Butterflies in Disguise Antenna Fuzz

• 1 Danger Is Over 04:03
• 2 Up in the Sky 03:13
• 3 Susie You're an Angel 03:29
• 4 Escape This Paradigm 03:10
• 5 Hints of Wonder 05:45
• 6 Rise and Shine 00:54
• 7 Don't Pinch Me Now 03:33
• 8 Keep My Head 03:53
• 9 Good Memories 04:57
• 10 One in a Zillion 06:29
• Total Runtime 39:26

Info for Butterflies in Disguise

Butterflies in Disguise is an album of original songs that examines an ever-growing dependency on technology, how the digital world brings about excessive noise and stifles room for wonder, and how we cope nostalgically. The title represents an interplay between nature and technology within the music, where acoustic elements become disguised by digital transformation.

strong> Hassan Estakhrian, vocals, electric bass, electric guitar, virtual instruments, percussion
strong> Rachel Beetz, flute
strong> Mattie Barbier, trombone
strong> Nicholas Deyoe, electric guitar
strong> Alison Bjorkedal, harp
strong> Ashley Walters, cello
strong> Michiko Theurer, violin
strong> Dustin Donahue, vibraphone
strong> Nolan Miranda, synthesizer, piano
strong> Hans Kretz, piano
strong> Michele Cheng, piano
strong> Rebekah Heller, bassoon
strong> Jack Perry, rum set, percussion
strong> Dustin Donahue, drum set

Antenna Fuzz
is a music group that collides genres such as rock, funk, jazz, electronic, contemporary classical, and computer music. The group is directed by Hassan Estakhrian and is comprised of alternating members. Formed in 2015 in Southern California, Antenna Fuzz has since premiered two original sci-fi rock operas — Zolk Tizzer and Zolk Tizzer and the Mitten of Miracles.

Hassan Estakhrian
is a cross-disciplinary musician based in California. He works as a composer, performer, songwriter, intermedia artist, producer, music technologist, audio engineer, singer, multi-instrumentalist, and educator. He collides musical genres that span across rock, funk, jazz, experimental, electronic, and contemporary classical. His body of work includes rock operas, chamber pieces, games with adaptive graphic scores, structured improvisation, and intermedia stories based in fantasy and science fiction. He develops tools for music production, compositional aid, and live performance, conducts research in virtual acoustics and immersive audio, and produces records in the studio. Hassan is currently a postdoctoral scholar at Stanford University’s Center for Computer Research in Music and Acoustics where he also teaches sound recording technology courses.

This album contains no booklet.