Beethoven: Complete Works for Cello and Piano, Vol. 1 Gabriel Schwabe & Nicholas Rimmer

• Ludwig van Beethoven (1770 - 1827): Cello Sonata No. 1 in F Major, Op. 5, No. 1:
• 1 Beethoven: Cello Sonata No. 1 in F Major, Op. 5, No. 1: I. Adagio sostenuto - Allegro 17:24
• 2 Beethoven: Cello Sonata No. 1 in F Major, Op. 5, No. 1: II. Rondo. Allegro vivace 07:00
• 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66:
• 3 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Thema. Allegretto 00:30
• 4 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 1 00:33
• 5 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 2 00:32
• 6 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 3 00:31
• 7 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 4 00:32
• 8 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 5 00:32
• 9 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 6 00:30
• 10 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 7 00:38
• 11 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 8 00:30
• 12 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 9 00:34
• 13 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 10, Adagio 01:10
• 14 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 11, Poco adagio, quasi andante 00:58
• 15 Beethoven: 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66: Var. 12, Allegro 01:57
• Cello Sonata No. 2 in G Minor, Op. 5, No. 2:
• 16 Beethoven: Cello Sonata No. 2 in G Minor, Op. 5, No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto 19:44
• 17 Beethoven: Cello Sonata No. 2 in G Minor, Op. 5, No. 2: II. Rondo. Allegro 09:03
• 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46:
• 18 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Theme. Andante 00:50
• 19 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 1 00:42
• 20 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 2 00:43
• 21 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 3 00:56
• 22 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 4 01:14
• 23 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 5, Si prenda il tempo un poco più vivace 00:37
• 24 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 6, Adagio 02:18
• 25 Beethoven: 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46: Var. 7, Allegro ma non troppo 01:54
• Total Runtime 01:11:52

Info zu Beethoven: Complete Works for Cello and Piano, Vol. 1

Um seinen Ruf, den er in Wien erworben hatte, weiter auszubauen, unternahm Beethoven eine ausgedehnte Tournee, die in Berlin, der Heimat des cellospielenden Friedrich Wilhelm II. Dort stellte er seine Sonaten für Klavier und Cello op. 5 vor, bei denen einer der berühmten Brüder Duport das Cello spielte. Es handelt sich um revolutionäre Werke, in denen keines der beiden Instrumente untergeordnet und das Klavier völlig unabhängig ist, was in den 1790er Jahren ohne Beispiel war. Beethoven schrieb auch temperamentvolle Variationen über Opernmusik von Mozart, in denen unbeschwerte Verspieltheit und dramatische Rivalität anregende Merkmale sind.

Gabriel Schwabe, Cello
Nicholas Rimmer, Klavier

Gabriel Schwabe
has established himself among the leading cellists of his generation. He is a laureate of numerous national and international competitions, including the Grand Prix Emanuel Feuermann and the Concours Rostropovich in Paris. In 2009 he won the prestigious Pierre Fournier Award in London. As a soloist, he has performed with orchestras such as the Philharmonia Orchestra, London, NDR Radiophilharmonie, Berlin Radio Symphony Orchestra, and the Adelaide Symphony Orchestra, with conductors including Marek Janowski, Eivind Gullberg-Jensen, Dennis Russell-Davies, Cornelius Meister and Michael Sanderling. In 2010 Gabriel Schwabe gave his recital début at London’s Wigmore Hall. He is a regular guest at festivals such as the Jerusalem Chamber Music Festival, the Kronberg Cello Festival and the Amsterdam Biennale, and has performed with artists including Christian Tetzlaff, Daniel Hope, Albrecht Mayer, Lars Vogt, Kirill Gerstein and Jonathan Gilad. Since 2012 he has been artistic director of the high profile chamber music series “Resonanzen” in Siegburg, Germany. Gabriel Schwabe was born to German-Spanish parents in 1988. He studied with Catalin Ilea in Berlin and with Frans Helmerson at the Kronberg Academy, and received further stimulus from János Starker, Gary Hoffmann and Gidon Kremer. Gabriel Schwabe is supported by the German Music Foundation. He plays a rare Italian instrument made in Brescia (ca.1600).

Nicholas Rimmer
was born in England and studied at Clare College, Cambridge as well as in Hanover, Berlin and Cologne. As a pianist with a particular focus on chamber music and the song repertoire, he performs regularly at festivals such as Schleswig-Holstein, Mecklenburg-Vorpommern, Aldeburgh, Schwetzingen, Ludwigsburg and Heidelberg. He has appeared at major venues such as the Wigmore Hall, Tonhalle Zurich, Berlin Philharmonie, Laeiszhalle Hamburg and the Gasteig Munich, and has performed as a soloist with the NDR Radiophilharmonie, the Hamburg Symphony Orchestra and the Heidelberger Symphoniker. His varied discography includes three successful albums with Nils Mönkemeyer as well as two solo CDs. This is his second recording for Naxos following his acclaimed recording with Tianwa Yang of the complete works for violin and piano of Wolfgang Rihm (8.572730), which received a Diapason d’Or, a Pizzicato Supersonic Award and an International Record Review ‘Outstanding’ Award. His regular ensembles include a classical piano trio, the Trio Gaspard, and the Trio Belli-Fischer-Rimmer which performs in the unique combination of trombone, percussion and piano. Nicholas Rimmer regularly collaborates with a diverse range of musicians including Maximilian Hornung, Christiane Iven, Nils Mönkemeyer, Lena Neudauer, Anna Lucia Richter, Gabriel Schwabe, Jakob Spahn and Tianwa Yang. He also performs live improvisation to silent movies together with the percussionist Johannes Fischer.

Booklet für Beethoven: Complete Works for Cello and Piano, Vol. 1