Traveler's Blues Blues Traveler

• 1 Funky Bitch 04:32
• 2 You Got Me Runnin' 03:22
• 3 Tore Down (with Wendy Moten) 04:43
• 4 Ball and Chain 05:47
• 5 Crazy 04:29
• 6 Sittin' on the Top of the World 05:20
• 7 Need Your Love so Bad 04:09
• 8 Roadhouse Blues 04:25
• 9 Call Me the Breeze 03:41
• 10 Trouble in Mind 03:28
• 11 Keep Your Light on Mama 03:23
• Total Runtime 47:19

Info for Traveler's Blues

Blues Traveler's new studio album Traveler’s Blues is a collection of re-imagined and re-charged classics from The American Blues Songbook.

Blues Traveler burst onto the scene in 1987 and hit the ground running with a trio of gold-selling albums—Blues Traveler (1990), Travelers and Thieves (1991) and Save His Soul (1993). Their next album Four (1994) went six-times platinum and spawned the definitive “Run-Around,” which garnered a GRAMMY® Award in the category of “Best Rock Performance By a Duo or Group.” The band logged another platinum album with Straight On Till Morning in 1998 and spent the next twenty years selling out shows on multiple continents before releasing Hurry Up & Hang Around in 2018.

“Back in the day, we were all into blues,” says Chan. “We even started as a high school blues band. That’s why our name is Blues Traveler! So, it was fun to come full circle and really get back to blues more than we’d ever planned. It took a lifetime for us to play this style well. There’s no way we could’ve pulled off this album when we were younger. After thirty years, we finally made the record we aspired to make as kids.”

Retreating to Nashville in late 2020, they reteamed with GRAMMY® Award-winning producer Matt Rollings (Willie Nelson) and rather than overthink anything or over prepare, they dove right into the deep end.

“We went in there and knocked it out,” Chan recalls. “If you overproduce blues, it sounds like shit. Blues is supposed to feel alive. We wanted to keep it raw and immediate. We had a solid start, so we just had to capture the moment. On our first album Blues Traveler in 1989, we knew those songs cold from playing them in bars for years. That’s probably the last time we came in that organized. We’d never done anything like this before. This was like doing standards. We weren’t trying to cover the way the artists had done the songs; we were trying to make them our own.”

That’s exactly what they did. A swaying twelve-bar blues progression holds down Jimmy Reed’s “You Got Me Runnin’” (feat. Crystal Bowersox) as harmonica and piano entwine. Swaggering piano struts through tambourine on the Mississippi Sheiks’ staple “Sittin’ On Top of the World” (feat. Warren Haynes) before Popper and Warren trade verses, and Chan and Warren trade licks.

“It’s an old blues song, but we brought a modern jam vibe to it,” he continues. “We’ve known Warren since 1990 when we opened up for The Allman Brothers. We’ve played with him in various ways for three decades. He’s an amazing musician and a wonderful guy. It’s cool we’re still rocking together after all these years.”

Then, there’s their take on the Gnarls Barkley smash “Crazy” (feat. Rita Wilson & John Scofield). As the beat simmers, Popper leans into the iconic lyrics with palpable charisma before Scofield rips a lead and Rita delivers a powerhouse counter-vocal. On Son Seals’ “Funky Bitch,” they dive into a fluid jam and proudly “Let our Blues Traveler flag fly,” according to Chan. “Roadhouse Blues” serves as a raucous Doors tribute and revs up as a “cool harmonica vehicle.” Meanwhile, “Need Your Love So Bad”—originally made famous by Little Willie John—brings them into new territory altogether, while “Trouble in Mind” (feat. Keb’ Mo’) which dates back to the 1920s but has been recorded by everyone from Johnny Cash to Nina Simone, concludes with a scorching soul duet uplifted by bass-y piano, lyrical soloing, and vibrant harmonica.

Other songs on the album include “Tore Down,” “Call Me The Breeze,” and the single “Ball & Chain.”

“Blues Traveler is not just a band; it’s a lifestyle,” Chan leaves off. “Blues Traveler is our life’s work. It’s enabled us to do so many other things. This little tribe we built in New York during the late eighties has survived all the way through—plus or minus some dearly departed brothers and sisters. It’s empowered us to be creative, make people happy and travel around spreading some good vibes. The longer we do it, the more we like it. Now, people know we can actually play the fucking blues too.”

John Popper, vocals, harmonica
Chan Kinchla, guitar
Tad Kinchla, bass
Ben Wilson, keyboards
Brendan Hill, drums
Additional musicians:
Crystal Bowersox, vocals
Wendy Moten, vocals
Christone "Kingfish" Ingram, vocals, guitar
Rita Wilson, vocals
John Scofield, guitar
Warren Haynes, vocals, silde guitar
The War And Treaty vocals
Mickey Raphael, harmonica
Keb' Mo', vocals, guitar, slide guitar
Matt Rollings, backing vocals

Blues Traveler
is a rock band, formed in Princeton, New Jersey in 1987. The band's music covers a variety of genres, including blues rock, psychedelic rock, folk rock, soul, and Southern rock. Currently, the group comprises singer and harmonica player John Popper, guitarist Chan Kinchla, drummer Brendan Hill, bassist Tad Kinchla and keyboardist Ben Wilson.

Tad Kinchla and Ben Wilson joined the band following the death of original bassist Bobby Sheehan in 1999. While Blues Traveler is best known among fans for their improvisational live shows, the general public is most familiar with the group from their Top 40 singles "Run-Around" and "Hook".

They gained mainstream popularity after their fourth studio album four, released in 1994. Sheehan's death and Popper's struggle with obesity put a damper on the group's success, and A&M dropped the band in 2002.

Songs that last tell stories. Real magic happens when a cranked guitar chord, wailing harmonica, saucy beat, and soulful vocal conjure up a psychedelic scene, a warm family memory, or a romance-gone-wrong (or -right, for that matter)…

Since 1987, GRAMMY® Award-winning multiplatinum rock mavericks Blues Traveler—John Popper [vocals, harmonica], Chan Kinchla [guitar], Tad Kinchla [bass], Ben Wilson [keyboards], and Brendan Hill [drums]—have spun such tales. Moreover, they proudly continue this tradition on their 13th full-length album, Hurry Up & Hang Around.

“To me, the album is about the same thing we’ve always been about for three decades: telling true stories,” affirms Popper. “Over the years, we’ve realized our truth consists of love for music, love for the life we’re living, love for each other, and love for the audience. When you’re honest, it resonates in other people. That’s the whole point of anything artistic.”

Unsurprisingly, there’s a hell of a story behind Hurry Up & Hang Around. As it goes, 2017 rolled around and marked the boys’ 30th anniversary. What better way to celebrate than to return with an all new body of work?

So, for the first time, the musicians decided to rent a house in Nashville and write and record in “Music City.” By the time they settled in during the spring, that undertaking was far easier said than done…

“We were going through some changes as far as our infrastructure goes,” admits Popper. “We parted ways with two different managers. No preparations had really been made, and it seemed like it might be too late to make new music. Between taking meetings, we were by ourselves writing in the garage every day of this Nashville house. That was pretty cool, because we felt like a garage band again. There was a spirit of survival. We had something to celebrate, so we really came together as a band.”

Re-energized and focused, they hit the road for a month, joined forces with Cast Management, and returned to Nashville in order to work with GRAMMY® Award-winning producer Matt Rollings [Willie Nelson]. Rollings’ intense attention to detail unlocked a rich sonic spectrum as he challenged and pushed each member to excel without compromising or taking “no” for an answer.

After five weeks, they came home with the 12 tracks comprising Hurry Up & Wait Around.

“Matt put it all on turbo boost, because he’s one of the finest producers we’ve ever worked with, period,” adds Popper. “He can bring out any sound he wants. He got takes out of me that I couldn’t ever get out of myself, and I’ve tried. However, he also let me be me. It’s one of the best production experiences we’ve ever had. It was an unexpected musical education.”

Punctuated by the cry of a wah-wah solo, the album opening Led Zeppelin-esque blues rock stomp of “Accelerated Nation” exposes how, “we’re all trapped and liberated at the same time by our automobiles.”

Blues Traveler fittingly introduced the record to audiences with the simmering groove of the first single “When You Fall Down.” Hinging on boisterous guitars and an Animal House-worthy hook (“The party starts when you fall down”), it captures the fire at the album’s heart. “There’s a carefree innocence to ‘When You Fall Down’,” the frontman elaborates. “You’re throwing off your cares in a party scenario. Of course, it alludes to people being so wasted they fall down, but that’s always fun,” he laughs.

Elsewhere, “She Becomes My Way” tempers cinematic piano chords with stirring Motown-style delivery, culminating on a hypnotic and heartfelt refrain.

“My wife had been dying for me to write a song about her,” he says. “When she finally left me alone long enough, I was able to. I tried to focus on the sensory feeling she gives me. That’s what it’s about.”

The guys add a twist of Blues Traveler gusto and wild harmonica to “Phone Call From Leavenworth”—originally written by an old friend, the late and great Chris Whitley.

Hurry Up & Hang Around climaxes on the emotionally charged and stark piano-driven ballad “Ode From The Aspect.” Written after imbibing a “magic” plant on Jam Cruise, it pays homage to the group’s faithful fan base.

“I went back to my room and wrote a song about the feeling the audience bestows on me and the love they give me,” he goes on. “It’s overwhelming. I feel like I expressed some stuff I hadn’t been able to express for years and may have not really said because of being coy or shy. It gets to the heart of what the fans mean to me.”

That fan base has only continued to grow since Blues Traveler first congregated in a Princeton, NJ garage. Along the way, they threw out the rule book and stirred up rowdy rock, smoky psychedelica, southern folk, staggering soul, and brash blues into an intoxicating brew that only gets better with age. The quintet kicked off their career with a trifecta of gold-certified albums, including Blues Traveler [1990], Travelers and Thieves [1991], and Save His Soul [1993]. 1994’s Four represented a major breakthrough, earning a six-times platinum certification and yielding classics such as “Hook,” “The Mountain Wins Again,” and the ubiquitous “Run-Around”—which earned a GRAMMY ® for “Best Rock Performance By a Duo or Group.” Continuing that hot streak, 1998’s Straight On Till Morning also went platinum. Throughout the 2000’s, they prolifically unleashed albums and toured relentlessly, selling out venues worldwide and building something of a legend. However, their next chapter is shaping up to be their brightest and boldest yet.

Given their penchant for storytelling, it’s no surprise that “Run-Around” famously kicked off with the line, “Once upon a midnight eerie…” This story is really getting good now on Hurry Up & Hang Around.

“It’s our truth,” Popper leaves off. “When you hear this, I hope the songs matter to you. I want to get into your heart. If you enjoy what we’re doing in any way, our mission is accomplished. We’re a family. You’re a part of that.” – Rick Florino

This album contains no booklet.