Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 & "Grande sonate pathétique", Op. 13 Gianluca Cascioli

• Ludwig van Beethoven (1908 - 1992): 2 Rondos, Op. 51:
• 1 Beethoven: 2 Rondos, Op. 51: No. 1, Rondo in C Major 04:58
• Piano Sonata No. 7 in D Major, Op. 10 No. 3:
• 2 Beethoven: Piano Sonata No. 7 in D Major, Op. 10 No. 3: I. Presto 07:39
• 3 Beethoven: Piano Sonata No. 7 in D Major, Op. 10 No. 3: II. Largo e mesto 09:18
• 4 Beethoven: Piano Sonata No. 7 in D Major, Op. 10 No. 3: III. Menuetto. Allegro 02:54
• 5 Beethoven: Piano Sonata No. 7 in D Major, Op. 10 No. 3: IV. Rondo. Allegro 04:21
• Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique":
• 6 Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": I. Grave - Allegro di molto e con brio 10:07
• 7 Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": II. Adagio cantabile 04:32
• 8 Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Grande sonate pathétique": III. Rondo. Allegro 04:51
• Piano Sonata No. 12 in A Flat-Major, Op. 26:
• 9 Beethoven: Piano Sonata No. 12 in A Flat-Major, Op. 26: I. Andante con variazioni 07:39
• 10 Beethoven: Piano Sonata No. 12 in A Flat-Major, Op. 26: II. Scherzo. Allegro molto 02:52
• 11 Beethoven: Piano Sonata No. 12 in A Flat-Major, Op. 26: III. Marcia funebre sulla morte d’un Eroe 05:39
• 12 Beethoven: Piano Sonata No. 12 in A Flat-Major, Op. 26: IV. Allegro 03:14
• Total Runtime 01:08:04

Info for Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 & "Grande sonate pathétique", Op. 13

Beethoven’s music has always lain at the heart of Gianluca Cascioli’s research into interpretation. What distinguishes the present work is above all the choice of instrument: a fortepiano modelled on an 1805 Anton Walter built by Paul McNulty, an instrument equipped with both a moderator and the una corda stop, like the one that Beethoven asked the same builder to make in 1802. The recording is in fact dedicated to works composed and published between the years 1796 and 1802.

The interest in historical performance practices and original sources, which has increasingly become a defining mark of Cascioli’s performances, is another evident characteristic of this new recording, which features, among other things, arpeggiated chords, embellishments, ornamented fermatas and the use of rubato. All decisions on such matters, however, are always firmly founded on the sources, methods and treatises of Beethoven’s own day, as the artist himself explains in the interview included in the liner notes. Cascioli has now arrived at his twelfth recording of works by the great composer – the first for Arcana , after many issued on distinguished labels like Deutsche Grammophon and Harmonia Mundi.

Gianluca Cascioli, piano

Gianluca Cascioli
Gianluca Cascioli’s career as pianist was launched with his victory at the 1994 Umberto Micheli International Piano Competition before a jury that included Luciano Berio, Elliott Carter, Maurizio Pollini, and Charles Rosen. He has since appeared in the major music centres of Europe, North America, and Japan and has performed with such prestigious ensembles as the Berlin Philharmonic, the Boston Symphony, the Camerata Salzburg, the Chamber Orchestra of Europe, the Chicago Symphony, the English Chamber Orchestra, the London Philharmonic, the Philharmonia Orchestra, the Los Angeles Philharmonic, the Mahler Jugendorchester, the Mahler Chamber Orchestra, the Royal Philharmonic, the La Scala Philharmonic, the New York Philharmonic, the Wiener Symphoniker, the Wiener Philharmoniker. Conductors with whom he has collaborated include Claudio Abbado, Vladimir Ashkenazy, Myung-Whun Chung, Valery Gergiev, Daniel Harding, Riccardo Muti, Lorin Maazel, Zubin Metha, Yuri Temirkanov e Mstislav Rostropovich, among others. Cascioli has performed chamber music with Mstislav Rostropovich, Yuri Bashmet, Maxim Vengerov, Frank Peter Zimmermann, Clemens Hagen, Sabine Meyer.

Cascioli records for Decca and Deutsche Grammophon. His most recent release includes Beethoven’s Violin Sonatas together with violinist Sayaka Shoji for Deutsche Grammophon, and Mozart’s Piano Sonatas (DGG 4810866). Gianluca Cascioli studied composition at the Conservatorio Giuseppe Verdi di Torino with Alessandro Ruo Rui and later with Alberto Colla. Cascioli’ s compositions have been performed in important venues such as the Musikhalle (Hamburg), Wigmore Hall (London), and Palau de la Musica (Barcellona). In 2009 Cascioli was awarded 2nd Prize at the 27th International I.C.O.M.S. Competition for Composers with his first Trio for violin, cello and piano. In 2010 Cascioli was awarded 1st Prize at the 28th International I.C.O.M.S. Competition for Composers with his Tre pezzi lirici per violino e pianoforte. In 2010 Cascioli’s Fantasy for piano and orchestra was awarded the Mozart-Prize from the Jury of the 16th International Competition “2 Agosto”, with Ennio Morricone president. In 2012 Cascioli’s orchestral work Trasfigurazione was awarded 1st Prize at the 1st Francesco Agnello Composition Competition. In 2013 Trasfigurazione was performed 13 times throughout Italy by different orchestras such as Orchestra del Teatro La Fenice conducted by Diego Matheuz, Orchestra del Teatro Regio di Torino conducted by Gianandrea Noseda, Orchestra Haydn di Bolzano e Trento conducted by Günther Pichler, Orchestra del Maggio Musicale Fiorentino conducted by Tito Ceccherini. In 2014, Cascioli’ s Trio for clarinet, cello and piano was awarded 1st prize at the XXVI Moncalieri European Composition Competition. In 2015 Cascioli wins the second edition of the Francesco Agnello Composition Competition (with Ennio Morricone, president of the jury) with his Second Piano Trio.

Booklet for Beethoven: Piano Sonatas, Op. 10 No. 3, Op. 26 & "Grande sonate pathétique", Op. 13