Cover Paraules

Album info

Album-Release:
2023

HRA-Release:
26.10.2023

Label: IBS Classical

Genre: Classical

Subgenre: Instrumental

Artist: Noè Rodrigo Gisbert

Composer: Iannis Xenakis (1922-2001), Salvatore Sciarrino (1947), Edison Denisov (1929-1996), Santiago Vallejo, Bruno Mantovani (1974), Yardani Torres Maiani (1988)

Album including Album cover Booklet (PDF)

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FLAC 192 $ 14.50
  • Iannis Xenakis (1922 - 2001): Psappha:
  • 1 Xenakis: Psappha 13:02
  • Salvatore Sciarrino (b. 1947): Il Legno e la parola:
  • 2 Sciarrino: Il Legno e la parola 08:08
  • Edison Denisov (1929 - 1996): Schwarze Wolken:
  • 3 Denisov: Schwarze Wolken 09:49
  • Silvia Borzelli (b. 1978): Wooden:
  • 4 Borzelli: Wooden 10:07
  • Polo Vallejo (b. 1959): Tactus:
  • 5 Vallejo: Tactus 08:09
  • Bruno Mantovani (b. 1974): Moi, jeu…:
  • 6 Mantovani: Moi, jeu... 09:02
  • Jesús Torres (b. 1965): Tiento:
  • 7 Torres: Tiento 11:00
  • Total Runtime 01:09:17

Info for Paraules



Spanish percussionist Noè Rodrigo is one of the most talented musicians of his generation. Having performed all over Europe and the US at most major concert halls and festivals, he has premiered more than 50 pieces by composers of over 20 nationalities. His interpretations of the percussion “classics” have been described by critics and audiences as highly virtuosic, technically impeccable and musically complex while featuring a large palette of colours. With PARAULES, (Words) Rodrigo brings to life seven works by essential composers of the XXth Century: Xenakis, Sciarrino, Mantovani, Denisov, Spanish music never before recorded (Torres and Vallejo) alongside more recent pieces (Borzelli). Seventy minutes where the young artist is able to show a stunning versatility, embracing every aesthetic with intelligence and accuracy, aiming for unique interpretations. If in the beginning music was a verb, like singing, shortly after it became percussion: initially, doubling the prosody of the voice; later, introducing a growing range of rhythms and colours that have made it the most heterogeneous, surprising and multicultural of all the instrumental families. In Sciarrino’s words (PARAULES): ‘a wooden percussion instrument can hardly sing, but at the same time I wonder if it cannot speak, shout, moan or murmur’.

Noè Rodrigo Gisbert, percussion

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Booklet for Paraules

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