IYOUWEBE IYOUWEBE

• 1 A las Madres de la tierra 06:49
• 2 La sala de espera 03:17
• 3 Afro Blue 05:26
• 4 Tu ase turpa ikavi 02:44
• 5 Ohne Dich 03:12
• 6 Western Wall 07:01
• 7 Si na u cfaq kjo dahuri 04:08
• 8 Stitch hand Stitch heart 04:03
• 9 Ven di lakhst 04:12
• 10 The serial lover 04:00
• 11 Adepa 04:05
• 12 Desire 07:04
• 13 Again and again 03:36
• Total Runtime 59:37

Info for IYOUWEBE

Originally one single song was composed, for which we were looking for a female singer. After we published a small advertisement in the magazine "Zitty" many singers from different countries have been reading the advertisement and applied. All have been coincidentally in Berlin at the same time.

At that moment, the idea was born to take advantage of all the fantastic different cultural influences for our music. We decided to produce many songs instead of only composing one song. While people like to talk through the media about the differences of cultures, we personally have discovered our similarities. As a result our album was created as a spontaneous cultural fusion, unplanned but not haphazard. We did not want to lose any time of connecting this unique opportunity of different musical traditions and wonderful performers and started right away with our studio work in Berlin.

There was a period of time in which we all felt: " Hell, this is a lot of work ". But with the help of the jazz musician Martin Fredebeul and others, our work find a happy end. And now the album is produced, an album which is not claimed by distributers for a certain genre. The album is a soundtrack , a journey from China to Ghana, taking a detour from Georgia into the Center of Europe.

Vivien Lee, vocals (on tracks 1, 6, 8, 12, 13)
Gitti Khosravi, vocals (on track 6)
Fjoralba Turku, vocals (on track 7)
Beatrice Asare Lartey, vocals (on tracks 1, 3, 11, 12)
Tamara Hörbe, vocals (on tracks 1, 5, 6, 9, 12)
Fulya Özlem, vocals (on tracks 1, 2, 6, 10, 12)
Sophia Diasamidze, vocals (on tracks 1, 4, 6, 12)
Heather Sacks, vocals (on track 1)
Carsten Stanislavski, guitar (on tracks 1, 2, 3, 5, 7, 9)
Michael Rodach, guitar (on tracks 8, 11, 12)
Martin Fredebeul, saxophone (on tracks 3, 4, 6, 7, 10, 12, 13)
Claudio Puntin, clarinet (on track 9)
Dorothea Mader, piano, flute (on tracks 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13)
Raimund Eckertz, viola (on track 13)
Barbara Mader, cello (on tracks 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13)
Phillipp Kullen, percussion (on tracks 1, 7, 11)
Sindy Hübener, accordion (on track 10)
Sunk Pöschl, drums (on tracks 2, 12)
Lucia Martinez, drums (on tracks 1, 3, 5, 6, 8, 9, 10)
Andreas Henze, bass (on tracks 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13)

Martin Fredebeul
born in 1960. Studies at the University of Music Aachen and at the University of Music and Dramatic Arts in Hamburg. State Music Teachers Examination, artistic maturity with honors and graduate recital in jazz and classical music. Studies with David Liebman, Peter Walter and the Rascher Quartet. Tours and projects with the country youth jazz orchestra NRW, Maria Joao Quintett, Claus Stötter, Karl Berger, Jose Peixoto, Henrie Texier, Michael Riesler, Bruno Chevillon, Dominique Pifarely, Joachim Kühn, Walter Quintus. Festivals in Paris, Leipzig, Hamburg, Salzburg, Macao, Moers, Lisbon, Brussels, Murcia, Kassel, Budapest, Hong Kong, Vienna, Vilshofen, Essen, Leverkusen, Munich. Church concert tours in France, Belgium, Germany, Italy and the United States with Partitas for solo violin by Johann Sebastian Bach, arranged for soprano saxophone. Radiokolloqien, creations, multimedia concepts, improvisational solo concerts. Recordings, radio, and television productions for WDR, BRF, SWF and foreign broadcasting. Numerous LP and CD releases, as "Search - Niemandsland - pas doux " Sponsorship support of NRW. One of his main concerns is the development of an integral learning - teaching model. In 2011 he was invited as referent at the Congress of German Music Colleges Mainz -Piaget's Blues - Pia get's Blues. His intense research still continues. He is composer and leader of the group River Bare.

Dorothea Mader
studied flute at the Academy of Music in Mannheim at Joachim Schmitz. She won many first prizes at national competitions for young musicians. Master classes with Jaunet, Gazzelloni, Pohl, Dick completed her studies. She received „Bayreuth Stipendium“ in 1994. She was principal flutist at the theater of Eisenach 1990-1999. Furthermore, she had engagements at the salon orchestra Wildbad, Beethoven Orchestra Bonn and Berlin Stella Musical. In early 1999 she studied jazz in New York. It followed CD productions, touring through Europe with various bands and musicians, including Derya, Soleo, Potsch Potschka. Since 2003 she has been writing for radio play, computer games, film and television. In 2007 she founded with her father, the music publishing "Mader's kleine Musikbibliothek". She won the international composition competition "Crossover Composition Award 2009, Mannheim," the "Siegburger Composition Competition 2010" Engelbert Humperdinck-society, and the int. composition competition "Soli fan tutti 2011", state theatre Darmstadt.

Booklet for IYOUWEBE