Tide (Remastered) Antonio Carlos Jobim

Album Info

Album Veröffentlichung:
1970

HRA-Veröffentlichung:
11.06.2014

Label: Verve Reissues

Genre: Jazz

Subgenre: Latin Jazz

Das Album enthält Albumcover

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  • 1The Girl From Ipanema04:48
  • 2Carinhoso02:49
  • 3Tema Jazz04:38
  • 4Sue Ann03:06
  • 5Remember03:58
  • 6Tide03:46
  • 7Takatanga04:33
  • 8Caribe02:45
  • 9Rockanalia04:47
  • Total Runtime35:10

Info zu Tide (Remastered)

One of Antonio Carlos Jobim's best-known albums, 1970's „Tide“ is a companion piece to 1967's „Wave“, a similarly lush and smooth collection for producer Creed Taylor's CTI Records. In fact, this album's lengthy title track is a theme-and-variations exploration of the main melodic line from WAVE's title track.

For most of the album, Eumir Deodato, soon to become famous for his own contributions to lite-jazz fusion, handles the arrangements. Comparing his contributions to those of longtime Taylor arranger of choice Claus Ogerman, „Tide“ is a sprightlier album with a somewhat looser, less orchestrated feel. Of the new tracks, 'Tema Jazz' is the highlight, although the sparkling 'Carinhoso' is nearly its equal.

Antonio Carlos Jobim, guitar, acoustic guitar, piano, electric piano
Frederick Buldrini, violin
Max Polikoff, violin
David Nadien, violin
Matthew Raimondi, violin
Harry Katzman, violin
Emanuel Green, violin
Harry Lookofsky, violin
Al Brown, viola
Harold Coletta, viola
Charles McCracken, cello
George Ricci, cello
Joe Farrell, flute, bass flute, soprano saxophone
Hubert Laws, flute
Hermeto Pascoal, flute
Romeo Penque, flute
Marvin Stamm, trumpet
Burt Collins, trumpet
Joseph DeAngelis, French horn
Ray Alonge, French horn
Garnett Brown, trombone
Urbie Green, trombone
Deodato, piano
Joao Palma, drums
Everaldo Ferreira, congas
Airto Moreira, percussion

Recorded at the Van Gelder Recording Studio, Englewood Cliffs, New Jersey between March 16 and May 22, 1970
Produced by Creed Taylor
Arranged and conducted by Deodato

Digitally remastered

Often hailed as the Gershwin of Brazil, Antonio Carlos Jobim’s songs like ‘Desafinado’, ‘Corvovado’, ‘The Girl From Ipanema’ and ‘One Note Samba’ have become standards of the jazz repertoire. Their graceful, gently swinging melodies and harmonies have since the ‘60s given musicians a strikingly original alternative to the more traditional Tin Pan Alley sources. A sensitive arranger, pianist, guitarist and singer, Jobim has made a significant contribution to the music of the 20th Century, both as a songwriter and musician.

Antonio Carlos Jobim (in Brazil we called him Tom Jobim) is one of the most important composers of the 20th century. His beautiful songs, such as 'The Girl From Ipanema,' 'Desafinado,' 'Corcovado (Quiet Nights Of Quiet Stars),' 'Wave,' and 'Waters Of March,' to mention a few, became standards all over the world and were recorded by the greatest singers and musicians of our time.

Tom Jobim's music is unique — his melodies are haunting and the harmonies extremely sophisticated. He is responsible for introducing Brazilian music to the world.

Jobim is the primary founder of a Brazilian musical style that became known as bossa nova in the late '50s. He gained worldwide attention in 1959 with his contributions to the soundtrack for the film Black Orpheus. Shortly after, artists such as João Gilberto began enjoying hits with Jobim's songs. In 1964 Stan Getz and Astrud Gilberto's version of 'The Girl From Ipanema' won the GRAMMY for Record Of The Year. Soon, jazz artists and music lovers the world over would embrace bossa nova.

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