Poulenc, Cavanna: Le Moine et le Voyou Les Metaboles, Ensemble Multilatérale, Léo Warynski

• Francis Poulenc (1899 - 1963): Un soir de neige, FP 126:
• 1 Poulenc: Un soir de neige, FP 126: I. De grandes cuillers de neige 01:24
• 2 Poulenc: Un soir de neige, FP 126: II. La bonne neige 01:39
• 3 Poulenc: Un soir de neige, FP 126: III. Bois meurtri 02:36
• 4 Poulenc: Un soir de neige, FP 126: IV. La nuit, le froid, la solitude 01:07
• Quatre motets pour un temps de pénitence, FP 97:
• 5 Poulenc: Quatre motets pour un temps de pénitence, FP 97: I. Timor et Tremor 03:19
• 6 Poulenc: Quatre motets pour un temps de pénitence, FP 97: II. Vinea mea electa 04:02
• 7 Poulenc: Quatre motets pour un temps de pénitence, FP 97: III. Tenebrae Factae Sunt 04:08
• 8 Poulenc: Quatre motets pour un temps de pénitence, FP 97: IV. Tristis Est Anima Mea 03:17
• Exultate Deo, Motet pour les fêtes solennelles, FP 109:
• 9 Poulenc: Exultate Deo, Motet pour les fêtes solennelles, FP 109 02:59
• Bernard Cavanna (b. 1951): Messe, un jour ordinaire:
• 10 Cavanna: Messe, un jour ordinaire: I. Kyrie 08:12
• 11 Cavanna: Messe, un jour ordinaire: II. Gloria 15:28
• 12 Cavanna: Messe, un jour ordinaire: III. Credo 02:45
• 13 Cavanna: Messe, un jour ordinaire: IV. Sanctus 06:10
• Total Runtime 57:06

Info zu Poulenc, Cavanna: Le Moine et le Voyou

With Messe, un jour ordinaire, Bernard Cavanna has created an emblematic work that cannot be interpreted in a univocal manner. Like all works that deeply challenge, this piece created in 1994 remains elusive and continues to diffuse a mystery suggested by all the contradictions that the composer carries within him and has introduced into this clash between trivial and tragic. Using an eight-minute extract from Jean-Michel Carré’s documentary film Galères de femmes, which focuses on a young drug addict seeking to reintegrate herself by talking to members of a charity association, Bernard Cavanna has imagined a furious oratorio. This young woman in disarray, Laurence, a light soprano, enters a church, asks for help and is confronted with the ritual of the mass embodied by a lyric soprano and tenor who try to silence her in a vehement bel canto, saturating their pomp to the point of delirium.

Les Metaboles
Multilatérale
Léo Warynski, conductor

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Booklet für Poulenc, Cavanna: Le Moine et le Voyou