Bach, Beethoven, Rzewski Igor Levit

• Johann Sebastian Bach (1685-1750): Goldberg Variations, Aria with 30 Variations, BWV 988
• 1 Aria 04:25
• 2 Var. 1 a 1 Clav. 01:55
• 3 Var. 2 a 1 Clav. 01:50
• 4 Var. 3 - Canone all' Unisono a 1 Clav. 01:57
• 5 Var. 4 a 1 Clav. 01:06
• 6 Var. 5 a 1 ovvero 2 Clav. 01:20
• 7 Var. 6 - Canone alla Seconda a 1 Clav. 01:22
• 8 Var. 7 a 1 ovvero 2 Clav. Al tempo di Giga 01:51
• 9 Var. 8 a 2 Clav. 01:52
• 10 Var. 9 - Canone alla Terza a 1 Clav. 02:07
• 11 Var. 10 - Fughetta a 1 Clav. 01:40
• 12 Var. 11 a 2 Clav. 01:44
• 13 Var. 12 - Canone alla Quarta 02:05
• 14 Var. 13 a 2 Clav. 05:36
• 15 Var. 14 a 2 Clav. 02:02
• 16 Var. 15 - Canone alla Quinta a 1 Clav. Andante 04:17
• 17 Var. 16 - Ouverture a 1 Clav. 02:55
• 18 Var. 17 a 2 Clav. 01:48
• 19 Var. 18 - Canone alla Sesta a 1 Clav. 01:27
• 20 Var. 19 a 1 Clav. 01:25
• 21 Var. 20 a 2 Clav. 01:48
• 22 Var. 21 - Canone alla Settima 02:43
• 23 Var. 22 a 1 Clav. Alla breve 01:37
• 24 Var. 23 a 2 Clav. 02:05
• 25 Var. 24 - Canone all' Ottava a 1 Clav. 02:34
• 26 Var. 25 a 2 Clav. 08:00
• 27 Var. 26 a 2 Clav. 02:01
• 28 Var. 27 - Canone alla Nona a 2 Clav. 01:34
• 29 Var. 28 a 2 Clav. 02:13
• 30 Var. 29 a 1 ovvero 2 Clav. 01:53
• 31 Var. 30 - Quodlibet a 1 Clav. 01:45
• 32 Aria da capo 04:29
• Ludwig van Beethoven (1770-1827): 33 Variations on a waltz by Anton Diabelli, Op. 120
• 33 Tema. Vivace 00:47
• 34 Var. 1 - Alla Marcia maestoso 01:52
• 35 Var. 2 - Poco allegro 00:49
• 36 Var. 3 - L'istesso tempo 01:32
• 37 Var. 4 - Un poco più vivace 00:59
• 38 Var. 5 - Allegro vivace 00:52
• 39 Var. 6 - Allegro ma non troppo e serioso 01:41
• 40 Var. 7 - Un poco più allegro 01:00
• 41 Var. 8 - Piu vivace 01:34
• 42 Var. 9 - Allegro pesante e risoluto 01:59
• 43 Var. 10 - Presto 00:33
• 44 Var. 11 - Allegretto 01:04
• 45 Var. 12 - Un poco più moto 00:47
• 46 Var. 13 - Vivace 01:05
• 47 Var. 14 - Grave e maestoso 05:01
• 48 Var. 15 - Presto scherzando 00:34
• 49 Var. 16 - Allegro 00:54
• 50 Var. 17 00:58
• 51 Var. 18 - Poco moderato 01:58
• 52 Var. 19 - Presto 00:42
• 53 Var. 20 - Andante 02:24
• 54 Var. 21 - Allegro con brio, Meno allegro, Tempo I 01:22
• 55 Var. 22 - Allegro molto (alla Notte e giorno faticar di Mozart) 00:50
• 56 Var. 23 - Allegro assai 00:51
• 57 Var. 24 - Fughetta. Andante 02:44
• 58 Var. 25 - Allegro 00:45
• 59 Var. 26 00:56
• 60 Var. 27 - Vivace 00:53
• 61 Var. 28 - Allegro 00:55
• 62 Var. 29 - Adagio ma non troppo 01:18
• 63 Var. 30 - Andante, sempre cantabile 02:14
• 64 Var. 31 - Largo, molto espressivo 05:18
• 65 Var. 32 - Fuga. Allegro, Poco adagio 03:11
• 66 Var. 33 - Tempo di Menuetto moderato (ma non tirarsi dietro) 03:31
• Frederic Rzewski (1938): 36 Variations on El Pueblo Unido Jamás Será Vendico!
• 67 Thema. With determination 01:30
• 68 Var. 1 - Weaving, delicate but firm 01:01
• 69 Var. 2 - With firmness 00:57
• 70 Var. 3 - Slightly slower, with expressive nuances 01:10
• 71 Var. 4 - Marcato, with determination 00:59
• 72 Var. 5 - Dreamlike, frozen, a little slower, Tempo 01:39
• 73 Var. 6 - Same tempo as beginning, Slower, Tempo, Slower 01:14
• 74 Var. 7 - Tempo (Lightly, impatiently) 00:53
• 75 Var. 8 - With agility, not too much pedal, crisp 01:15
• 76 Var. 9 - Evenly 01:30
• 77 Var. 10 - Comodo, recklessly 01:12
• 78 Var. 11 - Tempo I. Like fragments of an absent melody, in strict time 01:05
• 79 Var. 12 01:32
• 80 Var. 13 02:18
• 81 Var. 14 - A bit faster, optimistically 01:15
• 82 Var. 15 - Flexible, like an improvisation 01:47
• 83 Var. 16 - Same tempo as preceding, with fluctuations, much pedal, expansive, with a victorious feeling 01:42
• 84 Var. 17 - Left hand strictly. Right hand freely, roughly in space 01:23
• 85 Var. 18 01:46
• 86 Var. 19 - With energy 00:39
• 87 Var. 20 - Crisp, precise 00:34
• 88 Var. 21 - Relentless, uncompromising 00:49
• 89 Var. 22 - Very expressionate 00:44
• 90 Var. 23 - As fast as possible, with some rubato 00:25
• 91 Var. 24 03:12
• 92 Var. 25 02:39
• 93 Var. 26 - In a militant manner 01:15
• 94 Var. 27 - Tenderly, with a hopeful expression, Cadenza, Fiercely 05:35
• 95 Var. 28 01:22
• 96 Var. 29 00:32
• 97 Var. 30 02:55
• 98 Var. 31 01:00
• 99 Var. 32 01:00
• 100 Var. 33 01:13
• 101 Var. 34 01:02
• 102 Var. 35 01:21
• 103 Var. 36 - Improvisation 06:44
• 104 Thema. Tempo I 03:12
• Total Runtime 03:13:40

Info for Bach, Beethoven, Rzewski

Following his landmark recordings, "Beethoven - The Late Piano Sonatas" and "Bach - Partitas", both of which has won him international acclaim, Igor Levit is now tackling another three major works: Bach's Goldberg Variations, Beethoven's Diabelli Variations, and Frederic Rzewski's Variations on "The People United Will Never Be Defeated".

It is testament to Igor Levit's invention and the command of his repertoire that in one release he is able to combine arguably two of history's greatest sets of variations for the keyboard, complete alongside a classic of late 20th century piano music by contemporary composer Frederic Rzewski.

Levit comes with great pedigree when it comes to recording the works of Bach and Beethoven, with his 2013 Beethoven disc winning him the BBC Music Magazine Newcomer of the Year 2014 Award, the Royal Philharmonic Society's Young Artist Award 2014 and the ECHO 2014 for Solo Recording of the Year. His second recording, J.S. Bach's Six Partitas in 2014, was Gramophone's Disc of the Month.

Igor Levit, Klavier

Igor Levit
starts his 2014-15 season with recital performances featuring staples of his repertoire such as Bach, Beethoven, Busoni and Shostakovich at Frankfurt’s Alte Oper, Prinzregententheater Munich, Laeiszhalle Hamburg, Konzerthaus Berlin, as well as at Copenhagen’s Black Diamond, Birmingham’s Town Hall and at Tonhalle Zürich. London’s Wigmore Hall is dedicating an introductory series to Igor Levit featuring three solo recitals throughout the season, the finale being an evening of music by Cornelius Cardew and Frederic Rzewski in July 2015. In spring 2015 Igor Levit returns to the Heidelberger Frühling in his capacity of the Festival’s Chamber Music Academy’s Artistic Director and makes recital debuts with Washington’s Performing Arts Society and The Gilmore in Michigan. Orchestral debuts await with the San Francisco Symphony (Heras-Casado) and Cincinnati Symphony Orchestra (Norrington) as well as with the hr-Sinfonieorchestr (Manze) and the Bavarian Radio Symphony Orchestra (Bringuier). The season sees Igor Levit reunited with the London Philharmonic Orchestra, Staatskapelle Dresden (V. Jurowski) and the WDR Sinfonieorchester (Saraste). He returns in recital to Germany’s summer festivals, Ludwigsburger Schlossfestspiele, Klavierfestival Ruhr, Kissinger Sommer, Festspiele as well as Mecklenburg-Vorpommern and continues his Beethoven Sonata Cycle at the Schubertiade in Austria.

Last season Igor Levit celebrated both his recital and orchestral debut on the main stage of Vienna’s Musikverein to great critical acclaim: jumping in for Maurizio Pollini in June 2014 and for Helene Grimaud (City of Birmingham Symphony Orchestra with Andris Nelsons) respectively in March 2014. Only four days earlier on 12 March 2014, Igor Levit made his New York City recital debut at the Park Avenue Armory to effusive reviews both by The New Yorker and The New Times. Further recital performances in 2013-14 saw him amongst others at Zurich’s Tonhalle, at the Berlin Philharmonie and London’s Queen Elizabeth Hall. The season marked his debuts with the Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin and the Royal Scottish National Orchestra. He was Artist in Residence at the Kissinger Sommer as well as Preisträger in Residence at the Festival Mecklenburg-Vorpommern.

An exclusive recording artist for Sony Classical, Igor Levit’s debut disc of the five last Beethoven sonatas won the BBC Music Magazine Newcomer of the Year 2014 Award, the Royal Philharmonic Society’s Young Artist Award 2014 and the ECHO 2014 for Solo Recording of the Year (19th Century Music)/Piano. His second recording for Sony – Johann Sebastian Bach’s Six Partitas – was released in August 2014.

Highlights of the 2012-13 season included debuts with the Orchestre Philharmonique du Luxembourg, the BBC Symphony Orchestra, WDR Sinfonieorchester and Danish National Symphony Orchestra. Nominated by Laeiszhalle Elbphilharmonie Hamburg, Kölner Philharmonie and Festspielhaus Baden-Baden for the concert series „ECHO Rising Stars“, Igor Levit has debuted as a recitalist at Brussel’s Palais des Beaux Arts, Amsterdam’s Concertgebouw, the Musikverein, Town Hall, Birmingham and Stockholm’s Konserthus.

Mr. Levit has also appeared with the London Philharmonic Orchestra, Staatskapelle Dresden, Vienna Symphonic Orchestra and the NDR Radiophilharmonie Hannover – engagements which were immediately followed by re-invitations. . Having dedicated to Igor Levit eight sonatas of his cycle “Nano Sonaten”, Frederic Rzewski has composed a cycle of four pieces “Dreams II” for him which Igor Levit will premiere at Heidelberger Frühling in 2015. Composer Frederic Rzewski has dedicated eight sonatas of his cycle “Nano Sonaten” to Igor Levit and is currently composing a world premiere for the young pianist in 2015. Among Igor Levit’s chamber music partners are Lisa Batiashvili, Simon Bode, Ning Feng, Julia Fischer, Sol Gabetta, Christiane Karg, Jörg Widmann, Maxim Vengerov and Tabea Zimmermann.

Born in Nizhni Nowgorod in 1987, Igor Levit at age eight moved with his family to Germany where he completed his piano studies at Hannover Academy of Music, Theatre and Media in 2009 with the highest academic and performance scores in the history of the institute. Mr. Levit has studied under the tutelage of Karl-Heinz Kämmerling, Matti Raekallio, Bernd Goetze, Lajos Rovatkay and Hans Leygraf.

As youngest participant in 2005 Arthur Rubinstein Competition in Tel Aviv, Igor Levit won the Silver Prize, the Prize for Best Performer of Chamber Music, the „Audience Favorite“ Prize and the Prize for Best Performer of Contemporary Music. Previously, he had won the First Prize of the International Hamamtsu Piano Academy Competition in Japan. Since 2003 Igor Levit has been a scolarship student at Studienstiftung des Deutschen Volkes as well as at Deutsche Stiftung Musikleben.

Booklet for Bach, Beethoven, Rzewski