Rich Man Doyle Bramhall II

• 1 Mama Can't Help You 04:22
• 2 November 05:09
• 3 The Veil 04:53
• 4 My People 06:56
• 5 New Faith 04:52
• 6 Keep You Dreamin' 05:00
• 7 Hands Up 06:47
• 8 Rich Man 05:24
• 9 Harmony 05:43
• 10 Cries Of Ages 05:35
• 11 Saharan Crossing 03:03
• 12 The Samanas 09:55
• 13 Hear My Train A Comin' 05:09
• Total Runtime 01:12:48

Info for Rich Man

The long awaited new album „Rich Man“, by fans who have followed Bramhall’s collaborations with artists as far-ranging as Tedeschi Trucks Band to Roger Waters, is his first in over a decade. The album reflects both his extensive experience in the interim with such artists as Eric Clapton, whom he’s worked closely with for more than ten years (and who hails him as one of the most gifted guitarists he’s ever heard) and Sheryl Crow, for whom he produced and composed songs for on the 2011 album 100 Miles from Memphis, as well as an intensive spiritual and musical journey that took him to India and Africa in search of new sounds and an inner peace sought following the death of his legendary father Doyle Bramhall.

“I’d been writing pretty consistently for other artists and projects since my last album and had stored a lot of songs, sort of documenting my life story,” says Bramhall, whose long list of collaboration credits further includes the likes of Roger Waters, the Fabulous Thunderbirds, B.B. King, T-Bone Burnett, Elton John, Gary Clark Jr., Gregg Allman, Dr. John, Allen Toussaint, Billy Preston, Erykah Badu, Questlove and Meshell Ndegeocello.

Most recently Bramhall has teamed with ace guitarist Derek Trucks (both proclaimed as “The New Guitar Gods” by Guitar World when they served in Clapton’s band in the late 2000) in the Tedeschi Trucks Band, also starring Trucks’ wife Susan Tedeschi. Bramhall’s collaborations with Tedeschi Trucks have included production and standout tracks on each of their three acclaimed albums.

“I’d been busy touring and producing for other artists, and so I took a hiatus from recording and performing as a solo artist. All those experiences actually helped me develop new skills and I learned how to facilitate my own sound. I feel like the stars finally aligned to allow me to be completely myself as an artist for the first time—singer, guitar player, songwriter, producer- and take things that were happening in my life and put them into music.”

But Bramhall correctly notes that his desired sound is “not one thing stylistically, but an amalgam of lot of influences that come out of my life experiences and travels—and what I’m affected and inspired by.” To be sure, there’s blues on Rich Man, but there’s also influences of R&B, Indian music and Arabic music, as well as Bramhall’s distinctive guitar work.

“There’s a lot to each song, and at the end, when I was sequencing them, I realized they tell a story,” continues Bramhall. “It’s hard to summarize 70 minutes of music in a couple sentences, because all the songs have dual meanings and themes that apply to a collective experience that parallels my personal experience . Basically, all the songs are steps on a personal journey back to my truth, which comes around full circle from beginning to end on this album . It's a very personal record for me.”

Doyle Bramhall II, vocals, guitars, drums, percussion
Cian Riordan, organ, percussion
Woody Jackson, guitars, bass
Chris Bruce, guitars, bass
Tim Lefebvre, bass
James Gadson, drums

Engineered by Michael Harris at Vox Recording Studios, Los Angeles, CA and Andy Taub at Brooklyn Recording Studios, Brooklyn, NY
Mixed by Cian Riordan at Barefoot Recording, Hollywood, CA
Mastered by Brian Lucey at Magic Garden Mastering, Los Angeles, CA
Co-produced by Woody Jackson, Andy Taub, Adam Minkoff, and Michael Harris
Produced by Doyle Bramhall II

Doyle Bramhall II
is one of the most distinctive vocalists, guitarists, composers and producers in contemporary music. Indeed, none other than Eric Clapton, with whom Bramhall has worked for more than a decade, lauds him as one of the most gifted guitarists he has ever encountered.

As the son of the late Texas music legend Doyle Bramhall, he was raised in a home filled with the blues and rock ’n’ roll styles indigenous to Texas. The elder Bramhall played drums and was also an accomplished songwriter and vocalist, not to mention a lifelong collaborator with childhood friends Stevie Ray and Jimmie Vaughan, who composed such SRV signature tunes as “Change It” and “Life by the Drop.”

But the younger Bramhall—a rare and distinctive guitarist who plays left-handed, but with his instrument strung for a right-hander and flipped backwards--had his own connections with the Vaughan brothers: Early in his career he was befriended and supported by Stevie. When he was 18, Bramhall was recruited by Jimmie to play with the Fabulous Thunderbirds. After Stevie’s tragic death in 1990, Bramhall II and Charlie Sexton formed the Arc Angels with drummer Chris Layton and bassist Tommy Shannon of Stevie Ray's fabled rhythm section.

The Arc Angels’ self-titled debut album yielded such widely popular songs as “Living in a Dream” and “Sent by Angels” before disbanding. Introducing himself as a solo artist in 1996 with Doyle Bramhall II, he followed with a pair of critically acclaimed albums, Jellycream (1999) and Welcome (2001). It was then that Bramhall’s unparalleled guitar mastery won the attention not only of Clapton but Pink Floyd’s Roger Waters, who showcased him on his 1999, 2000 and 2002 In the Flesh concert tours and companion CD and DVD.

Clapton, meanwhile, came next. He featured Bramhall songs and guitar as part of his Grammy-winning Riding with the King album with B.B. King, also of 2000. He then recruited him full-time, and they toured together worldwide, thrilling fans with their dramatic guitar interplay and drawing comparisons to past Clapton triumphs such as Derek & the Dominoes. Clapton’s ensuing 2004 albums Me and Mr. Johnson and Sessions for Robert J both showcased stirring Clapton-Bramhall guitar duets recorded in the same Dallas room where Robert Johnson recorded his classic blues songs in 1937. Bramhall’s own songwriting talent was highlighted in Clapton’s Reptile (2001), Back Home (2005) and The Road to Escondido (2006) albums, and he later co-produced Clapton (2010) and Old Sock (2013). In 2013 he again joined Clapton on his 50th anniversary tour and played on his 2014 album The Breeze: An Appreciation of JJ Cale.

In addition to his work with Clapton, Bramhall became an in demand composer, guitarist and producer. He enjoyed high profile collaborations with a broad range of other major artists, including T-Bone Burnett, Elton John, Gary Clark, Jr., Gregg Allman, Dr. John, Robert Randolph, Allen Toussaint, Billy Preston, Erykah Badu, Questlove, Meshell Ndegeocello and Sheryl Crow, whom he produced and composed songs for on 100 Miles from Memphis (2011), and then joined her to support the record on tour. In 2015 he teamed with ace guitarist Derek Trucks (with whom he was proclaimed “The New Guitar Gods” by Guitar World when both served in Clapton's band in the late 2000s) in the Tedeschi Trucks Band, also starring Trucks’ wife, Susan Tedeschi. Bramhall’s songs and guitar playing have graced each of the three, critically acclaimed Tedeschi Trucks Band albums issued to date.

With all this outside activity, Bramhall hadn’t made a solo album since Welcome. But while honing his skills as a producer, he stockpiled ideas and songs he'd written for himself as well, and when they were selected and sequenced for his fourth solo album, Rich Man,

(scheduled for release on September 30, 2016 via Concord Records), they documented an intensive spiritual and musical journey that took him to the other side of the world in search of new sounds, and an inner peace sought following the death of his father in 2011.

Since 2008, and in the year following his father’s death, Bramhall had extensively explored India and Northern Africa. The influence of these journeys manifest in Rich Man’s inclusion of the North Indian classical bowed string instrument sarangi—played by virtuoso Ustad Surjeet Singh—and the bowl-shaped Arabic oud lute, played by Bramhall’s own oud teacher Yuval Ron, the renowned Israeli composer-player-arranger.

Also appearing on Rich Man is Norah Jones, with whom Bramhall had been performing every six months or so in a concert series. The duet “New Faith” was emblematic of the entire album in its hope that people can look beyond all that divides them and find a new way of thinking that enables peaceful progress through mutual respect and understanding.

Rich Man, then, is a watershed achievement for Bramhall, both in terms of the many music styles in the tracks—which begin and end with his fundamental American blues influences, and in between, follow his global music explorations and arrangements--and the inner examinations resulting in the spiritual growth expressed in the lyrics.

“I read a quote from Charles Mingus,” Bramhall stated upon the completion of Rich Man. “He felt that he was not just playing a style of music so much as expressing the sounds of his life and experiences through the medium of music. I very much relate to that."

Booklet for Rich Man