Pure Bach Rahel Maria Rilling & Johannes Roloff

• Johann Sebastian Bach (1685 - 1750): Violin Sonata in B Minor, BWV 1014:
• 1 Bach: Violin Sonata in B Minor, BWV 1014: I. Adagio 03:50
• 2 Bach: Violin Sonata in B Minor, BWV 1014: II. Allegro 03:13
• 3 Bach: Violin Sonata in B Minor, BWV 1014: III. Andante 02:35
• 4 Bach: Violin Sonata in B Minor, BWV 1014: IV. Allegro 02:28
• Violin Sonata in A Major, BWV 1015:
• 5 Bach: Violin Sonata in A Major, BWV 1015: I. Andante 02:55
• 6 Bach: Violin Sonata in A Major, BWV 1015: II. Allegro assai 03:16
• 7 Bach: Violin Sonata in A Major, BWV 1015: III. Andante un poco 02:53
• 8 Bach: Violin Sonata in A Major, BWV 1015: IV. Presto 03:44
• Violin Sonata in E Major, BWV 1016:
• 9 Bach: Violin Sonata in E Major, BWV 1016: I. Adagio 04:38
• 10 Bach: Violin Sonata in E Major, BWV 1016: II. Allegro 03:08
• 11 Bach: Violin Sonata in E Major, BWV 1016: III. Adagio ma non tanto 04:46
• 12 Bach: Violin Sonata in E Major, BWV 1016: IV. Allegro 04:04
• Violin Sonata in C Minor, BWV 1017:
• 13 Bach: Violin Sonata in C Minor, BWV 1017: I. Siciliano. Largo 03:06
• 14 Bach: Violin Sonata in C Minor, BWV 1017: II. Allegro 04:55
• 15 Bach: Violin Sonata in C Minor, BWV 1017: III. Adagio 03:07
• 16 Bach: Violin Sonata in C Minor, BWV 1017: IV. Allegro 03:38
• Violin Sonata in F Minor, BWV 1018:
• 17 Bach: Violin Sonata in F Minor, BWV 1018: I. Largo 05:42
• 18 Bach: Violin Sonata in F Minor, BWV 1018: II. Allegro 03:33
• 19 Bach: Violin Sonata in F Minor, BWV 1018: III. Adagio 03:48
• 20 Bach: Violin Sonata in F Minor, BWV 1018: IV. Vivace 02:32
• Violin Sonata in G Major, BWV 1019:
• 21 Bach: Violin Sonata in G Major, BWV 1019: I. Allegro 03:35
• 22 Bach: Violin Sonata in G Major, BWV 1019: II. Largo 01:33
• 23 Bach: Violin Sonata in G Major, BWV 1019: III. Allegro 03:55
• 24 Bach: Violin Sonata in G Major, BWV 1019: IV. Adagio 03:00
• 25 Bach: Violin Sonata in G Major, BWV 1019: V. Allegro 03:47
• Total Runtime 01:27:41

Info for Pure Bach

The “Sei Suonate à Cembalo certato è Violino Solo”, as Bach’s six Sonatas for Violin and Harpsichord (BWV 1014–1019) are entitled in the oldest surviving fair copy, are undoubtedly among those works which have set new standards in chamber music. They have long established themselves on the world’s concert platforms, and yet they still raise questions.

There is no certainty about when or where the sonatas were written. Did Bach compose them when he moved to Leipzig? And did he deliberately plan them as a set of six? We cannot tell. Accordingly, Bach’s Violin Sonatas BWV 1014–1019 are not only unbelievably varied, they amount to a veritable treasure-chamber of musical forms and moods. Bach’s son Carl Philipp Emanuel perceptively remarked in 1774 that the Sonatas sounded “very good even now, even though they are over 50 years old”, and in addition contained “some Adagii, which one could not set more songfully at the present day”. That “present day” was the world in which Emanuel Bach lived and worked, the world of the Enlightenment, the galant style and the “sentiment” of Empfindsamkeit. From such a perspective, as works in which the primacy of melody is constantly evident despite the narrow limits imposed by the writing for trio, the Violin Sonatas may be perceived as a bridge into our own times.

Rahel Maria Rilling, violin
Johannes Roloff, piano

Rahel Rilling
born in Stuttgart in 1976, is a versatile, internationally sought-after artist. She comes from a celebrated family of musicians and was given her first violin lessons when she was four. Her father is Helmuth Rilling, the conductor and Bach specialist. Even in her youth, she was playing as a violinist on many of his concert tours, in programmes that made Bach’s music better known all over the world.

After studying in Berlin, Zurich and Tel Aviv, she joined what is now the NDR Elbphilharmonie Orchestra in Hamburg. She has played as deputy leader at Berlin’s Komische Oper and is a frequent guest with the Berlin Philharmonic.

As a soloist, she has played in concert with lead- ing international orchestras such as the Musikkollegium Winterthur or the Orquesta Sinfónica Simón Bolívar, directed by Gustavo Dudamel, in Caracas/Venezuela.

Chamber music is her greatest passion, which she loves to communicate to young musicians. In 2006, Rahel Rilling founded the Hohenstaufen Chamber Music Festival, which has taken place close to Stuttgart since then (www.hohen-staufen-festival.de). The “Hohenstaufen Ensemble”, which she initiated, gives guest performances internationally and has also put out music by her great-grandfather Robert Kahn on CD (Häns- sler). Together with Sir Simon Rattle, Magdalena Kožená and a small ensemble, she has appeared with her ”Soirée” programme in many countries (the programme CD is on the Pentatone label).

Master classes and workshops have taken her from Hong Kong to Chile and Venezuela, where she has also worked with children from the slums.

Her interests range beyond “serious” music to jazz, pop and experimental works. In 2006 she founded the string quartet known as “Die Nixen” (the mermaids), whose repertoire ranges from its own arrangements of jazz and pop numbers to newly composed works. She is also a member of the internationally recognized group “Salut Salon”.

Rahel Rilling plays a violin built by Tomaso Balestrieri, Cremona, in 1767.

Johannes Roloff
Born in Berlin in 1957, Johannes Roloff was given his first piano lessons by his mother when he was six. He studied piano in Berlin and Munich between 1977 and 1983. Since 1983, he has been living and working in Berlin.

Johannes Roloff has undertaken concert tours to Japan, Korea, Canada, Russia, Mexico, Brazil, Australia and Switzerland. He has worked as a soloist with a variety of orchestras (Berliner Symphoniker, RSO Berlin, Orquesta de Cámara de Bellas Artes Mexico City, Seoul Sinfonietta, Philharmonic Orchestra of Kaliningrad).

Johannes Roloff is also active as a composer of music for theatre and film. Apart from that, he has worked since 1991 as arranger, musical director and pianist with the comedy trio “Geschwister Pfister”. Over the past 30 years he has been involved in numerous stage shows, operettas, musicals and theatrical pieces.

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