A Kind Revolution (Deluxe) Paul Weller
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- 1Woo Sé Mama03:44
- 3Long Long Road03:23
- 4She Moves with the Fayre04:22
- 5The Cranes are Back04:23
- 7New York04:42
- 8One Tear04:23
- 9Satellite Kid05:17
- 10The Impossible Idea03:39
- 11Woo Sé Mama (Instrumental)03:44
- 12Nova (Instrumental)03:58
- 13Long Long Road (Instrumental)03:23
- 14She Moves with the Fayre (Instrumental)04:22
- 15The Cranes are Back (Instrumental)04:23
- 16Hopper (Instrumental)03:14
- 17New York (Instrumental)04:42
- 18One Tear (Instrumental)04:22
- 19Satellite Kid (Instrumental)05:17
- 20The Impossible Idea (Instrumental)03:39
- 22She Moves with the Fayre (Villagers Remix)05:46
- 23New York (Nightwatch, Prof. Kybert Remix)04:29
- 24Nova (Toy Remix)06:41
- 25One Tear (Club Cut, Prof. Kybert Remix)04:49
- 26Hopper (White Label Remix)05:22
- 27Satellite Kid (Syd Arthur Remix)04:15
- 28She Moves with the Fayre (Breakdown Instrumental, Prof. Kybert Remix)04:10
- 29Woo Sé Mama (E & TC Remix)04:27
Info for A Kind Revolution (Deluxe)
2017, marks the 40th anniversary of Paul Weller’s first album, “In The City”, which he released with The Jam in May 1977. For most artists such a landmark would be greeted with extensive retrospective celebrations: lavish reissues and all that jazz. But Paul Weller is not like most artists, instead releasing a new studio album, because releasing new albums is what Paul Weller does. Always moving forwards, almost clinically averse to nostalgia or checking his progress in the rear-view mirror.
And so, continuing his never-ending creative peak, Paul Weller releases his eagerly awaited 13th studio album “A Kind Revolution”.
Weller started work on “A Kind Revolution” immediately after finishing 2015’s “Saturns Pattern”, first tickling out the funky strut of “New York” and the beautiful slow-mo gospel of “The Cranes Are Back” - a song that ties in the changing face of London with the power of nature. The album’s title is taken from a line in the aforementioned song.
Musicians on the album feature most of the touring band faithful with Andy Crofts and Ben Gordelier being the top mainstays. Steve Cradock and Steve Pilgrim also feature on several tracks. Opening track “Woo Sé Mama” sees legendary soul singers PP Arnold & Madeleine Bell supply their distinctive vocal skills while the exceedingly funky “One Tear” features the unmistakable voice of the one and only Boy George. Paul even managed to lure Robert Wyatt out of retirement to sing and play trumpet on “She Moves With The Fayre”. Finally, and once again, The Strypes’ guitarist Josh McClorey has been drafted in to add his magic to 3 tracks.
“A Kind Revolution” features ten absolute classic modern Paul Weller songs. By “modern Paul Weller songs” we mean, instantly recognisable but in no way predictable. He doesn’t make a “kind of” album, he fits together all his influences - rock, R&B, soul, jazz, funk, folk…whatever - and builds a song from them, delivering something that drifts through genres unselfconsciously and at ease. Two great examples of this are two of the most reflective, contemplative songs, “Long Long Road” and “Hopper”, which in lesser hands might have been delivered as ballads, but Weller adds so much texture and colour to each that they defy categorisation. With great age comes great wisdom…
Written and recorded at de facto HQ, Black Barn Studios in Surrey, “A Kind Revolution” was produced and arranged by Jan ‘Stan’ Kybert and Paul himself.
As the leader of the Jam, Paul Weller fronted the most popular British band of the punk era, influencing legions of English rockers ranging from his mod revival contemporaries to the Smiths in the '80s and Oasis in the '90s. During the final days of the Jam, he developed a fascination with Motown and soul, which led him to form the sophisti-pop group the Style Council in 1983. As the Style Council's career progressed, Weller's interest in soul developed into an infatuation with jazz-pop and house music, which eventually led to gradual erosion of his audience — by 1990, he couldn't get a record contract in the U.K., where he had previously been worshiped as a demigod. As a solo artist, Weller returned to soul music as an inspiration, cutting it with the progressive, hippie tendencies of Traffic. Weller's solo records were more organic and rootsier than the Style Council's, which helped him regain his popularity within Britain. By the mid-'90s, he had released three successful albums that were both critically acclaimed and massively popular in England, where contemporary bands like Ocean Colour Scene were citing him as an influence. Just as importantly, many observers, while occasionally criticizing the trad rock nature of his music, acknowledged that Weller was one of the few rock veterans who had managed to stay vital within the second decade of his career.
Weller's climb back to the top of the charts was not easy. After Polydor rejected the Style Council's fifth, house-influenced album in 1989, Weller broke up the group and lost both his record contract and his publishing deal. Over the next two years, he was in seclusion as he revamped his music. In 1991, he formed the Paul Weller Movement and released "Into Tomorrow" on his own independent label, Freedom High Records. A soulful, gritty neo-psychedelic song that represented a clear break from the Style Council, "Into Tomorrow" reached the U.K. Top 40 that spring, and he supported the single with an international tour, where he worked out the material that comprised his eponymous 1992 solo debut. Recorded with producer Brendan Lynch, Paul Weller was a joyous, soulful return to form that was recorded with several members of the Young Disciples, former Blow Monkey Dr. Robert, and Weller's then-wife, Dee C. Lee. The album debuted at number eight on the U.K. charts, and was received with positive reviews.
Wild Wood, Weller's second solo album, confirmed that the success of his solo debut was no fluke. Recorded with Ocean Colour Scene guitarist Steve Cradock, Wild Wood was a more eclectic and ambitious effort than its predecessor, and it was greeted with enthusiastic reviews, entering the charts at number two upon its fall 1993 release. The album would win the Ivor Novello Award for Outstanding Contemporary Song Collection the following year. Weller supported the album with an extensive tour that featured Cradock as the group's leader; the guitarist's exposure on Wild Wood helped him successfully relaunch Ocean Colour Scene in 1995. At the end of the tour, Weller released the live album Live Wood late in 1994. Preceded by "The Changingman," which became his 17th Top Ten hit, 1995's Stanley Road was his most successful album since the Jam, entering the charts at number one and eventually selling nearly a million copies in the U.K.
By this point, Weller decided to stop attempting to break into the United States market and canceled his North American tour. Of course, he was doing so well in the England that he didn't need to set his sights outside of the U.K. Stanley Road may have been greeted with mixed reviews, but Weller had been re-elevated to his status as an idol, with the press claiming that he was the father of the thriving Brit-pop movement, and artists like Noel Gallagher of Oasis singing his praises. In fact, while neither artist released a new album in 1996, Weller's and Gallagher's influence was felt throughout the British music scene, as '60s roots-oriented bands like Ocean Colour Scene, Cast, and Kula Shaker became the most popular groups in the U.K.
Weller returned in the summer of 1997 with Heavy Soul. Modern Classics: Greatest Hits followed a year later. Heliocentric — which at the time of its release he claimed was his final studio effort — appeared in the spring of 2000. The live record Days of Speed followed in 2001, and he released his sixth studio album, Illumination, in 2002. A collection of covers called Studio 150 appeared in 2004, followed by an all-new studio release, As Is Now, in October of 2005 on Yep Roc. Released in 2006, Catch-Flame! Live at the Alexandra Palace preceded Yep Roc’s mammoth Hit Parade box set. It was followed in 2008 by 22 Dreams, a two-disc studio epic that managed to touch on all of Weller's myriad influences. His tenth solo album, Wake Up the Nation, was released in 2010 and it proved another success, earning a nomination for the Mercury Music Prize. Weller's next album, Sonik Kicks, arrived in the spring of 2012; it debuted at number one in the U.K. and was eventually certified silver. The summer of 2014 brought More Modern Classics, a second solo hits compilation that rounded up the singles Weller released after Heavy Soul. The next spring, Weller returned with his twelfth solo album, Saturns Pattern.
This album contains no booklet.