Heavy Music: The Complete Cameo Recordings 1966-1967 (Mono-Remastered) Bob Seger & The Last Heard

• 1 Heavy Music (Pt. 1) 02:32
• 2 East Side Story (Vocal) 02:25
• 3 Chain Smokin' 02:43
• 4 Persecution Smith 03:02
• 5 Vagrant Winter 02:19
• 6 Very Few 02:30
• 7 Florida Time 02:10
• 8 Sock It To Me Santa 02:13
• 9 Heavy Music (Pt. 2) 02:51
• 10 East Side Sound (Instrumental) 02:25
• Total Runtime 25:10

Info zu Heavy Music: The Complete Cameo Recordings 1966-1967 (Mono-Remastered)

Before there was Bob Seger and The Silver Bullet Band, there was a pre-fame band called The Last Heard. As Bob Seger ramped up to the release of his break-through first single, “Ramblin’ Gamblin’ Man”, his focus was, even then, great music for everyone. With The Last Heard, Bob Seger has a recorded set of singles for the Cameo label. Abkco Records has opted to release a collected set of these singles as Heavy Music: The Complete Cameo Recordings 1966-1967.

While serving as keyboard player and occasional singer in Doug Brown & The Omens, Seger met his future manager Edward “Punch” Andrews who co-owned the Hideout Records label. After The Omens split up, Seger formed his own group and while writing for The Underdogs, another band on Hideout, he co-authored their single “Get Down On Your Knees.” After a failed attempt by The Underdogs to record the Seger-penned “East Side Story,” Seger was encouraged to record it himself and it was released by Hideout in June of 1966 under the name Bob Seger. The fantastic single was quickly reissued by Cameo Records just 6 months later, with Bob Seger & The Last Heard on the label, cementing the band’s name.

With the help of former bandmate Doug Brown, the group recorded four more singles for the Cameo label over the course of the next year culminating with “Heavy Music” in July 1967. Launched with a simple but catchy bassline with snaps and claps to get the groove going, “Heavy Music” became a hit locally in Detroit, and the band appeared on the local Detroit TV show Swingin’ Time. The 45 of “Heavy Music (Part 1)” backed with “Heavy Music (Part2)” charting at #103 in Billboard and #70 in Cashbox.

Stylistically, Bob Seger & The Last Heard went beyond the simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. “Persecution Smith” pokes fun at half-hearted revolutionaries in a style reminiscent of “Bob Dylan’s 115th Dream,” “Sock It To Me Santa” (released for Christmas, 1966) references James Brown’s “Papa’s Got a Brand New Bag,” and “Heavy Music (Part 1)” carries a Spencer Davis Group swagger before “heavy” music was even a term in the popular vernacular. “East Side Story” is an urban saga that tells the story of a woman in a tenement apartment begging her man not to head uptown with his knife; placed akin to a tune reminiscent of “Gloria” by them.

Bob Seger, lead vocal, organ, piano guitar
Dan Honaker, bass
Carl Lagassa, guitar
Pep Perrine, drums, percussion
Doug Brown, additional vocals
David Whitehouse, additional vocals
Personnel on tracks 2 and 10:
Bob Seger, vocal, guitar
Doug Brown, guitar, organ
Dan Honaker, bass
Pep Perrine, bongos
Bob Evans, drums

Digitally remastered

Bob Seger
There is a signature richness and power to the music that Bob Seger has been making for four decades. Seger has always stayed true to his legendary sound, effortlessly marrying blues, country, and heartland soul into his trademark brand of Motor City rock ‘n’ roll. Year after year, new fans discover what longtime fans have always known, the GRAMMY® Award-winning rocker’s extraordinary catalogue is rich with character and passion with Seger’s compelling perspective on the world around him.

Seger is a multi-talented artist, songwriter, producer, and bandleader whose indelible body of work has affirmed his place in the fabric of American song. Inducted to both the Rock & Roll Hall of Fame and the Songwriters Hall of Fame, Seger’s reputation as an artist and songwriter has only grown. His work represents the honest best of what rock & roll can be -- passionate, unpretentious, uplifting and true to itself and its audience.

That’s one of the reasons why Seger’s songs have lasted so well and continue to be so well-loved. Seger has sold over 53 million albums and has earned 13 platinum and 7 multi-platinum RIAA Certified sales awards, including such landmark albums as Beautiful Loser, Live Bullet, Night Moves, Stranger in Town, Against the Wind and Nine Tonight.

Seger’s songs tell stories about characters with whom listeners can readily identify. They are often about people who are trying to find their way through a world that has proven more complex, challenging than they could have imagined. That road is one that Seger has traveled himself, though he has fortunately always proven able to find his way back home. One of Michigan’s finest, he grew up outside the media’s spotlight and soaked up the rock & roll and soul sounds for which Detroit remains famous. Drawing on those sources, he defined a musical voice for the American heartland.

Seger paid his dues for many years trying to break out of the regional scene. He scored a national hit in 1968 with “Ramblin’ Gamblin’ Man,” his Capitol Records debut. But it would be eight long years and nine more albums before he would return to the charts. During those years he toured relentlessly, upwards of 200 dates per year, and released a series of albums which die-hard fans celebrated but failed to break through the national charts. With money running out and diminishing returns from studio efforts, friends and foes alike were questioning whether he would ever make it. As a last-ditch effort Seger composed a group of songs which became his eighth album, Beautiful Loser. The album sold 80,000 copies in Michigan which helped give him a renewed sense of confidence. But it was the album Live Bullet that followed Beautiful Loser that finally brought Seger significant national attention, a double-vinyl-record set that was recorded live in Detroit in 1975 with the Silver Bullet Band. Whatever recognition Seger had garnered to that point was based on two elements: the emotional power of his songs and the intensity of his live shows. Riveting performances of “Travelin’ Man/Beautiful Loser,” “Heavy Music,” “Katmandu,” “Ramblin’ Gamblin’ Man,” and “Turn the Page” combined those two elements on Live Bullet. The album broke and set the stage for Seger’s meteoric rise with Night Moves.

Night Moves, ranks with the likes of American Graffiti, the film that inspired it, in its depiction of the bittersweet passage from adolescence into adulthood. Originally released in 1976, Night Moves was recorded in Detroit with the Silver Bullet Band and in Muscle Shoals, Alabama with the incomparable Muscle Shoals Rhythm Section. The album went on to garner overwhelming critical praise, as well as, the hit singles "Night Moves," "Mainstreet," and "Rock and Roll Never Forgets." It is one of the seminal records from the Seventies, and the fact that “Night Moves” continues to be a radio staple is a testament to how strongly listeners of all ages have felt their lives represented in it.

But Seger was only beginning. The eight studio albums he has recorded since that time have generated a catalogue of songs that have entered the pantheon of contemporary popular music: “Hollywood Nights,” “Still the Same,” “Old Time Rock and Roll,” “We’ve Got Tonight,” “You’ll Accomp’ny Me,” “Against the Wind,” “Her Strut,” “Roll Me Away,” “Like a Rock,” “The Fire Inside,” and more.

Bob Seger’s struggle for recognition may have been fought and won long ago, but the battle to convey his vision precisely as he experiences it within himself goes on unabated. He has expressed the frustrations, hopes and dreams not simply of people like himself, but that he himself has felt. When he sings, you believe it. Not giving up until he’s satisfied that he’s gotten it right fulfills the promise he has made to his fans and to himself.

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