Jerusalem
Biographie Jerusalem
Jerusalem
It all began in 1975 with a fifteen year old transit bus, bought from a surplus stock at the Swedish Telecom. It was a miracle that they even got out of Gothenburg. The water leaked out of the bus very quickly. Sometimes on tours they had to stop in the middle of nowhere and the guys had to wade in swamps to get water for the bus. But that didn’t keep the enthusiasm away. Every second weekend they took all the equipment and went on tour. The mission was to tell young people about God. In clubs, discos, schools.
They had to face a heavy resistance doing this.
Playing hard rock and being a Christian was very controversial at the time. Hard rock was connected to drugs, aggression and Satanism. Furthermore the music was ear-splitting. Being the first Christian hard rock band in Europe, Jerusalem had to endure a lot of criticism. They weren’t welcome at all to some churches. Smoke-bombs, long hair and luxury equipment was more than some people could accept, even if Jerusalem radically proclaimed Jesus. Hard rock was considered devilish.
Jerusalem addressed the youth. Hard rock was a way of bringing faith in Jesus to them in their own language. The lyrics described their relation to God in an ordinary, but radical way. Ulf Christiansson wrote as much as he could, and at almost every concert he had a new song to present. Heavy music delivered a heavy message and between the songs Ulf preached. In that way the concerts were more than just concerts, they turned into revival meetings. Side by side, hard rockers and confirmands were rocking. But also old people who were touched by God in a new way.
“One night, an old lady came to us after a concert and wanted to beg our forgiveness. She said that she had turned terribly mad when we started playing. She wanted to grab her purse and leave. But then she saw Jesus walking from the stage down towards her. He sat down in front of her, turned around and said: Those are my guys. Tears were streaming down her eyes when she told us.”
As time went by, prejudice seemed to disappear. The band was conductive to that by not giving up. After three years of touring record companies began calling. “I had told God and the guys that we won’t knock on anyone’s door, but wait for a record company to call.” The Christian record company Prim did, but they didn’t believe in too much success. They were wrong. The record Jerusalem (Volume 1) became an instant hit among the audience. In just a few months the record sold 30 000 copies and kept on. Jerusalem reached far outside the church walls, drawing both believers and non-believers.
