Rachmaninoff: Piano Concerto No. 3 / Prokofiev: Piano Concerto No. 3 Van Cliburn

• Sergei Rachmaninoff (1873-1943): Piano Concerto No. 3 in D Minor, Op.30:
• 1 Allegro ma non tanto 17:32
• 2 Intermezzo: Adagio 10:38
• 3 Finale: Alla breve 14:57
• Sergei Prokofiev (!891-1953): Piano Concerto No. 3 in C, Op. 26:
• 4 Andante 09:44
• 5 Theme: Andantino - Five Variations 10:01
• 6 Allegro ma non troppo 10:09
• Total Runtime 01:13:01

Info for Rachmaninoff: Piano Concerto No. 3 / Prokofiev: Piano Concerto No. 3

Cliburn's legendary Carnegie Hall concert performance of the fiendishly challenging Rachmaninoff Concerto, fresh from his triumph at the Tchaikovsky Competition in Moscow.

Van Cliburn arrived at Carnegie Hall on May 19, 1958, as the classical-music equivalent of a rock star. The Fort Worth, Texas–based pianist had recently won the first Tchaikovsky competition in Moscow, besting his hosts at their national music during a tense moment of the cold war. Upon his return, he was greeted with a ticker tape parade in New York City (he remains the only classical figure to receive one), and shortly after became the first classical musician to sell a million copies of a recording.

At Carnegie Hall, Cliburn, then twenty-three, performed one of the most demanding pieces in the classical repertoire—Rachmaninoff's Piano Concerto No. 3 in D Minor, a work of dazzling interlocked melodies and sudden mood changes. He caught every curve of it: Throughout this live performance, Cliburn has a sparkle in his touch and a rare knack for making the intricate fingerwork sound like an impulsive caper. The accompanying Symphony of the Air, the New York ensemble that rose from the ashes of the NBC Symphony Orchestra, picks up his slight changes of emphasis. At times during the folk songs of the first movement, the ensemble seems to sway behind Cliburn, leaning into the supporting passages with exactly the same amount of elbow grease the pianist applies. The result is a transfixing, unified reading.

While the pace of the Rachmaninoff requires Cliburn to scamper, the Prokofiev Piano Concerto No. 3, the most frequently heard Prokofiev piano music, demands more drama. The pianist delivers the phrase that becomes the primary theme with a precise articulation that remains the industry standard—to this day, few snap off chords the way Cliburn does on this performance, which was recorded in 1960 with the lively Chicago Symphony Orchestra.

These recordings catch Cliburn at a lyrical peak. Alas, the adulation apparently got to him: Critics who'd heard him early on complained that his later interpretations never went anywhere different, that he essentially stopped growing as an artist. Which makes this recording all the more essential: It shows Cliburn at a moment when he was more than the culture's latest unlikely 'It' boy. He was a musician in full control of his art.

Van Cliburn, piano
Symphony of the Air
Kiril Kondrashin, conductor
Chicago Symphony Orchestra
Walter Hendl, conductor

Digitally remastered

Van Cliburn
(July 12, 1934 – February 27, 2013) was an American hero. He was hailed as one of the most persuasive ambassadors of American culture, as well as one of the greatest pianists in the history of music. With his historic 1958 victory at the first International Tchaikovsky Competition in Moscow, at the height of the Cold War, Van Cliburn tore down cultural barriers years ahead of glasnost and perestroika, transcending politics by demonstrating the universality of classical music.

Returning home from Moscow, Mr. Cliburn received a ticker-tape parade in New York City, the only time a classical musician was ever honored with the highest tribute possible by the City of New York. Upon Mr. Cliburn’s invitation, Kiril Kondrashin, the conductor with whom the pianist had played his prizewinning performances, came from Moscow to repeat the celebrated concert program with Van Cliburn at Carnegie Hall in New York, at the Academy of Music in Philadelphia, and in Washington, D.C. Their recording of Tchaikovsky’s First Piano Concerto, made during Kondrashin’s visit, was the first classical recording ever to be awarded a platinum record and has now sold well over three million copies.

Following his triumph in Moscow, Mr. Cliburn played in several cities in the Soviet Union. From that time on, he toured widely and frequently with every important orchestra and conductor, in the most renowned international concert halls. Mr. Cliburn toured the Soviet Union many times between 1960 and 1972 for extended periods. He made numerous timeless and beloved recordings, including many major piano concerti and a wide variety of solo repertoire.

Early in his career, a group of friends and admirers began the Van Cliburn International Piano Competition as a living legacy to Mr. Cliburn’s constant efforts to aid the development of young artists. The first competition was held in 1962.

In 1987, at the invitation of President Ronald Reagan, Mr. Cliburn performed a formal recital in the East Room of the White House during the State Visit honoring Mikhail Gorbachev, the Soviet Union’s then general secretary. Two years later, and thirty-one years after his triumph at the Tchaikovsky Competition, Mr. Cliburn returned to the Soviet Union to perform at the Great Hall of the Moscow Conservatory and in the Philharmonic Hall of Leningrad.

Carnegie Hall then requested that he play for its 100th anniversary season as soloist with the New York Philharmonic. Over the years, Mr. Cliburn has opened many U. S. concert halls, including the famous I. M. Pei Morton H. Meyerson Symphony Center in Dallas; the Lied Center for the Performing Arts in Lincoln, Nebraska; and the Bob Hope Cultural Center in Palm Springs, California.

Mr. Cliburn was an honorary member of the Royal Academy of Music in London. He received more than 20 honorary doctorate degrees. He provided scholarships at many schools, including Juilliard, the Cincinnati Conservatory, Texas Christian University, Louisiana State University, the Franz Liszt Academy in Budapest, the St. Petersburg Conservatory, and the Moscow Conservatory.

Mr. Cliburn performed for every President of the United States since Harry Truman and for royalty and heads of state in Europe, Asia, and South America. He received Kennedy Center Honors and the Grammy® Lifetime Achievement Award. In a 2004 Kremlin ceremony he received the Order of Friendship from President Vladimir Putin, and in 2003, President George W. Bush bestowed upon him the Presidential Medal of Freedom. President Barack Obama honored Mr. Cliburn with the National Medal of Arts in a ceremony at the White House in 2011. Watch the video here.

Van Cliburn was born in Shreveport, Louisiana, on July 12, 1934. His father, Harvey Lavan Cliburn, was an executive with Magnolia Petroleum, now ExxonMobil. At the age of 3, he began piano studies with his mother, Rildia Bee O’Bryan Cliburn, a talented student of Arthur Friedheim, who was a pupil of Franz Liszt. He was 12 when he made his orchestral debut with the Houston Symphony Orchestra. After graduating from Kilgore High School in the spring of 1951, his mother wanted him to study with Madame Rosina Lhevinne at the famed Juilliard School in New York City.

In 1954, Van Cliburn won the Levintritt Competition, which had not awarded a first-place prize since 1949. The prestigious Levintritt Competition offered important appearances with such major orchestras as Cleveland, Denver, Indianapolis, and Pittsburgh, as well as a coveted New York Philharmonic debut with the great Dimitri Mitropoulos, which took place in Carnegie Hall on November 14, 1954.

Booklet for Rachmaninoff: Piano Concerto No. 3 / Prokofiev: Piano Concerto No. 3