Cover Westland

Album info



Label: Naxos

Genre: Classical

Subgenre: Chamber Music

Artist: Timothy McAllister & Liz Ames

Composer: Andy Scott

Album including Album cover Booklet (PDF)


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FLAC 96 $ 10.40
  • Andy Scott (b. 1966):
  • 1Three Letter Word (Version for Saxophone & Piano)06:32
  • 2Fujiko (Version for Saxophone & Piano)04:16
  • 3Sonata (Version for Saxophone & Piano): I. —03:38
  • 4Sonata (Version for Saxophone & Piano): II. —04:44
  • 5Sonata (Version for Saxophone & Piano): III. —03:31
  • 6And Everything Is Still... (Version for Saxophone & Piano)03:18
  • 7MHP (Version for Saxophone & Piano)03:14
  • 8Respectfully Yours (Version for Saxophone & Piano)04:01
  • 9Paquito (Version for Saxophone & Piano)02:26
  • 10Westland05:03
  • 11My Mountain Top (Version for Saxophone & Electronics)08:32
  • Total Runtime49:15

Info for Westland

Andy Scott is a British Composer Award winner and a founder member of the Apollo Saxophone Quartet. As a saxophonist for over 40 years, Scott’s virtuosic yet harmonically subtle music is open to a wide variety of influences. His works are performed on this album by the world-famous virtuoso Timothy McAllister, and the admired English author Lemn Sissay narrates his own poem on My Mountain Top.

"Rarely does an artist in my field have the opportunity to present a recorded anthology of works by a single composer—there simply aren’t enough multiple compositions for saxophone by any one composer out there! I am grateful to Andy Scott for all he does for the saxophone—as a pioneering performer and composer—and this project represents our shared labor of love. I couldn’t ask for a better partner and collaborator in Liz Ames, and this recording represents some of our best work to date. Andy has challenged us with not only virtuosic works, but also great shifts in style, rhythm, and genre. It is thrilling to hear the works in such a recital format and to discover the different worlds of sound each piece inhabits from one to the next. The works exude a deep sense of humility and love, and the project as a whole—wonderfully engineered—is a landmark in my own discography. On behalf of Liz and myself, we hope you enjoy this special collection by such a remarkable composer." (Tim McAllister)

"Andy Scott, born in the English seaside resort of Bournemouth in 1966, become a founder member of the Apollo Saxophone Quartet and a highly prolific composer.

This new release covers music written in the present century, mainly for saxophone and piano, and reflects a wide diversity of influences from the classics to the world of jazz and funk, his published works often containing a feeling of improvisation. There is also a requirement for virtuosity, often calling for mercurial fingers that will create that ‘tingle’ factor for audience enjoyment. Most are quite short, the opening Three Letter Word, having an element of Minimalism in its building blocks, particularly in the supportive piano role. Maybe it is my background in the world of classics, but it is his three-movement Sonata that fully captured my attention. It is garbed in highly imaginative colours, the alto sax often musically dancing around the piano, sometimes rather seductively, and with a finale that is high on activity and a jazzy French influence. The remaining tracks are mostly quite short, with a gorgeous moment of tranquillity in And Everything is Still, and an affectionate picture of the late Richard Rodney Bennett in Respectfully Yours. Finally two works for solo saxophone: Westland a demonstration of the Tenor Saxophone, with electronics joining the Soprano Saxophone in My Mountaim Top. Guiding the listener through these World Premiere Recordings, we have the renowned American saxophonist, Timothy McAllister. Credited with over 200 first performances, he has appeared in most of the world, often in the company of the world’s most famous orchestras. Rather throaty and aggressive for the disc’s opening track, the recording is otherwise very good, and gives Liz Ames, a most flexible pianist, a presence that is never short of impact." (David’s Review Corner)

Timothy McAllister, soprano saxophone (tracks 2, 6, 11), alto saxophone (on tracks 1, 3–5, 7–9), tenor saxophone (on track 10)
Liz Ames, piano (on tracks 1–9)
Lemn Sissay, narrator (on track 11)

Timothy McAllister
Soprano chair of the renowned PRISM Quartet and internationally-acclaimed soloist, TIMOTHY McALLISTER has been hailed as a “virtuoso…one of the foremost saxophonists of his generation” (The New York Times), an “exemplary soloist” (Gramophone Magazine), and “a titan of contemporary music and the instrument, in general” (The Cleveland Plain Dealer). Since his solo debut at age sixteen with the Houston Civic Symphony, his career has taken him throughout the United States, Australia, Russia, Canada, Japan, China, Mexico, France, Slovenia, Switzerland, Great Britain, The Netherlands, Belgium, and Austria, garnering prizes at many prestigious national and international competitions, with solo performances in such venues as Prince Royal Albert Hall in London, the Sydney Opera House, Carnegie Hall’s Isaac Stern Auditorium, Zankel Hall and Weill Recital Hall, Boston’s Jordan Hall, Hong Kong Cultural Centre, Los Angeles’ Walt Disney Concert Hall, Sumida Triphony Hall in Tokyo, Dallas’ Meyerson Symphony Center, and the Concertgebouw in Amsterdam.

McAllister’s critically acclaimed, internationally released recordings can be heard on the Nonesuch, Stradivarius, Summit, OMM, Einstein, NAXOS, AUR, New Dynamic, Albany, Equilibrium, New Focus, Centaur, G.I.A. Publications, Parma, and Innova labels. Mark Stryker of the Detroit Free Press recognized his albums as among the top classical saxophone recordings in the industry.

McAllister has premiered over 200 new works by today’s most eminent and emerging composers ranging from solo compositions by Gunther Schuller, Caleb Burhans, Jennifer Higdon, Benjamin Broening, Kati Agocs, Mischa Zupko, Gregory Wanamaker, Roshanne Etezady, Kristin Kuster to saxophone quartets and chamber works by William Bolcom, Martin Bresnick, Steven Mackey, Lee Hyla, Libby Larsen, Lei Liang, John Harbison, David Rakowski, Zhou Long, Chen Yi, Joel Puckett, Brian Fennelly, Evan Chambers, Ken Ueno, Donnacha Dennehy, David T. Little among many others. In October 2009, he appeared as saxophonist with the Los Angeles Philharmonic for Maestro Gustavo Dudamel’s Inaugural Gala concert performing the world premiere of Pulitzer Prize and multiple Grammy winning composer John Adams’ major new work, City Noir (released on DVD by Deutsche Grammophon), and performed the work with the orchestra throughout its May 2010 U.S. Tour, with appearances in San Francisco, Chicago, Phoenix, Philadelphia, and New York City’s Avery Fisher Hall at Lincoln Center. In March 2015, he reprised his City Noir role with the LAPhil and Dudamel for an acclaimed Asian Tour, including concerts in Hong Kong, Beijing, Seoul and Tokyo. He reunited with Dudamel in June 2017 to perform the work with the famed Berlin Philharmonic, which appears on the Digital Concert Hall and was recorded for the Berlin Philharmonic’s “John Adams Edition” anthology.

In August 2013, he gave the World Premiere of John Adams’ Saxophone Concerto - described by The Sydney Morning Herald as “an astonishing performance” - with the Sydney Symphony Orchestra under the baton of the composer in the Sydney Opera House. Subsequent United States premieres and international performances throughout 2013 and 2014 occurred with Marin Alsop and the Baltimore and Sao Paulo State (Brazil) symphonies, along with a recording of the Concerto and City Noir for Nonesuch Records with David Robertson and the St. Louis Symphony, which won the 2015 GRAMMY Award for Best Orchestral Performance. Other engagements with the Concerto have included the BBC Proms with the BBC Symphony Orchestra, Royal Liverpool Philharmonic, Milwaukee Symphony Orchestra, New World Symphony, Hong Kong Philharmonic, Croatian Radiotelevision Symphony, and the Cabrillo Festival Orchestra. As part of the 70th Birthday celebrations worldwide honoring Adams in 2017, he performed the Concerto with the Houston Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Orchestre National de Lyon, Indianapolis Symphony, along with other performances of Adams’s music with the Los Angeles Philharmonic, San Diego Symphony, and the Berlin Philharmonic.

Other recent performances as soloist and recording artist include the London Symphony Orchestra, Brussels Philharmonic, Strasbourg Philharmonic Orchestra, CityMusic Cleveland Chamber Orchestra, Fort Wayne Philharmonic, Elgin Symphony, Cabrillo Festival Orchestra, Reno Philharmonic, the Hot Springs Festival Orchestra, Texas Festival Orchestra at Round Top, Dallas Wind Symphony, United States Navy Band, Hong Kong Wind Philharmonia, Tokyo Wind Symphony, Detroit Chamber Winds and Strings, Albany Symphony Orchestra and the Oberlin Contemporary Music Ensemble. An in-demand orchestral musician, he has been invited to perform in the wind sections of the Chicago Symphony Orchestra, Detroit Symphony Orchestra, Chicago Philharmonic, National Symphony, Toronto Symphony, Oregon Symphony, Houston Symphony, Milwaukee Symphony, Phoenix Symphony, New World Symphony, Grand Rapids Symphony, and the Melbourne Symphony Orchestra. He was the featured soloist for the University of Michigan Symphony Band Centennial Anniversary Tour in 1997 and soprano chair of the Ninth Circle Saxophone Quartet, which was awarded the 2001 Grand Prize at the Fischoff International Chamber Music Competition.

With the PRISM Quartet, he has appeared with The Crossing, Pacific Symphony, Boston Modern Orchestra Project, Opera Colorado, Columbus Symphony, Jacksonville Symphony, Ocean City Pops (NJ), Augusta Symphony, Cantori New York, Talujon Percussion Quartet, SO Percussion, Partch Ensemble, and the Nashville Symphony, in addition to numerous chamber music engagements and festivals nationwide, including the SONIC Festival, Bang On A Can Marathon and the Big Ears Festival. He has been a featured soloist at the national/international conferences of SEAMUS, the North American Saxophone Alliance Biennial meetings, the New England Saxophone Symposium, and the U.S Navy Band International Saxophone Symposium. Additionally, he has appeared as a concerto soloist at World Saxophone Congresses in Minneapolis, Strasbourg, and Zagreb.

McAllister has performed with notable big bands, and in many regional music theater and studio orchestra touring productions, having appeared with numerous entertainers including Broadway icon Patti LuPone. He has also performed behind such jazz greats as saxophonists Jimmy Heath, Rick Margitza, Dave Liebman and trumpeteer Ed Sarath. Since joining PRISM, he has premiered several jazz compositions by composer/performers Greg Osby, Tim Ries, Matt Levy, Tim Berne, and has collaborated with guitarist/composer Ben Monder and drummer Anthony Pinciotti. Recent seasons involved crossover projects between PRISM and jazz saxophonists/composers Joe Lovano, Dave Liebman, Greg Osby, Steve Lehman, Rudresh Mahanthappa, Miguel Zenon and Tim Ries.

A dedicated teacher, McAllister is Professor of Saxophone at The University of Michigan School of Music, Theatre and Dance, following the legacies of Larry Teal and Donald Sinta. This followed the same post at Northwestern University, succeeding the legendary Frederick Hemke, and serving as Co-Director of the inaugural Institute for New Music from 2012-2015. Other faculty positions have included Arizona State University’s Herberger Institute School of Music, The University of Arizona School of Music, and SUNY Potsdam’s Crane School of Music. He spends his summers as a distinguished Valade Fellow/Instructor of Saxophone for the Interlochen Center for the Arts. He has given clinics and recitals at many of the nation’s elite universities and conservatories, and in 2003, he was invited by French virtuoso Claude Delangle to serve as a Guest Professor at the famed Conservatoire National Superieur de Musique in Paris. In 2013, he was a co-founding faculty member of the annual American Saxophone Academy first convened at the Eastman School of Music, and he is the first American saxophonist to serve as an instructor at the European University for Saxophone in Gap, France in 2015. He holds regular summer workshops at the Arosa (Switzerland) and Orford (Quebec, Canada) Music Academies and for the University of Michigan MPulse Program. In 2018, he was appointed to the Royal Northern College of Music (RNCM), Manchester UK, as International Visiting Tutor in Saxophone.

He holds the Doctor of Musical Arts and other degrees in music education, conducting and performance from The University of Michigan where he studied saxophone with Donald Sinta and conducting with H. Robert Reynolds. He is the only saxophonist to ever receive the School of Music’s most distinguished performance award—the Albert A. Stanley Medal. Alongside composer Derek Bermel, acclaimed countertenor David Daniels, tenor Nicholas Phan and New York Metropolitan Opera coach Howard Watkins, McAllister has been honored with the Paul C. Boylan Award from the Michigan School of Music Alumni Society for his significant contributions to the field of music. Alongside his PRISM colleagues, he received the inaugural Christopher Kendall Alumni Award, bestowed upon chamber groups or individuals who have demonstrated great achievement in performance, outreach, innovation and entrepreneurship.

Timothy McAllister is a Conn-Selmer artist, and plays Selmer (Paris) saxophones exclusively. He is also a DANSR/Vandoren Woodwind Artist, assisting with research and design, and endorses the Vandoren saxophone reeds, mouthpieces and ligatures.

Booklet for Westland

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