Best of Lizzy Borden, Vol. 2 (Remastered) Lizzy Borden

• 1My Midnight Things04:21
• 2Long May They Haunt Us04:34
• 3Tomorrow Never Comes04:21
• 4Obsessed with You04:34
• 5(This Ain't) The Summer of Love03:45
• 6Under Your Skin04:27
• 7Lovin' You is Murder03:43
• 8The Scar Across My Heart04:32
• 9There Will Be Blood Tonight03:56
• 10We Only Come out at Night04:34
• 11Abnormal05:12
• 12Live Forever05:00
• 13Pet Sematary03:20
• 14Burnin' for You04:54
• Total Runtime01:01:13

Info zu Best of Lizzy Borden, Vol. 2 (Remastered)

Seit Jahrzehnten gilt LIZZY BORDEN als einer der Top-Frontmänner, wenn es um theatralischen Rock geht, und am 15.6. wird er nach elf Jahren wieder ein Album veröffentlichen. ‘My Midnight Things‘ erscheint über Metal Blade Records, und die längere Sendepause scheint der Freude des Mannes am Rocken und Schocken nicht geschadet zu haben. “Wir waren ja die ganze Zeit über weltweit auf Tour, aber ich habe das Aufnehmen im Studio vermisst. Für mich ist die neue Scheibe ein Neubeginn, ich habe sozusagen die Reset-Taste meiner Karriere gedrückt“, sagt Borden.

Nach der Unterzeichnung eines neuen Vertrags mit Metal Blade anhand dreier starker Demo-Tracks produzierte Borden ‘My Midnight Things‘ selbst mithilfe von Joey Scott, der auch das Schlagzeug einspielte. “Ich wusste, wie alles klingen sollte, und war überzeugt davon, den richtigen Produzenten dafür finden zu können. Meine Methoden unterscheiden sich deutlich vom gegenwärtigen Konsens, doch Joey hat das begriffen und die gleichen Vorstellungen wie ich.“

Gemixt wurde das Album von Greg Fidelman (Metallica, Black Sabbath, Adele, U2), das Mastering übernahm Tom Baker (David Bowie, Rob Zombie, Marilyn Manson, Tom Petty).

orden will bald wieder touren. “Ich habe schon angefangen, ein Showprogramm für ‘My Midnight Things’ zu entwickeln, und brenne darauf, die Stücke live zu spielen. Da es dort draußen so viele begabte Instrumentalisten gibt, finde ich bestimmt die richtigen, mit denen ich gern auf die Bühne gehen und reisen werde. Bereits anhand dessen, was im Augenblick geplant ist, wird das die beste Show, die ich je geboten habe. Ich bin wirklich so aufgeregt wie schon seit Jahren nicht mehr. Der große Höhepunkt kommt erst noch!”

Lizzy Borden

Digitally remastered Tom Baker

Lizzy Borden
Named after the perpetrator of an infamous 1895 double murder that yielded the equally notorious skipping-rope rhyme "Lizzie Borden took an axe, and gave her mother forty whacks. When she saw what she had done, she gave her father forty-one," Lizzy Borden is a theatrical Los Angeles-based heavy metal band that, like Alice Cooper before them, is named after the band's frontman. Signed to Metal Blade in 1984 and employing a lethal blend of horror stagecraft, blazing riffs, and glam-infused melodic might, the band enjoyed success in the mid- to late '80s with the album's Love You to Pieces (1985), Visual Lies (1987), and Master of Disguise (1989), before succumbing to the shifting musical tastes brought forth by the arrival of grunge and alternative rock in early '90s. They re-formed in 1999, but went on hiatus after the death of guitarist Alex Nelson in 2004. They convened again in 2006, and despite enduring multiple personnel changes continued to perform at clubs and festivals, eventually re-signing with Metal Blade in 2018 and releasing their seventh studio long-player, My Midnight Things.

Founded by brothers Gregory (Lizzy Borden) and Joseph (Joey Scott) Harges, the band caught its first big break in 1983 when Metal Blade chose the track "Rod of Iron" to appear on the fourth volume of their popular Metal Massacre compilation series. Lizzy Borden inked a deal with the label shortly thereafter, and released a debut EP Give 'Em the Axe the following year. With a lineup consisting of Borden (vocals), Scott (drums), Gene Allen (guitar), Tony Matuzak (guitar), and Michael Davis (bass), the band released their first full-length outing, Love You to Pieces, in 1985. Alex Nelson replaced Matuzak shortly after the album's release, and made his debut on the 1986 concert LP The Murderess Metal Road Show and sophomore studio effort Menace to Society. The band tapped veteran pop-metal producer Max Norman to helm their third full-length outing, 1987's Visual Lies. The album was the group's most commercially successful outing to date, and included the single "Me Against the World," which appeared on the soundtrack to the 1988 comedy-horror film Black Roses -- that same year saw the band make an appearance in director Penelope Spheeris' legendary L.A. metal documentary The Decline of Western Civilization Part II: The Metal Years. 1989's Master of Disguise went largely under the radar, but has since proven to be a fan favorite, and one of the group's most enduring releases.

Lizzy Borden, like a lot of metal acts of the era, spent the majority of the next decade trying to find their place in a dramatically shifting musical scene, eventually going on a full hiatus in 1996. Borden, Scott, and bass player Marten Andersson began operating under the moniker Diamond Dogs (later renamed Starwood), but by 1999 the band was back in action, sporting a lineup that included Borden, Scott, Andersson, and Alex Nelson. They headed to Germany's Wacken Open Air Festival to preview songs from their fourth LP, 2000's Deal with the Devil, followed by a worldwide tour. Tragedy struck in 2004 when longtime guitarist Alex Nelson was killed in an automobile accident, prompting the group to once again cease operations. Two years later, Lizzy Borden rose again, this time with guitarist Ira Black (Vicious Rumors, Metal Church, Heathen), and in 2007 they released a new studio LP, Appointment With Death, which featured guest spots from George Lynch (Dokken), Dave Meniketti (Y&T), and Corey Beaulieu (Trivium). The group spent the next decade staying active on the road, playing both at home and overseas, with numerous stops at international festivals. In 2017 they re-signed with Metal Blade and returned to the studio to begin work on their first collection of new material in over ten years. The resulting My Midnight Things arrived the following year. (James Christopher Monger, AMG)

Dieses Album enthält kein Booklet