Seicento Stravagante
Biography Seicento Stravagante
David Brutti
studied saxophone with J.-M. Londeix and M. B. Charrier at the Conservatoire of Bordeaux, obtaining the "Medaille d’Or"; he got the Master in Chamber Music with Pier Narciso Masi at "International Piano Academy of Imola". From 2000 to 2008 David Brutti received awards in over fifteen international and national competitions.
In 2012 he began studying the cornetto and Early Music practice with Andrea Inghisciano. He regularly works with several prestigious conductors and ensembles, such as Antonio Florio, Gabriel Garrido, Federico Maria Sardelli, Odhecaton, Accademia Bizantina, Modo Antiquo, La Pifarescha, Ensemble Il Gusto Barocco (Stuttgart), Lautten Compagney, L’Estro d’Orfeo, Cappella Marciana (Venezia), La Folia Barockorchester (Wien), The English Cornett and Sackbut Ensemble and Il Giardino Armonico.
He has been performing in many early music festivals such as Festival Claudio Monteverdi (Cremona), Trigonale 2016 (Maria Saal - Austria), Sagra Musicale Umbra and in major theatres, churches and concert halls, such as Teatro Regio - Torino, Teatro Olimpico - Vicenza, Teatro Ponchielli - Cremona, Mannheim Nationaltheater, Auditorium Haydn - Bolzano, Teatro Abbado - Ferrara, Theater an per Wien - Vienna, Teatro La Pergola - Firenze and Theather Münster.
He recorded for Amadeus, Arcana, Brilliant Classics, Bongiovanni, Radio Vaticana, ORF1, Tactus, Dynamic, Extended Place, Pan Classics and BIS.
He currently teaches at the Conservatory “C.Monteverdi” of Cremona.
Nicola Lamon
studied organ with Elsa Bolzonello Zoja and harpsichord with Sergio Vartolo and Marco Vincenzi at the conservatory “B. Marcello" of Venice. He also obtained his cum laude degree in Gregorian Chant with Lanfranco Menga. He studied also with H. Davidsson, W. Porter, J. L. Gonzalez Uriol and at Chigiana Academy in Siena with Cristophe Rousset.
From 2001 to 2005 he won several national and international awards, such as Borca di Cadore, Viterbo, Fano Adriano (Teramo), Fusignano (Ravenna) and Pesaro. Nicola Lamon carries out an intense concert activity, both as a soloist and continuo player on harpsichord and organ, with peculiar interest in authentic keyboards.
He regularly works with several prestigious conductors and ensembles, such as, Marco Mencoboni - Cantar lontano, I Barocchisti - Diego Fasolis, Orchestra “Lorenzo Da Ponte” - Roberto Zarpellon, Modo Antiquo - Federico Maria Sardelli. In 2021 he recorded the first book of Das Wohltemperierte Klavier and Die Kunst Der Fuge, both for Velut Luna, using a harpsichord by Romain Legros after Silbermann.
He also recorded for Tactus, Brilliant, Arcana, Amadeus, Fra Bernardo, Concerto Classics, Extended Place, Pan Classics and BIS.
He currently teaches score reading at the Conservatory “D.Cimarosa” of Avellino and harpsichord at the Conservatory “A.Buzzolla” of Adria.
