Glass Piano Bruce Brubaker

• Philip Glass (1937-)
• 1 Mad Rush 16:58
• 2 Metamorphosis 1 06:27
• 3 Metamorphosis 2 07:09
• 4 Metamorphosis 3 05:11
• 5 Metamorphosis 4 06:09
• 6 Metamorphosis 5 04:48
• 7 Knee Play 4 07:27
• 8 Opening 06:31
• 9 Wichita Vortex Sutra 08:32
• 10 Evening Song 08:40
• Total Runtime 01:17:52

Info for Glass Piano

“Glass Piano” is a sublime collection of solo piano versions of Philip Glass by a master interpreter of the legendary minimalist composer. Francesco Tristano came back from Detroit in 2009 transcended by the studio equipments of Planet E. He sent us next to the tracks composed for 'Idiosynkrasia', a remix of „Knee Play“ based on a piano piece written by Philip Glass and interpreted by Bruce Brubaker. From the start, we knew that we wanted to release this remix (and it will be soon ) but we could not imagine that we would release a full album of Brubaker`s Glass recordings in June 2015.

Francesco introduced us to the works of his former teacher at Juillard School and to the man. Bruce cultivated an intense relationship with Glass’ compositions. Brubaker & Glass have met on many occasions to discuss the reworks, instilling a deep understanding for Brubaker of Glass’ innermost intentions and idiosyncrasies. “ I'm starting from notes written on paper by Philip. But music is a group activity, and a transaction. This music only exists as it does because it was written, then made into sound by me, and heard by listeners. The people hearing it complete the art.’” tells Bruce. During our discussion with Bruce, it became clear that he felt inspired to record them once again after revisiting these compositions. We invited him to come to our workshop in Poitiers. The recording took place in the new Theater and Auditorium of Poitiers (TAP). The microphones were purposefully placed close to the piano, so sounds can be heard during the recordings that are normally muted for an audience, the creaking of the chair for example.

Bruce Brubaker, piano

Bruce Brubaker
In live performances from the Hollywood Bowl to New York’s Avery Fisher Hall, from Paris to Hong Kong, and in recordings for ECM, Bedroom Community, and Arabesque — Bruce Brubaker is the new musician, a visionary virtuoso, an artistic provocateur. Named “Young Musician of the Year” by Musical America, Bruce Brubaker performs Mozart with the Los Angeles Philharmonic, and Philip Glass on the BBC. Profiled on NBC’s Today show, Brubaker’s playing, writing, and collaborations continue to show a shining, and sometimes surprising future for pianists and piano playing. His blog “PianoMorphosis” appears at ArtsJournal.com.

Brubaker was presented by Carnegie Hall at Zankel Hall in New York, at the International Piano Festival at La Roque d’Anthéron, at Michigan’s Gilmore Festival, and at Boston’s Institute of Contemporary Art, as the opening-night performer in the museum’s acclaimed Diller Scofidio + Renfro-designed building. He is a frequent performer at New York City’s Le Poisson Rouge.

Bruce Brubaker is featured in the recording of Nico Muhly’s Drones (Bedroom Community). Along with pianist Ursula Oppens, Brubaker made a recording of Meredith Monk’s piano music, including four new 2-piano transcriptions by Brubaker, released by ECM in 2014. Brubaker’s new recording of solo piano music by Philip Glass will be released on InFiné (Warp Records) in June 2015.

Brubaker’s CDs for Arabesque include Time Curve (music by Philip Glass and William Duckworth), Hope Street Tunnel Blues (music by Glass and Alvin Curran, featuring Brubaker’s transcription of a portion of Glass’s opera Einstein on the Beach), Inner Cities (including a live recording of John Adams’s Phrygian Gates and Brubaker’s transcription of part of Adams’s opera Nixon in China), and the first CD in the series, glass cage, named one of the best releases of the year by The New Yorker magazine.

Brubaker has premiered works by Glass, Meredith Monk, Nico Muhly, Mark-Anthony Turnage, and John Cage. He performed at Sanders Theater in collaboration with Cage during the composer’s tenure as Charles Eliot Norton Lecturer at Harvard University.

Following his New York debut at Lincoln Center’s Alice Tully Hall, Brubaker was awarded a solo artist grant from the National Endowment for the Arts. His London debut at the Wigmore Hall led to his first broadcast concert on the BBC, an all-Brahms recital. Brubaker has appeared at Lincoln Center’s Mostly Mozart Festival at Avery Fisher Hall, the Hollywood Bowl, Tanglewood, London’s Wigmore Hall, Leipzig’s Gewandhaus, Antwerp’s Queen Elizabeth Hall, France’s Folle Journée, and Finland’s Kuhmo Festival.

Bruce Brubaker has appeared on RAI in Italy and is featured in the documentary film about the Juilliard School, made for the PBS “American Masters Series.” As a member of Affiliate Artists Xerox Pianists Program, he presented residencies and performed with orchestras throughout the United States.

Brubaker has given masterclasses and forums at the Juilliard School, the Royal College of Music in London, Helsinki’s Sibelius Academy, the Jerusalem Academy of Music and Dance, Columbia University, the Institute for Advanced Study in Princeton, Leipzig’s Hochschüle für Musik, the École Normale in Paris, Ghent’s Orpheus Instituut, North Carolina’s Eastern Music Festival, and the San Francisco Conservatory of Music.

Brubaker’s articles about music have appeared in The Wall Street Journal, USA Today, Piano Quarterly, Dutch Journal of Music Theory, and Chamber Music magazine. He was co-editor and a contributor to Pianist, Scholar, Connoisseur: Essays in Honor of Jacob Lateiner (Pendragon Press, 2000), a collection paying homage to his former teacher. His essay “Time Is Time” appears in Unfolding Time (2009), available in the U.S. from Cornell University Press. He presented the closing recital in Harvard University’s Crosscurrents conference in 2008. He is the U.S. representative for “Behind the Music: The Performer as Researcher,” a research initiative based in Australia.

Brubaker was the creator in 2000–2001 of “B-A-C-H,” a six-concert series in New York examining the connections between J. S. Bach and the composers who followed him. The previous year, at the turn of the millennium, he organized “Piano Century,” in which 100 pianists performed 101 twentieth-century pieces in eleven concerts. Brubaker created and performed Pianomorphosis, a 70-minute multidisciplinary performance piece for the Gilmore International Keyboard Festival in Michigan. Brubaker’s performance piece Haydnseek, was created together with Nico Muhly. Brubaker is the founder and artistic director of the chamber music festival SummerMusic in his native Iowa.

Brubaker trained at the Juilliard School, where he received the school’s highest award, the Edward Steuermann Prize, upon graduation. At Juilliard, where he taught from 1995 to 2004, he has appeared in public conversations with Philip Glass, Milton Babbitt, and Meredith Monk. He is now chair of the piano department at New England Conservatory in Boston.

Booklet for Glass Piano