Homecoming Vince Mendoza

• 1 Keep It Up 08:35
• 2 Little Voice 06:44
• 3 Choros #3 07:48
• 4 Homecoming 07:28
• 5 Amazonas 09:20
• 6 One Time One 08:28
• 7 Daybreak 07:30
• Total Runtime 55:53

Info for Homecoming

For Homecoming, there was only one guideline: All compositions had to be by Vince Mendoza. The second condition was set by the Vince himself: He wanted to use only newly written pieces - and it goes without saying - they were made to measure for the WDR Big Band. The band appreciated his high level of commitment. The recording shows, that permanently employed musicians of a broadcasting house orchestra, working in a well-organized setting, are not necessarily just "finishing a project" but can be inspired and at ease when performing. There is no hint of this tiring theme/solo/solo/solo/theme-pattern as Vince Mendoza is a true master of the organic form and the musical arc, a master of densely interwoven musical thoughts. The six- to nine minutes long compositions are complex and intensive without being excessive - on the contrary: the music breathes.

"The mood is upbeat, the grooves are sweet, and the playing from the ensemble is flawless… but it’s Mendoza’s horn arrangements – lush, harmonically nuanced blasts of pure joy – that are the real stars of the show." (The Irish Times)

WDR Big Band of Cologne, Germany
Vince Mendoza, direction

Vince Mendoza
One of the most versatile and prolific composer–arranger–conductors of the last two decades, multi-Grammy Award winner Vince Mendoza has written arrangements for a wide variety of pop and jazz artists, from Joni Mitchell, Sting, Melody Gardot, Elvis Costello and Bjork to Joe Zawinul, John Scofield, Charlie Haden, Al Di Meola, Dave Liebman, Randy Brecker, the Yellowjackets and the GRP All-Stars. His compositions have appeared on recordings by the likes of saxophonist Joe Lovano, guitarist John Abercrombie, drummer Peter Erskine, pianist Joey Calderazzo and singer Kurt Elling. As a leader, Mendoza has released 10 recordings for the Blue Note, ACT, Blue Jackel and Zebra labels, including 1997’s Epiphany (with the London Symphony Orchestra) and 2011’s Nights on Earth, featuring an all-star cast and members of the Metropole Orkest, which Mendoza has led as chief conductor for the past six years.

Vince was recently honored with a Grammy Award for his work on the John Scofield “54” album on Emarcy records. It is his 6th Grammy and 25th nomination. He was also nominated by the Jazz Journalists Association as “arranger of the year”. His new CD “Nights on Earth” on Horizontal and Art of Groove records will be released on 7 October.

The wide scope of his works demonstrates an extraordinary understanding of many musical languages. He has written scores of compositions and arrangements for big band, extended compositions for chamber and symphonic orchestra settings and his jazz composing credits read like a who’s who of the best modern instrumentalists, singers and composers. Heralded by critics as a master of contemporary idioms, composer and arranger Vince Mendoza has become a primary choice for the world’s most sophisticated contemporary musicians.

Born in 1961 in Norwalk, Connecticut, Mendoza began learning classical guitar and piano from an early age. His musical influences ran from Bach to Aretha Franklin to Henry Mancini. However, discovering Miles Davis, Gil Evans, and later, Igor Stravinsky and Alban Berg gave him a further complex perspective of the construction of musical forms and ideas. Taking up the trumpet during high school, he later earned a degree in music composition at Ohio State University, before moving to Los Angeles. The music of Joe Zawinul and Wayne Shorter became a strong influence on his big band writing. He began working in the studios, composing music for television, while continuing to add to his extensive body of work written for big band. He completed his post-graduate composition and conducting studies at the University of Southern California. During this time he met a kindred spirit in drummer Peter Erskine, who included him in his mixed ensemble recording, “Transition” on Denon records. Mendoza contributed several compositions to this recording as well as on some of Erskine’s subsequent recordings. They have since become frequent collaborators.

His early solo albums on Blue Note Records, “Start Here” and “Instructions Inside”, were critical triumphs that featured such artists as John Scofield, Joe Lovano, Ralph Towner, Bob Mintzer, Randy Brecker, Peter Erskine and others. “Start Here” was voted one of Jazziz Magazine’s “Top Picks” and Mendoza was recognized as “Best Composer/Arranger” by Swing Journal’s critics poll in Japan. Through his profile-building stint as guest arranger and conductor of the WDR Big Band, based in Cologne, Germany, Mendoza became widely known in Europe as a multi-talented composer arranger with a deep understanding of contemporary styles. His work on the CD “The Vince Mendoza / Arif Mardin Project: Jazzpaña” with the WDR Big Band, brought him a Grammy nomination for “best instrumental arrangement”. Since then, Gary Burton, Pat Metheny, Michael Brecker, Charlie Haden, Andy Narell, Kurt Elling and John Abercrombie have prominently featured Vince Mendoza’s compositions and arrangements on their albums. ...

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