Fröhliche Weihnacht (Mit den schönsten Weihnachtsliedern) Various Artists

• 1 Fröhliche Weihnacht überall - Adeste fideles 03:12
• 2 Tochter Zion, freue dich 02:42
• 3 Joy to the World - Der Heiland ist geboren 02:46
• 4 Kommet ihr Hirten 01:41
• 5 Freu dich Erd und Sternenzelt 01:28
• 6 White Christmas - Frosty the Snowman - Jinglebells 04:33
• 7 Süßer die Glocken nie klingen 02:07
• 8 Leise rieselt der Schnee 01:40
• 9 Macht hoch die Tür 05:15
• 10 Heute kam ein Engel 01:36
• 11 Vom Himmel hoch 02:26
• 12 Alle Jahre wieder 01:07
• 13 Ihr Kinderlein kommet 03:05
• 14 Les anges dans nos campagnes 02:11
• 15 Hark! The Herold Angels Sing 01:08
• 16 In dulci jubilo 02:17
• 17 Wie schön singt uns der Engel Schar 02:29
• 18 O du Fröhliche - Morgen kommt der Weihnachtsmann - Lasst uns froh und munter sein - The First Nowell 05:40
• 19 Still, still, still, weil's Kindlein schlafen will 02:00
• 20 Es ist ein Rot' entsprungen 03:10
• 21 Stille Nacht, heilige Nacht 03:06
• 22 Ave Maria, WAB 6 02:54
• 23 Übers Gebirge Maria geht 03:23
• 24 No. 1, Neujahrslied 03:16
• Total Runtime 01:05:12

Info zu Fröhliche Weihnacht (Mit den schönsten Weihnachtsliedern)

A compilation dedicated to funk and pre – zouk period, which has never been documented before. It is compilated by specialists of the genre: Julien Achard (Digger's Digest) and Nicolas SKLIRIS (ex-Superfly Records).

After the success of Kouté Jazz, Heavenly Sweetness comes back with a dancefloor but not jazz compilation, enough to move your feet at through the whole summer ! 13 disco, boogie and Zouk tracks recorded in the 80’s in the West Indies.

The advantage of this selection is precisely that it reveals a broader spectrum than the zouk music style that are badly defined. Most of the tracks, were not much broadcasted even if interpreted by some big names in Caribbean music (Pierre-Edouard Decimus / Patrick St. Eloi / Eddy La Viny). They were too fast classified as Zouk. These Tracks reveal this will of singularity, this merger between traditional and other rhythms genres (funk, disco, afro-beat, Latin Brazilian ...), with the addition of new instruments such as synthesizers and drums machine in the creative process.

In many zouk’s albums, this period often included one or even several, tracks that were qualified as "proto-zouk" and "funky-zouk" or the "boogie-zouk" to emphasize the fusion of genres . But these tracks have remained unknown to the general public because only the "hits" were played on the radio, dance floors (the famous "tan" or “zouk”), clubs and bus.

Dieses Album enthält kein Booklet