Mahler: Symphony No. 5 Minnesota Orchestra & Osmo Vänskä

• Gustav Mahler (1860 - 1911): Symphony No. 5 in C-Sharp Minor:
• 1 I. Trauermarsch 13:04
• 2 II. Stürmisch bewegt, mit größter Vehemenz 15:31
• 3 III. Scherzo 17:39
• 4 IV. Adagietto 12:36
• 5 V. Rondo-finale 15:27
• Total Runtime 01:14:17

Info for Mahler: Symphony No. 5

As a team, Osmo Vänskä and his Minnesota Orchestra began their collaboration with BIS in 2004, launching a Beethoven Symphony cycle that made reviewers worldwide sit up and take notice: ‘a modern reference edition’ was the verdict from ClassicsToday.com, while Gramophone described it as ‘a Beethoven reforged for today's world’. Twelve years later saw the release of the third and final disc in the Minnesota-Vänskä cycle of Sibelius's symphonies, with individual discs receiving distinctions such as a 2014 Grammy Award (for Symphonies Nos 1 and 4), Gramophone's ‘Editor's Choice’, ‘Orchestral Choice’ in BBC Music Magazine and inclusion on the annual list of best classical recordings in the New York Times.

The present disc launches yet another series, of even more monumental proportions, with Gustav Mahler's Fifth Symphony, recorded by the orchestra under Osmo Vänskä in Orchestra Hall in Minneapolis in June 2016. Composed in 1902, the purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre. Other features are less traditional, however – a sometimes bewildering mixture of musical idioms reminds us of the melting-pot that Vienna was at the time, with allusions to Austrian, Bohemian and Hungarian styles. To an unsuspecting audience, the famous Adagietto for strings and harp – probably the best-known of all of Mahler's music – must also have been surprising, appearing at the heart of a work which is otherwise lavishly scored and orchestrated.

Minnesota Orchestra
Osmo Vänskä, conductor

Osmo Vänskä
the Minnesota Orchestra’s tenth music director, is renowned internationally for his compelling interpretations of the standard, contemporary and Nordic repertoires. He has led the Orchestra on four major European tours—drawing rave reviews for performances at European music festivals including the BBC Proms and Edinburgh Festival, and for appearances at London’s Barbican Hall, the Royal Concertgebouw in Amsterdam, the Vienna Musikverein and the Berlin Philharmonie. He has also led regular tours to communities across Minnesota, including a September 2014 performance in Bemidji, as part of the Orchestra’s Common Chords initiative. Vänskä served as music director from 2003 to 2013, resigned during the organization’s labor dispute, and accepted reappointment to the position in May 2014.

Vänskä’s recording projects with the Minnesota Orchestra have met with great success. Most recently he recorded an album of Beethoven and Mozart piano concertos with soloist Yevgeny Sudbin and two albums of Sibelius symphonies, all for BIS; both Sibelius discs were nominated for a Grammy Award, and the album featuring the First and Fourth Symphonies won the 2014 Grammy Award for Best Orchestral Performance. Previous releases include Beethoven’s final two piano concertos with Yevgeny Sudbin; a BIS album of Bruckner’s Fourth (Romantic) Symphony; a two-CD set from Hyperion featuring pianist Stephen Hough in live, in-concert recordings of Tchaikovsky’s piano concertos and Concert Fantasia; and a cycle of the complete Beethoven symphonies for BIS, with each album drawing superlative praise worldwide, and two—one of the Ninth Symphony and one of the Second and Seventh—receiving Grammy and Classic FM Gramophone award nominations, respectively.

As a guest conductor, he has led all the major American and European orchestras. He has appeared with the symphony orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, Philadelphia, San Francisco and Washington, D.C., in this country. Abroad he has led the Berlin Philharmonic, London’s BBC Symphony, London Philharmonic, Royal Concertgebouw Orchestra, Vienna Symphony, Leipzig Gewandhaus Orchestra, Czech Philharmonic, Helsinki Philharmonic, Hong Kong Philharmonic, Yomiuri Nippon Symphony Orchestra and other major ensembles. His schedule in 2014-15 includes engagements with the London Philharmonic, Vienna Symphony, Berlin Konzerthausorchester, Shanghai Symphony, Guangzhou Symphony and additional major symphony orchestras in Australia, Brazil, Finland, South Africa and Spain.

Vänskä has been appointed principal guest conductor of the Iceland Symphony Orchestra in Reykjavík, beginning in fall 2014. He is also conductor laureate of the Lahti Symphony, which he served as music director from 1988 to 2008, transforming it into one of Finland’s flagship orchestras during his tenure. Under his leadership, the Lahti Symphony received international attention for performances in London, Birmingham and New York, and for its award-winning Sibelius recordings on the BIS label. Vänskä has recorded extensively on the BIS and Hyperion labels. His Sibelius albums with the Lahti Symphony Orchestra for BIS have amassed numerous awards, including a 1996 Gramophone Award and Cannes Classical Award for the original version of the Fifth Symphony. His first-ever complete recording of The Tempest won the 1993 Prix Académie Charles Cros, and his disc of the original version of the Sibelius Violin Concerto with Leonidas Kavakos won 1991 Gramophone Awards for Record of the Year and Best Concerto Recording.

Vänskä, who began his music career as a clarinetist, held the co-principal chair of the Helsinki Philharmonic (1977-82) and the principal chair of the Turku Philharmonic (1971-76). Following conducting studies under Jorma Panula at Finland’s Sibelius Academy, he was awarded first prize in the 1982 Besançon International Young Conductor’s Competition. Three years later he began his tenure with the Lahti Symphony as principal guest conductor, while also serving as music director of the Iceland Symphony Orchestra and the Tapiola Sinfonietta. In addition, Vänskä served as chief conductor of the BBC Scottish Symphony Orchestra of Glasgow (1997-2002).

Since returning to the clarinet at the Minnesota Orchestra’s 2005 Sommerfest, Vänskä has performed in chamber ensembles at Orchestra Hall, other Twin Cities venues, Napa Valley’s Music in the Vineyards, the Grand Teton Music Festival and the Mostly Mozart Festival in New York.

During his time in Minnesota, Vänskä has explored an interest in composition. The Orchestra performed his first orchestral work, Here!...Beyond? in 2006, and his second work, The Bridge—a response to Minnesota’s I-35W bridge collapse—was heard at a concert in 2008.

Honors and distinctions awarded to Vänskä include an honorary doctorate from the University of Glasgow, given in recognition of his tenure as chief conductor of the BBC Scottish Symphony. In May 2002 he was honored with a Royal Philharmonic Society Award for his outstanding contribution to classical music during 2001. Musical America named Vänskä 2005 Conductor of the Year, and in 2008 he received an honorary doctorate from the University of Minnesota as well as a Champion of New Music Award from the American Composers Forum. In 2010 he received the Ditson Award from Columbia University, honoring him in particular for his support of American music, and was named by the Minneapolis Star Tribune as its 2010 Artist of the Year.

Booklet for Mahler: Symphony No. 5