Morning Light Ken Fowser

Album info

Album-Release:
2020

HRA-Release:
09.07.2021

Label: Posi-Tone Records

Genre: Jazz

Subgenre: Modern Jazz

Artist: Ken Fowser

Album including Album cover

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FLAC 88.2 $ 12.00
  • 1Moving Forward05:18
  • 2Three For Leathers04:47
  • 3In The Blue04:59
  • 4Seventy Sixers04:09
  • 5This That & The Other Thing05:42
  • 6Morning Light06:26
  • 7That Was Then04:35
  • 8The Instigator05:26
  • 9Without Saying05:02
  • 10Firefly05:35
  • 11Vitamin E02:58
  • Total Runtime54:57

Info for Morning Light



Saxophonist Ken Fowser reflects upon the ephemeral aspects of nature to uncover a series of inspirations hidden in the broken fragments of our cultural existence on his latest release “Morning Light.” Prepare to be intrigued and delighted, as Fowser unveils a captivating program of new compositions featuring the suitably swinging assistance of his working band featuring Tadataka Unno on piano, Vince Dupont on bass, Joe Strasser on drums and Josh Bruneau on trumpet. Fowser continues to demonstrate a strong and well refined vision for his own music as a leader and composer that is both emotionally engaging and entertaining. With a delicate balance of modernity and classic aesthetics, “Morning Light” is insightfully straight forward, refreshingly melodic and full of bright moments for the ears of jazz fans everywhere.

"While Fowser’s band is stellar, sticking with tradition results in the heavily polished sound weakening the impact of any idiosyncratic surprises. That’s not to say that the album is devoid of abstract character, though: The rotation of featured instruments (and all their distinct attributes) on “Firefly” and the pairing of drums with piercing trumpet on “Vitamin E” conclude Morning Light on a modern-sounding but, more importantly, memorable note." (Kira Grunenberg, DownBeat)

Ken Fowser, tenor saxophone
Josh Bruneau, trumpet, flugelhorn
Tadataka Unno, piano
Vince Dupont, bass
Joe Strasser, drums



Ken Fowser
Since his arrival on the New York scene in 2005, Ken Fowser has continued to steer traditional harmony in uncharted directions. His lyrical approach to line construction and depth of harmonic sensibility allow him to record and play all over the world with such master players and burgeoning stars as David Hazeltine, Ugonna Okegwo, Donald Vega, Willie Jones III, Rick Germanson, Quincy Davis, David Wong, Jason Brown, Dezon Douglas and Rodney Green.

A prolific composer, Fowser has celebrated four cooperative releases on Posi-tone Records, co-led with vibraphone virtuoso, Behn Gillece. His debut release as a leader, Standing Tall earned him the number-one spot on JazzWeek Radio Chart seven weeks in a row. Each track reflects a contemporary treatment of conventional harmonic concepts—a creative manipulation that has become part of his signature sound as a composer and an arranger, as well as a soloist.

Set for release in February 2017, Now Hear This, Fowser’s second release as a soloist for Posi-tone features 11 original compositions and the same chart-topping lineup as Standing Tall: Josh Bruneau, Rick Germanson, Paul Gill and Jason Tiemann. Performing live every Friday night, his blistering quintet headlines the New York nightlife scene at the Django inside the Roxy Hotel on the corner of Walker and Church (www.thedjangonyc.com).

Fowser’s fluid phrasing and melodic approach to improvising developed as a result of his exposure to the rich musical legacy of the Philly Sound, following in time with the rhythmic footsteps of John Coltrane, Lee Morgan, McCoy Tyner, Philly Joe Jones, Benny Golson and The Heath Brothers. Attending The University of the Arts in the early 2000s, Fowser studied with Tony Salicandro and Chris Farr, before transferring to William Paterson University in New Jersey, where he studied with NEA Jazz Master, Harold Mabern—an artistic force who remains one of Fowser’s major musical influences, today.

As a grad student at SUNY Purchase, Fowser studied with contemporary legends of the tenor saxophone Ralph Lalama, Grant Stewart and Eric Alexander—the latter with whom he forged a professional relationship, subbing for Alexander on many of his gigs, and playing with him live, in classic two tenor context.

Becoming more visible on the live music scene, in the latter 2000s Fowser enjoyed both downtown and uptown residencies at iconic New York venues. Hosting the session at Smalls Jazz Club every Tuesday for four years, and playing the late set at Smoke Jazz and Supper Club every Friday for two years, he followed headlining sets of such masters as the late Cedar Walton, Buster Williams and perhaps his greatest influence, George Coleman. Fowser has graced the bandstand from New York to San Francisco, playing Fat Cat, Zinc Bar, Chris’ Jazz Café, Ortlieb’s Jazz Haus, The Kimmel Center, Yoshi’s and Dizzy’s Club Coca-cola at Jazz at Lincoln Center.

An Indonesian Grammy nominee, Fowser has achieved international acclaim as the 2008 winner of San Francisco State University’s Int’l Generations Jazz Competition, and the recipient of a prestigious one-year mentorship with Jimmy Cobb, Ray Drummond and Jeremy Pelt. As he continues to expand his artistry as a composer, an educator and a bandleader, Fowser looks forward to finding new creative outlets in 2017.

This album contains no booklet.

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