The Big Picture Ken Fowser

• 1 B.Q.E 05:58
• 2 Fish Walk 04:21
• 3 Sweet Biscuits 05:09
• 4 Samba The Red Gringo 05:45
• 5 Simple Complex 05:15
• 6 A Lullaby For Morning 06:01
• 7 The Big Picture 05:43
• 8 The Sage 05:21
• 9 You Shouldn't Have 05:30
• 10 Congregation 06:07
• Total Runtime 55:10

Info for The Big Picture

This album is reflective of 20 years of living in NYC, and my experiences, friendships, development as a musician, improviser, composer, and band leader. Five of the six musicians on this record live in Astoria, Queens, where we’ve gotten together sporadically for sessions during this time. Often I’d bring in an original composition or two, and we’d workshop them. I try to write in a way where most of my compositions can be read down the first time. But these guys really dove in and gave feedback, suggestions, we would work shop them, and really develop them, and these guys really inspired me to get into writing and develop my compositional sound. I wanted to document this and not being afraid of trying different things.

Each song carries a different story and influence that has led me to who I am as a person today, and the realization that music is less about me and more about the bigger picture,

The ongoing love/hate relationship with city life that only would be possible. While I never intended to live here for more than a few years, the experience and the love/hate relationship, the musicians, the cultures, the jazz clubs.

Ken Fowser, tenor saxophone
Joshua Bruneau, trumpet
Matthew Rotker-Lynn, guitar
Steve Einerson, piano
Peter Brendler, bass
Mike Camacho, drums

Recorded December 15th, 2025 at GB’s Juke Joint
Engineered by Colin Mohnacs
Mixed and Mastered by Shawn Pierce
Produced by Ken Fowser
Executive Producer: Cory Weeds

Ken Fowser
Since his arrival on the New York scene in 2005, Ken Fowser has continued to steer traditional harmony in uncharted directions. His lyrical approach to line construction and depth of harmonic sensibility allow him to record and play all over the world with such master players and burgeoning stars as David Hazeltine, Ugonna Okegwo, Donald Vega, Willie Jones III, Rick Germanson, Quincy Davis, David Wong, Jason Brown, Dezon Douglas and Rodney Green.

A prolific composer, Fowser has celebrated four cooperative releases on Posi-tone Records, co-led with vibraphone virtuoso, Behn Gillece. His debut release as a leader, Standing Tall earned him the number-one spot on JazzWeek Radio Chart seven weeks in a row. Each track reflects a contemporary treatment of conventional harmonic concepts—a creative manipulation that has become part of his signature sound as a composer and an arranger, as well as a soloist.

Set for release in February 2017, Now Hear This, Fowser’s second release as a soloist for Posi-tone features 11 original compositions and the same chart-topping lineup as Standing Tall: Josh Bruneau, Rick Germanson, Paul Gill and Jason Tiemann. Performing live every Friday night, his blistering quintet headlines the New York nightlife scene at the Django inside the Roxy Hotel on the corner of Walker and Church (www.thedjangonyc.com).

Fowser’s fluid phrasing and melodic approach to improvising developed as a result of his exposure to the rich musical legacy of the Philly Sound, following in time with the rhythmic footsteps of John Coltrane, Lee Morgan, McCoy Tyner, Philly Joe Jones, Benny Golson and The Heath Brothers. Attending The University of the Arts in the early 2000s, Fowser studied with Tony Salicandro and Chris Farr, before transferring to William Paterson University in New Jersey, where he studied with NEA Jazz Master, Harold Mabern—an artistic force who remains one of Fowser’s major musical influences, today.

As a grad student at SUNY Purchase, Fowser studied with contemporary legends of the tenor saxophone Ralph Lalama, Grant Stewart and Eric Alexander—the latter with whom he forged a professional relationship, subbing for Alexander on many of his gigs, and playing with him live, in classic two tenor context.

Becoming more visible on the live music scene, in the latter 2000s Fowser enjoyed both downtown and uptown residencies at iconic New York venues. Hosting the session at Smalls Jazz Club every Tuesday for four years, and playing the late set at Smoke Jazz and Supper Club every Friday for two years, he followed headlining sets of such masters as the late Cedar Walton, Buster Williams and perhaps his greatest influence, George Coleman. Fowser has graced the bandstand from New York to San Francisco, playing Fat Cat, Zinc Bar, Chris’ Jazz Café, Ortlieb’s Jazz Haus, The Kimmel Center, Yoshi’s and Dizzy’s Club Coca-cola at Jazz at Lincoln Center.

An Indonesian Grammy nominee, Fowser has achieved international acclaim as the 2008 winner of San Francisco State University’s Int’l Generations Jazz Competition, and the recipient of a prestigious one-year mentorship with Jimmy Cobb, Ray Drummond and Jeremy Pelt. As he continues to expand his artistry as a composer, an educator and a bandleader, Fowser looks forward to finding new creative outlets in 2017.

This album contains no booklet.