You Should Be Here Cole Swindell

• 1 Flatliner (feat. Dierks Bentley) 02:56
• 2 Middle of a Memory 03:47
• 3 Broke Down 03:24
• 4 Home Game 04:09
• 5 Up 03:14
• 6 Party Wasn't Over 03:47
• 7 Stay Downtown 03:23
• 8 You Should Be Here 03:11
• 9 Stars 03:21
• 10 Making My Way to You 03:29
• 11 No Can Left Behind 03:48
• 12 Remember Boys 03:06
• Total Runtime 41:35

Info zu You Should Be Here

You Should Be Here, the follow up to Swindell’s RIAA Platinum-certified debut, was again produced by songwriter and fellow musician Michael Carter. The 12-song collection offers chart-topping title track as well as “Flatliner” (feat. Dierks Bentley), “Stars” and “Remember Boys,” with “Broke Down” set to be delivered this coming Friday (full track list below).

The singer/songwriter recently earned his fifth consecutive No. 1 single with “You Should Be Here.” Co-written by Swindell and Ashley Gorley, the song was No. 1 on Billboard’s Hot Country Songs chart for four weeks (tally of digital streams, radio airplay and sales) and held multi-week runs on top of both country airplay charts. In addition to selling over 550,000 copies, “You Should Be Here” has racked up over 30 million streams and more than 15 million Youtube views. The single follows Swindell’s first four consecutive singles as a solo artist (including his latest Gold-certified No. 1 smash “Let Me See Ya Girl,” along with Platinum-certified mega hits “Hope You Get Lonely Tonight,” “Ain’t Worth The Whiskey” and “Chillin’ It”) and marks his eighth overall as a songwriter.

„You Should Be Here album for sale by Cole Swindell was released May 06, 2016 on the Warner Bros. label. As a partial architect of bro-country, Cole Swindell can't be expected to jettison the swaggering sound once it starts to get a little long in the tooth. As a commercially savvy songwriter, however, he knows he needs to expand his reach for a second album, which is what he does on 2016's You Should Be Here. Dialing back the party tunes that gave him number one hits, Swindell nevertheless doesn't entirely abandon his suburbanite anthems You Should Be Here buy CD music. He does, however, move his way toward minor keys and adopts hints of the looped R&B rhythms Sam Hunt popularized in 2015 You Should Be Here songs. Tellingly, he also embraces themes that bely a slight maturation, or at least heartbreak: he's no longer chillin' while asking a girl to dance for him, he's wishing the party wasn't over and grappling with memories that don't leave. Such ruminations mean You Should Be Here moves along at a slightly slow gait -- the one time the tempo really gets kicking is in "No Can Left Behind," a drinking song stowed away at the end -- but that does give it a casual crossover vibe, one that never suggests Swindell is gunning for the middle of the road. That slyness turns out to be his greatest asset: beneath that everyday grin he not only knows what sells, but he knows how to look like he's not selling any wares, which is the key to a successful country-pop artist.“ (Stephen Thomas Erlewine)

Cole Swindell, vocals
Pat Buchanan, electric guitar
Michael Carter, electric guitar, keyboards, piano, synthesizer
Dave Cohen, Hammond B-3 organ, keyboards, piano, synthesizer
James Mitchell, electric guitar
Billy Panda, acoustic guitar
Mike Wolofsky, bass
Greg Morrow, drums, percussion
John Palmieri, percussion, background vocals
Russell Terrell, background vocals
Dierks Bentley, guest vocals on "Flatliner"

Produced by Michael Carter

Cole Swindell
Country music superstar Cole Swindell, who Rolling Stone has called “a proven hit-maker,” has solidified himself as a hit songwriter, recording artist and headlining performer over the past eleven years. With over 8+ billion career streams and his latest single “Forever To Me” (from his new album Spanish Moss) hitting No. 1, the multi-Platinum award winner has now racked up 13 No. 1 singles as an artist – 14 as a songwriter. Twelve of Swindell’s 13 No. 1 singles have been certified Platinum by the RIAA with three being 3X Platinum (“Chillin’ It,” “You Should Be Here,” and “She Had Me At Heads Carolina”) and two being 2X Platinum (“Ain’t Worth The Whiskey” and “Break Up In The End”).

Swindell, who The Tennessean called a “hard charging competitor armed with a mastery of the art of the craft, tirelessly looking for ways to improve his work” charted three back-to-back, Platinum-certified, multi-week No. 1 hits off his fourth studio album, Stereotype: “Single Saturday Night,” “Never Say Never” (with Lainey Wilson) and the five-week 3x Platinum chart-topper “She Had Me At Heads Carolina” that garnered three ACM Awards for Single of the Year and Song of the Year (as songwriter and artist), an iHeart Music Award for Country Song of the Year and received a nomination for Musical Event of the Year for “She Had Me At Heads Carolina” with Jo Dee Messina for the 57 th CMA Awards. He released a special duet remix of his smash “She Had Me At Heads Carolina” featuring Messina that produced multiple award nominations and is included on his deluxe album Stereotype Broken, which also includes his 2023 Top 10 single “Drinkaby."

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