Dolce concento: Les Italiens à Paris sous Louis XIV La Palatine, Marie Théoleyre, Guillaume Haldenwang

• Jean-Baptiste Lully (1632 - 1687): Ballet de Xerse, LWV 12:
• 1 Lully: Ballet de Xerse, LWV 12: Overture 02:11
• Francesco Cavalli (1602 - 1676): Xerse, Act I, Scene 10:
• 2 Cavalli: Xerse, Act I, Scene 10: Aria. Fiamma che accesa fu 02:46
• Jean-Baptiste Lully: Ballet de Xerse, LWV 12, Act V Final entrance:
• 3 Lully: Ballet de Xerse, LWV 12, Act V Final entrance: Gigue pour Bacchus 00:46
• 4 Lully: Ballet de Xerse, LWV 12, Act V Final entrance: Rondeau pour les mesmes 01:09
• Theobaldo di Gatti (ca. 1650 - 1727): Scylla, Act V Scene 1:
• 5 Gatti: Scylla, Act V Scene 1: Aria. Où vais-je ? Qu'ai-je fait ! 02:45
• Coronis:
• 6 Gatti: Coronis: Overture 02:44
• Paolo Lorenzani (1640 - 1713): Nicandro e Fileno, Act III Scene 3:
• 7 Lorenzani: Nicandro e Fileno, Act III Scene 3: Aria. Lassa far che degg'io 05:11
• Ben ti sta folle mio cuore:
• 8 Lorenzani: Ben ti sta folle mio cuore 02:27
• Theobaldo di Gatti: Coronis, Prologue:
• 9 Gatti: Coronis, Prologue: Air 01:02
• Scylla, Act IV Scene 3:
• 10 Gatti: Scylla, Act IV Scene 3: Air 00:47
• 11 Gatti: Scylla, Act IV Scene 3: Rigaudons 01:49
• Antonia Bembo (ca. 1640 - ca. 1720): Produzioni Armoniche:
• 12 Bembo: Produzioni Armoniche: Air. Ha ! Que l'absence est un cruel martyre 03:18
• André Campra (1660 - 1744): Le Carnaval de Venise, Act IV Scene 1:
• 13 Campra: Le Carnaval de Venise, Act IV Scene 1: Sinfonia Orfeo nell'inferi 02:43
• Jean-Baptiste Stuck (1680 - 1755): Méléagre, Act IV Scene 4:
• 14 Stuck: Méléagre, Act IV Scene 4: Prélude de Diane 00:51
• Méléagre, Prologue Scene 1:
• 15 Stuck: Méléagre, Prologue Scene 1: Aria. C'est ici le brillant séjour 02:00
• Méléagre, Prologue Scene 2:
• 16 Stuck: Méléagre, Prologue Scene 2: Aria. Divin Père de l'harmonie 02:13
• Giovanni Antonio Guido (ca. 1675 - ca. 1729): S'armi pure invitta e fiera:
• 17 Guido: S'armi pure invitta e fiera 04:14
• André Campra: Le Carnaval de Venise, Act II Scene 3:
• 18 Campra: Le Carnaval de Venise, Act II Scene 3: Canaries (Bonus Track) 01:14
• Jean-Baptiste Stuck: Pur ti connobbi (excerpts):
• 19 Stuck: Pur ti connobbi (excerpts) 05:50
• André Campra: Les Fêtes vénitiennes, Second entrance Scene 7:
• 20 Campra: Les Fêtes vénitiennes, Second entrance Scene 7: Marche de la Fortune 01:16
• Les Fêtes vénitiennes, Third entrance Scene 3:
• 21 Campra: Les Fêtes vénitiennes, Third entrance Scene 3: Air des Polichinelles 01:05
• Michel de la Barre (ca. 1675 - 1745): La Vénitienne, Act III Scene 5:
• 22 Barre: La Vénitienne, Act III Scene 5: Gigue 01:03
• André Campra: Les Fêtes vénitiennes, Third entrance Scene 3:
• 23 Campra: Les Fêtes vénitiennes, Third entrance Scene 3: Chaconne 03:42
• Jean-Baptiste Stuck: Héraclite et Démocrite:
• 24 Stuck: Héraclite et Démocrite: Aria. Pleurez, mes tristes yeux 06:10
• Jean-Baptiste Lully, Anonymous: Atys, LWV 53, Act I Scene 3: Aria. Quand le péril est agréable - Chansonnier de Maurepas:
• 25 Lully, Anonymous: Atys, LWV 53, Act I Scene 3: Aria. Quand le péril est agréable - Chansonnier de Maurepas: Baptiste est fils d'une meunière (Bonus Track) 02:30
• Total Runtime 01:01:46

Info for Dolce concento: Les Italiens à Paris sous Louis XIV

In its fascination with Italy, nurtured by all that was best in Florence, Rome and Venice, 17th-century France saw the blossoming of a new national art. Though Lully in his pomp might seem to have subdued the musical world of his time, the ensemble La Palatine has helped us to restore it in a quite different constellation – one that is far more diverse, overflowing with imaginative riches.

La Palatine
Marie Theoleyre, soprano
Guillaume Haldenwang, harpsichord, direction

La Palatine
Cultivating curiosity, poetry, audacity and sharing: this is the mission of the baroque ensemble La Palatine. This “instrumental and vocal string quartet” takes its place under the sparkling and quirky figure of the Princess Palatine, the truculent sister-in-law of the Sun King. Specialising in the French and Italian repertoires of the 17th century, they are keen to touch the audience directly with the colours and expressiveness of their interpretations. Passionate about the dialogue between the arts, La Palatine conceives its concerts as true spectacles full of life and fantasy.

Created in 2019, the young ensemble performs in numerous festivals such as the Ambronay Festival, Embaroquement Immédiat, the York Early Music Festival and Mars en Baroque. La Palatine is a laureate of the International H.IF.Biber Competition (Austria) where it won the F.J. Aumann prize for new discoveries in baroque music. A member of the European Eeemerging + programme, the latter revealed the ensemble at the Ambronay Festival 2021. La Palatine is also supported by the Centre de Musique Baroque de Versailles and the Royaumont Foundation.

Booklet for Dolce concento: Les Italiens à Paris sous Louis XIV