119: No. 6, Golliwogg's Cakewalk (Arr. E. Crees for Brass & Percussion)03:09
• Scott Joplin:
• 3The Strenuous Life (Arr. E. Crees for Brass & Percussion)03:51
• Erik Satie (1866 - 1925):
• 4Parade: No. 4, Rag-Time du paquebot (Arr. E. Crees for Brass & Percussion)03:32
• Scott Joplin:
• 5Solace (Arr. E. Crees for Brass & Percussion)05:43
• Claude Debussy:
• 6Preludes, Book 2, L. 123 (Excerpts Arr. E. Crees for Brass & Percussion): No. 3, La puerta del Vino04:21
• Darius Milhaud (1892 - 1974):
• 73 Rag Caprices, Op. 78: No. 1, Sec et musclé (Arr. E. Crees for Brass & Percussion)02:09
• Claude Debussy:
• 8Preludes, Book 1, L. 117 (Excerpts Arr. E. Crees for Brass & Percussion): No. 12, Minstrels02:40
• 9Preludes, Book 1, L. 117 (Excerpts Arr. E. Crees for Brass & Percussion): No. 8. La fille aux cheveux de lin02:35
• Georges Auric (1899 - 1983):
• 10Adieu, New York! (Arr. E. Crees for Brass & Percussion)06:44
• Scott Joplin:
• 11Searchlight Rag (Arr. E. Crees for Brass & Percussion)04:38
• Claude Debussy:
• 12Preludes, Book 1, L. 117 (Excerpts Arr. E. Crees for Brass & Percussion): No. 6, Das pas sur la neige04:13
• Erik Satie:
• 13La diva de l'empire (Arr. E. Crees for Brass & Percussion)02:51
• Claude Debussy:
• 14Le petit nègre, L. 114 (Arr. E. Crees for Brass & Percussion)02:03
• Scott Joplin:
• 15Weeping Willow (Arr. E. Crees for Brass & Percussion)04:31
• Claude Debussy:
• 16Preludes, Book 2, L. 123 (Excerpts Arr. E. Crees for Brass & Percussion): No. 9, Hommage à S. Pickwick Esq. P.P.M.P.C.02:34
• Scott Joplin:
• 17Rose Leaf Rag (Arr. E. Crees for Brass & Percussion)03:22
• Erik Satie:
• 18Le piccadilly (Arr. E. Crees for Brass & Percussion)01:47
• Scott Joplin:
• 19Bethena (Arr. E. Crees for Brass & Percussion)05:57
• Claude Debussy:
• 20Preludes, Book 2, L. 123 (Excerpts Arr. E. Crees for Brass & Percussion): No. 6, Général Lavine, eccentric03:01
• Scott Joplin:
• 21Stoptime Rag (Arr. E. Crees for Brass & Percussion)03:38
• Total Runtime01:16:33

Info for Preludes, Rags & Cakewalks

This vibrant recording celebrates the 100th anniversary of the death of Claude Debussy (1862-1918) and demonstrates the influence of the ragtime music of his contemporary Scott Joplin (1868-1917) on Debussy’s own music and that of Eric Satie and ‘Les Six’ in France. All of the arrangements, for ten brass and two percussion, are new and original, making this a world premiere recording.

The Symphonic Brass of London, one of the world’s greatest brass groups, makes its JAM on the Marsh Festival debut under its conductor, Eric Crees. Symphonic Brass is a handpicked ensemble of Britain’s very finest brass and percussion players.

The musicians bring a wealth of experience gained from holding solo, orchestral and chamber positions at the very highest level. They perform with many of the top orchestras in the UK and some of the biggest names in jazz, light and film music, both in live performance and the studio. This unique combination of excellence and mastery of varied styles has created an extraordinary ensemble whose musical flexibility is scond to none.

The Symphonic Brass of London
Eric Crees, conductor

The Symphonic Brass of London
is a handpicked ensemble of Britain’s very finest brass and percussion players. London is indesputably the world’s leading centre of musical excellence and our musicians reflect every aspect of music making in this vibrant city.

Our musicians bring a wealth of experience gained from holding solo, orchestral and chamber positions at the highest level. They perform with many of the top names in jazz, light and film music, both in live performance and the commercial studio. This unique combination of excellence and mastery of varied styles has created an extraordinary ensemble whose musical flexibility is second to none. The Symphonic Brass of London is widely celebrated for the impeccable quality of its orchestral sound and the vibrancy, high energy, pure joy and fun of its music-making.

The group is extremely flexible and performs in various formats: a Quintet, Dectet, and Large Symphonic Brass. These formats enable us to cater for any musical occasion; the Quintet with its lighter, flexible and intimate voicing; the Dectet, a ten part ensemble with a surprisingly weightier sound, expandable with percussion and voices; and ultimately the grandeur and huge impact of the nineteen part Large Symphonic Brass.

This makes us ideal for high quality concerts, corporate entertainment, promotional events, weddings, social events and ‘Last Night of The Proms’ spectaculars in venues of all sizes. Put simply, The Symphonic Brass of London can provide for any occasion where top class music-making is required.

The Symphonic Brass of London, under its Artistic Director Eric Crees, has already performed both in the UK and abroad to great acclaim. Performances include; guest ensemble at the Narbonne Festival and International Brass Quintet Competition, the National Brass Band Championships of Great Britain at the Royal Albert Hall and the Lord Mayor’s Banquet at the Mansion House, London.

Please enjoy the audio clips on the site to get a musical snapshot of the group performing a wide variety of music to suit any occasion.

Eric Crees
was born in London and studied at Wandsworth School, where, in the famous boys’ choir, he worked with many distinguished professional orchestras and conductors. Of particular importance was the school’s long association with Benjamin Britten, who wrote a solo part for him in the Children’s Crusade.

While still at school he was awarded a scholarship to study at the Guildhall School of Music and Drama and as a student undertook an extensive period of work with the Philip Jones Brass Ensemble. Having won the Mechanical Copyright Protection Society’s ‘Joyce Dixey Award’ for composition, he graduated from the University of Surrey with first class honours and joined the London Symphony Orchestra, where he spent twenty-seven years, twenty as Co-Principal Trombone. In September 2000 he was appointed Section Principal Trombone at The Royal Opera House, Covent Garden. In addition to concert and recording work, he has performed on many of the most iconic film soundtracks, including the first four of the Star Wars series, Superman 1 & 2, Raiders of The Lost Ark, Braveheart, Aliens, Who Killed Roger Rabbit, Lord of the Rings, Harry Potter 1, 2 & 3, Willow, Krull, Die Another Day, Rat Race, Life of Brian, An American Tail, Honey I Shrunk the Kids, Long Walk to Freedom, as well as dozens more.

As director of London Symphony Orchestra Brass for many years he regularly conducted them at the Barbican Centre and internationally. He made five CDs with the ensemble: two originally for Collins Classics, American Brass and Cathedral Brass,(re-released as Brass Americana and Sacred Brass on Alto) featuring many of his arrangements, which are also available on LSO Live and three of a world première recording by Naxos Records of the complete forty-three instrumental ensemble sonatas and canzonas of Giovanni Gabrieli, for which he made a new performing edition, available from Brass Wind Publications.

In 2011 Eric edited the complete works that Belgium composer Paul Gilson wrote for La Fanfare Wagnérienne, a brass group based at the Brussels Conservatory at the turn of the 20th century, using the brass instruments that Wagner used in his Ring Cycle. Extraordinarily, these works had not been performed for 100 years. He has made a world première recording of them on the Musical Concepts label with Guildhall Brass. released in May 2013.

Since joining Covent Garden, he has directed the Royal Opera House Brass Soloists in concert at the Floral Hall to great critical success and made two recordings for Brass Classics, On The Town and The Twelve days of Christmas, which includes many of his carol arrangements sung by the Chorus of the Royal Opera House.

He has also written acclaimed arrangements for The London Trombone Sound and The London Horn Sound, for Cala Records, and has worked for many of the world’s most distinguished ensembles and brass bands in concerts, recordings, television and radio broadcasts. His symphonic brass version of Bernstein’s Suite from West Side Story has been commercially recorded four times. Three of his arrangements have been featured on a Chicago Symphony Brass CD on CSO Live.

Recent original compositions include Silk Street Stomp written for the Guildhall School of Music Big Band and played at a festival of youth big bands at the Queen Elizabeth Hall, Two Antiphonal Fanfares performed at the Lord Mayor’s banquet at the Mansion House, Frighteners’ Gallop for 8 horns commissioned by the British Horn Society, Orage for 16 trombones written for Bone Lab and premiered at the Dartington Summer School,The Birth of Conchobar for symphonic brass and percussion for the Ulster Youth Orchestra, Three Sketches from Rackham for flute and harp, Flourish for solo trombone and Carillons for six harps for the Royal Academy of Music Harp Ensemble.

In order to develop and extend his work for the large ensemble, with Nick Lloyd, he formed The Symphonic Brass of London, a hand-picked group of Britain’s finest brass and percussion players who have performed at home and abroad to great acclaim. In January 2014 they released their first CD - A Bridge Over The Pyrenees.

Eric is also an internationally renowned teacher and is Professor of Trombone, B.Mus. course tutor, Conductor of Wind, Brass and Percussion, and arranging and composing lecturer at the Guildhall School of Music and Drama where he was made a Fellow in 1991. He is a frequent coach at music colleges and specialist schools both in the UK and abroad, as well as the National Youth Orchestras of Great Britain, Belgium, Spain, the Ulster Youth Orchestra and the Pacific Youth Orchestra in Japan. Many of his stu

In March 2014 the International Trombone Association presented him with the prestigious ’Neill Humfeld Award for Teaching Excellence 2014’ ‘In recognition of his distinguished teaching career and with deep appreciation for the inspiration and example he has provided for trombonists of our time’.

Booklet for Preludes, Rags & Cakewalks