The Gift Susanne Abbuehl

• 1 The Cloud 05:10
• 2 This and My Heart 03:38
• 3 If Bees Are Few 01:39
• 4 My River Runs to You 05:20
• 5 Ashore At Least 07:36
• 6 Forbidden Fruit 02:03
• 7 By Day, By Night 04:03
• 8 A Slash of Blue 01:33
• 9 Wild Nights 06:40
• 10 In My Room 04:53
• 11 Bind Me 01:21
• 12 Soon (Five Years Ago) 03:14
• 13 Fall, Leaves, Fall 04:04
• 14 Sepal 01:31
• 15 Shadows On Shadows 04:04
• 16 This and My Heart, Var. 04:26
• Total Runtime 01:01:15

Info for The Gift

Singer Susanne Abbuehl has a unique approach to setting verse, getting inside the texts, exploring their inner melodies and rhythms, setting them free to float and sway. The approach is beautifully realized on “The Gift”, recorded in the South of France in the summer of 2012. Poetry embraced on this occasion includes words by Emily Dickinson, Emily Bronté, Sara Teasdale, Wallace Stevens, and Susanne’s own lyrics. In the seven years that have elapsed since the release of “Compass”, Abbuehl’s band has been reorganized. Wolfert Brederode remains an important, central presence. New to the ensemble are Matthieu Michel, a highly intuitive musical partner since 2009, whose flugelhorn is a wonderful second voice here, and Olavi Louhivouri, whose sensitive drumming was previously heard on Tomasz Stanko’s “Dark Eyes”.

In her albums of sung poetry, Susanne Abbuehl grants words room to move. For her, “setting verse” implies more than the pinning of a poem’s cadences to a fixed arrangement. On “The Gift”, as on the earlier recordings “April” and “Compass”, she insinuates herself inside the texts, explores their inner rhythms and their melodies and meanings, and sets them free to gently float and sway. The approach is beautifully realized on this third ECM album by the Swiss-Dutch singer, recorded in the South of France in the summer of 2012 with, perhaps, the most responsive band she has yet led. As with the earlier discs, Manfred Eicher produced the recording.

Poetry embraced on this occasion includes words by Emily Dickinson, Emily Brontë, Sara Teasdale, Wallace Stevens, and Susanne’s own lyrics. Where “Compass” was an album whose texts spoke of voyages, “The Gift” is more concerned with the pleasures of the harbour and the homestead, with understanding the richness and fecundity of one’s own territory through the changing seasons: “Futile – the Winds / To a Heart in port – / Done with the Compass / Done with the Chart!” – so sings Abbuehl, channeling Emily Dickinson’s spirit, on “Wild Nights”.

Dickinson (1830-1886), Emily Brontë (1818-1848), and Sara Teasdale (1884-1933) were all, by choice, temperament or circumstance, reclusive writers. But fixed location need not temper the flight of the imagination: a landscape or soundscape can be dreamt up, if necessary. Dickinson, again: “To make a prairie it takes a clover and one bee / One clover, and a bee. /And revery. /And revery alone will do, / If bees are few”.

The idea of interpreting a world through selected signs recurs through the poems. “In My Room,” derives from Wallace Stevens’ poem “On the Surface of Things” (first published in 1919): “In my room, the world is beyond my understanding; / But when I walk I see that it consists of three or four hills and a cloud.” With a few broad brushstrokes, the Abbuehl group illuminates it...

Seven years have passed since the release of “Compass”. In the interim, work on the music has continued, and Abbuehl’s band has been reshaped. Wolfert Brederode remains a central presence in the line-up. The Dutch pianist has been a musical partner for two decades; Brederode and Abbuehl met while studying at the Royal Conservatory in The Hague. The singer praises Brederode’s capacity for shaping music in the moment, for implementing ideas and developing them. In Abbuehl’s group, Brederode’s patient chords and subtle harmonies always serve the context, without a hint of self-display.

Swiss trumpet and flugelhorn player Matthieu Michel has been a highly intuitive musical partner since 2009. “We never talk about a direction. Everything arises out of the music, without any conceptualizing.” Matthieu Michel’s flugelhorn is often an evocative second lead voice here; sometimes flugelhorn and voice drift together in graceful unisons, as on “This And My Heart”…

The sensitive playing of Finnish drummer Olavi Louhivuori was previously heard on Tomasz Stanko’s “Dark Eyes” album. Susanne first worked with Louhivouri in Helsinki in 2007. “He has an affinity for the voice. In his playing he always finds new approaches, new colours, and his playing opens up the music as a whole.”

Where, on earlier discs, Abbuehl drew on the works of other jazz composers – including music of Chick Corea and Sun Ra on “Compass”, and Carla Bley and Thelonious Monk on “April” – the music of “The Gift” is written almost entirely by Abbuehl. The sole exception is “Soon (Five Years ago)”, with music by Wolfgang Lackerschmid and lyrics by Susanne.

Susanne Abbuehl, voice
Matthieu Michel, flugelhorn
Wolfert Brederode, piano, Indian harmonium
Olavi Louhivuori, drums, percussion

Recorded July 2012
Studios La Buissonne, Pernes_les_Fontaines
Engineered by Gérard de Haro
Produced by Manfred Eicher

Susanne Abbuehl
Swiss/Dutch singer and composer was born in Berne, Switzerland, on July 30, 1970. Drawn to music and language early on, composing songs and writing words in her own language, she started studying the harpsichord at age seven. At age seventeen, she moved to Los Angeles where she graduated from high school and started taking lessons in classical singing. She was a member of a high school jazz group that toured the U.S. and Canada. Back in Europe, she took up professional education in jazz and classical voice at the Royal Conservatory of The Hague, where she studied with the late Jeanne Lee. She earned a Masters Degree, graduating cum laude.

Abbuehl also studied North Indian classical vocal music with Dr. Indurama Srivastava in Amsterdam and later became a student of famed master singer Dr. Prabha Atre in Bombay, to whom she regularly returns.

She studied composition and analysis with Dutch composer Diderik Wagenaar.

Her recordings for ECM, „April“ (2001), and “Compass” (2006) received wide critical acclaim internationally. „April“ won an EDISON Music Award (Dutch Grammy) in 2002.

2013 will see the release of „The Gift“, her third recording for ECM. It features compositions by Susanne Abbuehl for poems by Sara Teasdale, Emily Brontë and Emily Dickinson. Produced by Manfred Eicher, the line-up includes Dutch pianist Wolfert Brederode, Swiss flugelhornist Matthieu Michel and Finnish drummer Olavi Louhivuori.

With her own group, Susanne Abbuehl has toured extensively and was invited to perform at major festivals in Europe, North America, Asia and Africa.

She performed and recorded with musicians from various musical backgrounds, including the Jeanne Lee Music & Dance Ensemble, Christof May, Stephan Oliva, Michel Portal, Mats Eilertsen and Paolo Pandolfo.

Susanne Abbuehl has been commissioned to compose for various settings, including work for radio, theatre, and sound environments.

As the only non-American singer, she was chosen by the Downbeat Critics Poll 2002 in the category “Best Female Vocalist/Talent Deserving Wider Recognition”. In the same poll, one year later, she held the 6th position in the category “Rising Star Female Vocalist”, and her album “April” was featured among the best in the category “Beyond Album”.

Susanne Abbuehl is Professor at the music universities in Lucerne and Lausanne, Switzerland. She has also lectured in France, Italy, England and Holland.

Booklet for The Gift