Dig In Deep Bonnie Raitt

• 1 Unintended Consequence Of Love 04:49
• 2 I Need You Tonight 03:19
• 3 I Knew 04:00
• 4 All Alone With Something To Say 03:12
• 5 What You're Doin' To Me 04:54
• 6 Shakin' Shakin' Shakes 04:50
• 7 Undone 04:13
• 8 If You Need Somebody 05:11
• 9 Gypsy In Me 04:09
• 10 The Comin' Round Is Going Through 05:29
• 11 You've Changed My Mind 04:09
• 12 The Ones We Couldn't Be 04:14
• Total Runtime 52:29

Info for Dig In Deep

With „Dig In Deep“, her twentieth album, Rock and Roll Hall of Famer Bonnie Raitt comes out swinging. The follow-up to 2012’s triumphant Slipstream—the Grammy-winning, Top Ten-charting first release on her own Redwing Records label—the new record illustrates the delicate balance of consistency and risk-taking that has defined Raitt’s remarkable career for more than forty-five years.

'The response to 'Slipstream' was such a refreshing and unexpected boost,' says Raitt. 'So going into this album, I had renewed energy.'

Feeling that her recent, two-year-long tour was one of her best ever, Raitt was eager to get her touring band back in the studio. She again produced the album herself (other than one track taken from her 2010 sessions with Joe Henry), and brought Ryan Freeland back as the project's engineer. Notably, Raitt has writing credits on five of the album's songs, the most original compositions she has contributed to a record since 1998's 'Fundamental'.

'I was really inspired to come up with some songs that went with grooves that I missed playing in my live show, and to dig deeper into some topics I hadn't yet mined,' she said. 'I don't write easily and can get distracted, but remembering how satisfying it was to come up with something new of my own, and writing with guys I love—like my longtime bandmates George Marinelli and Jon Cleary—I found that once the wheels started turning, the music came pouring out.'

Debuting in the Top Ten, 'Slipstream' marked not only Raitt's first release on her own label, but her biggest chart success in two decades. The album was praised as 'gripping' (New York Times), 'masterful' (Hollywood Reporter) and 'emotionally searing' (Variety). Simply put, it was embraced as 'one of the best of her 40-year career' (American Songwriter).

Now, with 'Dig In Deep', Raitt returns with her characteristic, incomparable blend of blues, rock, R&B, and pop, and a healthy dose of the signature slide work from the woman Rolling Stone named one of the '100 Greatest Guitarists of All Time.' 'I'm feeling pretty charged, and the band and I are at the top of our game,' says Bonnie Raitt. 'I think all these years together pay off, and the best part is that we know how lucky we are to still get to make our livings doing something we love this much.'

Bonnie Raitt, vocals, guitars, piano
George Marinelli, guitar, backing vocals
Mike Finnigan, keyboards, organ
Patrick Warren, keyboards
Jon Cleary, piano
James „Hutch“ Hutchinson, bass
Ricky Fataar, drums, percussion
Arnold McCuller, backing vocals
Maia Sharp, backing vocals

Recorded Winter 2015 at Henson Studios, Hollywood and Stampede Origin Studio, Culver City, California
Mixed Spring 2015 at Stampede Origin Studio, Culver City, California
Recorded and mixed by Ryan Freeland
Produced by Bonnie Raitt, Joey Henry

Bonnie Raitt
In the late '60s, restless in Los Angeles, she moved east to Cambridge, Massachusetts. As a Harvard/Radcliffe student majoring in Social Relations and African Studies, she attended classes and immersed herself in the city's turbulent cultural and political activities. "I couldn't wait to get back to where there were folkies and the antiwar and civil rights movements," she says. "There were so many great music and political scenes going on in the late '60s in Cambridge." Also, she adds, with a laugh, "the ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind."

Raitt was already deeply involved with folk music and the blues at that time. Exposure to the album 'Blues at Newport 1963' at age 14 had kindled her interest in blues and slide guitar, and between classes at Harvard she explored these and other styles in local coffeehouse gigs. Three years after entering college, Bonnie left to commit herself full-time to music, and shortly afterward found herself opening for surviving giants of the blues. From Mississippi Fred McDowell, Sippie Wallace, Son House, Muddy Waters, and John Lee Hooker she learned first-hand lessons of life, as well as invaluable techniques of performance.

"I'm certain that it was an incredible gift for me to not only be friends with some of the greatest blues people who've ever lived, but to learn how they played, how they sang, how they lived their lives, ran their marriages, and talked to their kids," she says. "I was especially lucky as so many of them are no longer with us."

Word spread quickly of the young red-haired blueswoman, her soulful, unaffected way of singing, and her uncanny insights into blues guitar. Warner Bros. tracked her down, signed her up, and in 1971 released her debut album, 'Bonnie Raitt'. Her interpretations of classic blues by Robert Johnson and Sippie Wallace made a powerful critical impression, but the presence of intriguing tunes by contemporary songwriters, as well as several examples of her own writing, indicated that this artist would not be restricted to any one pigeonhole or style.

Over the next seven years she would record six albums. 'Give It Up', 'Takin' My Time', 'Streetlights', and 'Home Plate' were followed in 1977 by 'Sweet Forgiveness', which featured her first hit single, a gritty Memphis/R&B arrangement of Del Shannon's "Runaway." Three Grammy nominations followed in the 1980s, as she released 'The Glow', 'Green Light', and 'Nine Lives'. A compilation of highlights from these Warner Bros. albums (plus two previously unreleased live duets) was released as 'The Bonnie Raitt Collection' in 1990. All of these Warner albums have been digitally remastered and re-released. In between sessions, when not burning highways on tour with her band, she devoted herself to playing benefits and speaking out in support of an array of worthy causes, campaigning to stop the war in Central America; participating in the Sun City anti-apartheid project; performing at the historic 1980 No Nukes concerts at Madison Square Garden; co-founding MUSE (Musicians United for Safe Energy); and working for environmental protection and for the rights of women and Native Americans.

After forging an alliance with Capitol Records in 1989, Bonnie achieved new levels of popular and critical acclaim. She won four Grammy Awards in 1990—three for her 'Nick of Time' album and one for her duet with John Lee Hooker on his breakthrough album 'The Healer'. Within weeks, 'Nick of Time' shot to number one (it is now certified quintuple platinum). 'Luck of the Draw' (1991, seven-times platinum) brought even more success, firing two hit singles—"Something to Talk About" and "I Can't Make You Love Me"—up the charts, and adding three more Grammys to her shelf. The double-platinum 'Longing in Their Hearts', released in 1994, featured the hit single "Love Sneakin' Up On You" and was honored with a Grammy for Best Pop Album. It was followed in 1995 by the live double-CD and film 'Road Tested' (now available on DVD). Along with her own set, it features duets with Bryan Adams, Jackson Browne, Bruce Hornsby, Ruth Brown, Charles Brown, and Kim Wilson.

After all the awards and honors and decades of virtually non-stop touring under her belt, Bonnie continued her activism and guesting on numerous friends' records, including Ruth Brown, Charles Brown, Keb' Mo, Ladysmith Black Mambazo, and Bruce Cockburn, as well as tribute records for Richard Thompson, Lowell George, and Pete Seeger. She picked up another Grammy in 1996 for Best Rock Instrumental Performance for her collaboration on "SRV Shuffle" from the all-star 'Tribute to Stevie Ray Vaughan', and continued her "dual career," performing with her father, John, in concerts as well as on his Grammy-nominated album, 'Broadway Legend', released in 1995.

In 1998, she returned to the studio with a new collaborative team to create Fundamental, one of her most exploratory projects, signaling her growing desire to "shake things up a bit." Inspired by the music of Zimbabwean world-beat master Oliver Mtukudzi, Bonnie wrote "One Belief Away," the first single, with Paul Brady and Dillon O'Brian.

In March of 2000, Bonnie was inducted into the Rock and Roll Hall of Fame; this was followed by her welcome into the Hollywood Bowl Hall of Fame, along with her father, in June 2001.

After the Fundamental tour, she went back into the studio with her veteran road band to record 'Silver Lining', released in 2002. Featuring Bonnie's stunning interpretation of the David Gray-penned title track, the Grammy-nominated "Gnawin' On It," and the hit single "I Can't Help You Now," 'Silver Lining' was considered by many critics to be one of the best albums of her career. She promoted the album with a lengthy world tour that included her Green Highway Festival and an eco-partnership promoting BioDiesel fuel, the environment, and alternative energy solutions at shows and benefits along the way. In 2003, she released the retrospective 'The Best of Bonnie Raitt' on Capitol.

Raitt stayed busy with more guest appearances, including the stunning duet "Do I Ever Cross Your Mind" on Ray Charles' final release 'Genius Loves Company', which won the Grammy award for Album of the Year, and a duet on the Grammy-winning album 'True Love' by Toots & The Maytals. Her 1989 breakthrough album 'Nick of Time', was remixed for surround sound, and released by Capitol Records in 2004 as a DVD-Audio, garnering a Grammy nomination in the newly created category, Best Surround Sound Album.

In 2003, she also participated in Martin Scorsese's acclaimed PBS series, 'The Blue's, performing two songs in Wim Wenders' film, 'The Soul of a Man', and joining the all-star cast of 'Lightning in a Bottle', the live feature concert film on the Blues directed by Antoine Fuqua. She also contributed songs for two Disney movies, 'The Country Bears' and 'Home on the Range'. She played guitar on a track on Stevie Wonder's album 'A Time To Love', and appeared in the TV/DVD tribute 'Music l0l: Al Green'. … Visit: http://www.bonnieraitt.com/bio

Booklet for Dig In Deep