Au salon de Joséphine Coline Dutilleul, Aline Zylberajch, Pernelle Marzorati

• Pierre-Jean Garat (1762 - 1823): Il était là !:
• 1 Garat: Il était là ! 03:01
• Hortense de Beauharnais (1783 - 1837): L’hirondelle:
• 2 Beauharnais: L’hirondelle 03:20
• Daniel Steibelt (1765 - 1823): Sonata for Fortepiano in C Major, Op. 37 No. 1:
• 3 Steibelt: Sonata for Fortepiano in C Major, Op. 37 No. 1: II. Andante 02:14
• Jean-Paul-Égide Martini (1741 - 1816): Plaisir d’amour:
• 4 Martini: Plaisir d’amour 03:56
• Giovanni Paisiello (1740 - 1816): I zingari in fiera, R 1.79, Act II Scene 1:
• 5 Paisiello: I zingari in fiera, R 1.79, Act II Scene 1: Chi vuol la zingarella 02:25
• Ignaz Josef Pleyel (1757 - 1831): Duo pour harpe ou forte piano:
• 6 Pleyel: Duo pour harpe ou forte piano: Allegretto (After Keyboard Trio in B-Flat Major, B. 433) 07:27
• Étienne-Nicolas Méhul (1763 - 1817): L’Irato, ou l’Emporté:
• 7 Méhul: L’Irato, ou l’Emporté: J’ai de la raison, j’aime la sagesse 04:28
• Charles-Henri Plantade (1764 - 1839): Romance de Zoé:
• 8 Plantade: Romance de Zoé 02:38
• Jean-Baptiste Krumpholz (1742 - 1790): Harp Sonata in B-Flat Major, Op. 13 No. 1:
• 9 Krumpholz: Harp Sonata in B-Flat Major, Op. 13 No. 1: I. Allegretto 02:44
• 10 Krumpholz: Harp Sonata in B-Flat Major, Op. 13 No. 1: II. Romance 03:36
• Gaspare Spontini (1774 - 1851): La Vestale, Act II:
• 11 Spontini: La Vestale, Act II: O nume tutelar 02:51
• Hortense de Beauharnais: 12 Romances:
• 12 Beauharnais: 12 Romances: No. 2, Complainte d’Héloïse au Paraclet 02:38
• Étienne-Nicolas Méhul: Sonata for Fortepiano in C Minor, Op. 1 No. 2:
• 13 Méhul: Sonata for Fortepiano in C Minor, Op. 1 No. 2: I. Allegro 05:08
• Louis-Emmanuel Jadin (1768 - 1853): La mort de Werther:
• 14 Jadin: La mort de Werther 02:48
• Hortense de Beauharnais: L’orage:
• 15 Beauharnais: L’orage 02:48
• François-Joseph Naderman (1781 - 1835): Harp Sonatina in C Minor, Op. 92 No. 2:
• 16 Naderman: Harp Sonatina in C Minor, Op. 92 No. 2: I. Prélude Allegro 00:17
• 17 Naderman: Harp Sonatina in C Minor, Op. 92 No. 2: II. Allegro Maestoso 03:14
• 18 Naderman: Harp Sonatina in C Minor, Op. 92 No. 2: III. Romance 01:50
• Girolamo Crescentini (1762 - 1846): Che chiedi, che brami:
• 19 Crescentini: Che chiedi, che brami 03:10
• André-Ernest-Modeste Grétry (1741 - 1813): Le Huron:
• 20 Grétry: Le Huron: Monologue de Mademoiselle de Saint-Yves 05:04
• Total Runtime 01:05:37

Info zu Au salon de Joséphine

Das Musikleben, das Joséphine de Beauharnais (1763–1814), Kaiserin der Franzosen und Ehefrau Napoleon Bonapartes, mit ihrer Familie und am Hofe entwickelte, ging mit der Mode und prägte den französischen Musikgeschmack dieser Zeit. Joséphine organisierte wöchentliche Konzerte in ihrer Lieblingsresidenz, dem Château de Malmaison, bei denen viele der berühmtesten Musiker aus Paris und Europa auftraten. Fast täglich fanden auch informelle Musikabende statt. Diese Aufnahme präsentiert Auszüge aus Opern dieser Zeit, die für kammermusikalische Aufführungen übertragen wurden. Darin kommen die leidenschaftlichsten Emotionen zum Ausdruck und wechseln sich mit melancholischen Romanzen und Instrumentalwerken ab, um die Spontaneität eines Musikabends in Joséphines Salon nachzuempfinden. Dieses originelle Projekt bietet Musikliebhabern die Möglichkeit, in ein Musikuniversum einzutauchen, das dem heutigen Publikum weitgehend unbekannt ist.

Coline Dutilleul, Mezzosopran
Aline Zylberajch, Klavier
Pernelle Marzorati, Harfe

Coline Dutilleul
studied at the Royal Conservatories of Mons and Brussels and at the Hochschule für Musik und Tanz in Cologne. She is currently receiving vocal coaching from Elene Golgevit. After being a member of the Opera Studio of the Opéra national du Rhin and attending numerous masterclasses as well as prestigious programs for young artists (Britten Pears Young Talent Program, Lucerne Festival Academy, Académie d'Ambronay, Acadèmia de Fomació Professional, Equilibrium Young Artists), She has appeared u.a. at the Berlin Philharmonie, the Cologne Philharmonie, the Ludwigsburg Castle Festival, the Opéra Royal de Wallonie, the Handel Festival in Halle, the Teatro Colon in Buenos Aires, the Opéra de Nice, the Festival d'Aix-en-Provence, the Opéra de Marseille, the Atelier lyrique de Tourcoing and the Folle Journée de Nantes. She has sung under the baton of Leonardo Garcia Alarcón, Barbara Hannigan, Peter van Heyghen, René Jacobs, Alexis Kossenko, Thibault Noally, Sperenza Scappucci, Elena Schwartz and Thomas Zehetmair, to name but a few, and with ensembles such as B'Rock Orchestra, Les Muffati, Les Ambassadeurs, Cappella Mediterranea. In 2020, she recorded for Arte Concert, with Aline Zylberajch on pianoforte, a Haydn programme including the cantata Arianna a Naxos. In 2022, her first recital album, „Licht in der Nacht“, was released with pianist Kunal Lahiry (Outhere/Fuga Libera label). In 2025, she made a name for herself with the album ‘Les mélodies inconnues de Bizet’ (Bizet's Unknown Melodies), released by Harmonia Mundi in cooperation with the Palazzetto Bru Zane.

Aline Zylberajch-Gester
A graduate of the Conservatoire National Supérieur de Musique, Paris, and of the New England Conservatory of Music, Boston, Aline Zylberajch started her career as a harpsichordist. She contributed to the early productions of ensembles such as La Chapelle Royale, Les Musiciens du Louvre and Le Parlement de Musique, with which she performed numerous operas and oratorios.

Later, her interest in the music of the late 18th century led her naturally to an intensive involvement in the performance practice of the early piano, discovering at the same time the amazing variety of keyboard instruments that flourished all over Europe. This period, which also saw the increasing popularity of duos, trios and quartets with obbligato keyboard opened up a whole new field of research into chamber music, and new happy musical encounters. One of her other addictions is playing vocal music, from early Baroque songs to Lieder evenings, and listening to the many ways this flows through to keyboard repertoire.

She is a founding member of “Clavecin en France” society.

Her recordings have received much praise in Diapason, Classica, Gramophone, Early Music Review, Répertoire, le Monde de la Musique, etc.

Pernelle Marzorati
began playing the violin at the age of 5. In 2009, she joined the harp class at the CRD in Le Mans with Evelyne Cabaret, and discovered early music at the CRR in Tours, where she began studying the repertoires of the Middle Ages, Renaissance and Baroque on period instruments with Angélique Mauillon.

Fascinated by these historic instruments, at the age of 17 she entered the early harp class at the CNSMD in Lyon, where she obtained a master’s degree in 2022. At the same time, Pernelle is perfecting her skills on the modern harp with Christophe Truant at the CRR in Lyon. She also took an interest in classical and pre-romantic repertoires and instruments, and in 2020 went to Milan to study with harpist Mara Galassi at the Civica Scuola di Musica Claudio Abbado. During her years of study at various conservatoires, Pernelle Marzorati has been able to take a full course in writing, a subject in which she has invested a great deal of time and effort, and in addition to her work as a harpist, she also arranges music for various ensembles.

The importance she attaches to teaching and transmission has led her to devote herself to several educational and cultural projects within different structures (Menus Plaisirs at the Centre de Musique Baroque de Versailles in 2021, educational activities and concerts at the Centre Culturel de Rencontre d’Ambronay in 2018, Les Concerts promenades at the Cité de la Musique in 2017).

She also performs with various early music ensembles (Le Concert d’Astrée, La Nébuleuse, l’Ensemble Près de votre oreille, Les Lunaisiens, Les Kapsber’girls…). She also teaches early harp at the CRR in Besançon.

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