Closing Statements Sophie Rosa & Ian Buckle

• Robert Schumann (1810 - 1856): Violin Sonata No. 3 for Violin & Piano, WoO 2:
• 1 Schumann: Violin Sonata No. 3 for Violin & Piano, WoO 2: I. Ziemlich langsam 08:39
• 2 Schumann: Violin Sonata No. 3 for Violin & Piano, WoO 2: II. Lebhaft 03:48
• 3 Schumann: Violin Sonata No. 3 for Violin & Piano, WoO 2: III. Intermezzo. Bewegt, doch nicht zu schnell 02:52
• 4 Schumann: Violin Sonata No. 3 for Violin & Piano, WoO 2: IV. Finale. Markiertest, ziemlich lebhaftes - Tempo 07:48
• Arnold Schoenberg (1874 - 1951): Phantasy for Violin & Piano, Op. 47:
• 5 Schoenberg: Phantasy for Violin & Piano, Op. 47 10:00
• Robert Schumann: Phantasie in C Major, Op. 131 (Arr. for Violin & Piano by Fritz Kreisler):
• 6 Schumann: Phantasie in C Major, Op. 131 (Arr. for Violin & Piano by Fritz Kreisler) 15:36
• Valetyn Silvestrov (b. 1937): "Post Scriptum" Sonata for Violin & Piano:
• 7 Silvestrov: "Post Scriptum" Sonata for Violin & Piano: I. Largo - Allegro 09:54
• 8 Silvestrov: "Post Scriptum" Sonata for Violin & Piano: II. Andantino 04:01
• 9 Silvestrov: "Post Scriptum" Sonata for Violin & Piano: III. Alllegro Vivace 04:01
• Total Runtime 01:06:39

Info for Closing Statements

How composers draw their creative lives to a close continues to fascinate. Are their final works the culmination of all that has gone before, or do they suggest what might have come next? Did illness enhance their profundity or diminish their powers? Can we listen to such pieces without thinking of them as some kind of message from beyond? The music featured on this recording each suggest different answers to these questions and challenges some preconceptions.

In their last years, Robert Schumann (1810-1856) and Arnold Schoenberg (1874-1951) both continued to be inspired by musicians around them. Schumann in post-revolutionary Germany, and Schoenberg in post-war America, looked back to classical models, to reinvigorate, even lighten, their compositional approach.

That sense of playing with history is also evident in the music of Ukrainian composer Valentyn Silvestrov (b. 1937), who has claimed: “I do not write new music. My music is a response to, and an echo of what already exists.”

A fascinating programme from violinist Sophie Rosa and pianist Ian Buckle. Their previous album for Rubicon - Montgeroult, Viotti, Mendelssohn & Weber violin sonatas - was praised by Gramophone: “Rosa’s tone is unfailingly lovely, and she and Buckle have a lovely rapport. Indeed, from the thoughtful repertoire choices to the natural-sounding recording, this Rubicon album is everything a recital recording should be.”

Sophie Rosa, violin
Ian Buckle, piano

Sophie Rosa
enjoys a varied career as a soloist, chamber musician and orchestral leader. She came to attention in 2011 after being awarded the Second Prize and Audience Prize at the 2nd Manchester International Violin Competition. She has performed across the UK as a recitalist in venues including the Royal Festival Hall, the Purcell Room, Wigmore Hall, Kings Place and Bridgewater Hall and has appeared as soloist with orchestras including Royal Liverpool Philharmonic Orchestra and Manchester Camerata. Sophie has broadcast for BBC Radio 3 and has released CDs on Rubicon Classics, Champs Hill and EM Records labels to critical acclaim.

Sophie is currently leader and artistic director of Sinfonia Viva and has appeared as guest leader with orchestras throughout the UK. As a keen chamber musician, Sophie is a member of Pixels Ensemble and also performs with contemporary music group, Psappha. She is a member of the teaching faculty at the University of Manchester.

Sophie plays on a Joseph Gagliano violin dated 1795 and a Claude Fonclause bow made available through the generous support of the Stradivari Trust.

Ian Buckle
maintains a varied performing career working as soloist, accompanist, chamber musician and orchestral pianist. He enjoys especially strong relationships with the Royal Liverpool Philharmonic and the John Wilson Orchestra, and has appeared with both as soloist on numerous occasions. He has also played concertos with the Royal Philharmonic, Opera North, Sinfonia Viva and the Manchester Concert Orchestras. Committed to contemporary music, he has been the pianist in Ensemble 10/10 since the group’s inception, premiering many new works in concerts nationwide including at Wigmore Hall and on BBC Radio 3; and his piano duo with Richard Casey specialises in performing music from the last and current centuries. Ian has had works written for him by Benjamin Hackbarth, Timothy Jackson, Martin Iddon and Michael Spencer. He frequently collaborates with former Poet Laureate Andrew Motion in giving recitals of piano music and poetry, recent programmes including Shropshire and Other Lads, a celebration of A E Housman; Anthem for Doomed Youth, a commemoration of World War One; and Philip Larkin’s England. He is a member of both the piano-and-wind ensemble Zephyr and the Elysnan Horn Trio, formed when the group were students at the Royal Northern College of Music; and is the director and pianist of Pixels Ensemble.

Ian teaches at the Universities of Leeds and Liverpool and is an examiner with ABRSM. Current CD releases include transcriptions for cello and piano with Jonathan Aasgaard, a recital of new works for clarinet and piano with former BBC Young Musician winner Mark Simpson, violin and piano music by Edward German with Andrew Long, and a disc of English music with clarinettist Nicholas Cox. A recording of Gershwin’s New York Rhapsody with the John Wilson Orchestra live from the Royal Albert Hall is available on iTunes. Ian holds a season ticket at Sheffield Wednesday Football Club and is an enthusiast for French cinema and nice restaurants.

Booklet for Closing Statements