Talbot: Alice's Adventures in Wonderland - Fool's Paradise Royal Philharmonic Orchestra & Christopher Austin

• Joby Talbot (b-1971): Alice's Adventures in Wonderland Suite:
• 1 I. Prologue 06:48
• 2 II. The Mad Hatter's Tea-Party 03:08
• 3 III. Alice Alone 04:18
• 4 IV. The Croquet Match 05:33
• 5 V. Setting Up the Courtroom 02:46
• 6 VI. The Queen of Heart's Tango 02:09
• 7 VII. The Cheshire Cat 02:56
• 8 VIII. The Flower Garden Part I 07:00
• 9 IX. The Flower Garden Part II 04:44
• Fool's Paradise:
• 10 Part I 04:58
• 11 Part II 10:40
• 12 Part III 06:51
• 13 Part IV 05:19
• Total Runtime 01:07:10

Info zu Talbot: Alice's Adventures in Wonderland - Fool's Paradise

„Alice’s Adventures in Wonderland“, whose score is the first commissioned by The Royal Ballet for a full-length narrative dance work in 20 years, won over not only London audiences but those in Canada and the US, flocking to its premiere North American season with the National Ballet of Canada in June of 2011. The production was sold out well in advance of its close and ended as the company’s highest-grossing production of all time. Joby’s score was received with extraordinary relish by both audiences and critics, who praised variously its energy, sophistication, wit, colour, danceability and richness of expression.

This is real music – witty, unpretentious and clever, and the extracts chosen on this disc never outstay their welcome. Themes associated with specific characters are invariably memorable and intelligently developed. The suite’s opening is entrancing" (The Arts Desk)

"The Royal Philharmonic Orchestra under Christopher Austin’s baton delivers a flawless and energetic performance, drawing out every ingenious flourish and limning each individual sound in silver. If little dancers-in-waiting aren’t still twirling to this, years from now, we’ll eat our ‘In This Style 10/6’ hats." (Sinfini Music)

"What Talbot has done to create the aural setting for the world down the rabbit-hole is extraordinary. His whimsical score twists and turns as capriciously as the place in which Alice has found herself. The orchestra produces a plethora of odd and magical sounds, tumbling rhythms that seem to trip over one another and at times, walls of big beautiful sound." (Expedition Audio)

Royal Philharmonic Orchestra
Christopher Austin, conductor

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