Secret Agent (2022 Remaster) Tony Allen

Album info

Album-Release:
2009

HRA-Release:
20.05.2022

Label: World Circuit

Genre: Jazz

Artist: Tony Allen

Album including Album cover

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  • 1Secret Agent (2022 Remaster)05:18
  • 2Ijo (2022 Remaster)05:10
  • 3Switch (2022 Remaster)04:45
  • 4Celebrate (2022 Remaster)07:50
  • 5Ayenlo (2022 Remaster)04:54
  • 6Busybody (2022 Remaster)04:31
  • 7Pariwo (2022 Remaster)05:51
  • 8Nina Lowo (2022 Remaster)05:41
  • 9Atuwaba (2022 Remaster)00:48
  • 10Alutere (2022 Remaster)03:41
  • 11Elewon Po (2022 Remaster)05:41
  • Total Runtime54:10

Info for Secret Agent (2022 Remaster)



The Nigerian drummer exposes the roots of Afrobeat.

For fifteen years, Tony Allen drummed for Fela Kuti and invented Afrobeat with him. When Kuti died in 1997, Tony Allen did everything he could to protect and promote his musical legacy. This is especially true for the political content of Afrobeat: insurgent resistance, protest, freedom struggles. Various Nigerian singers and the Tony Allen touring band create the insane sound from the African motherland of Afrobeat - Nigeria - in real time. Hypnotic vocals and the muscle-bound brass passages create a rhythm that flows into the blood without detours - a joy-fest for every aficionado of African music. The band moves in the tradition of Fela Kuti's formation "Afrika 70". Even if Tony Allen calls his album "Secret Agent" - there is no sense of secrecy here. It is pure music that needs the light of day like a fish needs water.

Tony Allen (1940 – 2020) has long been acknowledged as Africa's finest drummer and one of the continent's most influential musicians. Together with Fela Kuti (with whom he played for 15 years) Allen co-created Afrobeat - the hard-driving, horns-rich, funk-infused, politically insurrectionary style which became such a dominant force in African music and such an influence worldwide. His iconic drumming has since underpinned an extensive catalogue of solo works as well as collaborations with the likes of Damon Albarn (as part of The Good, The Bad and The Queen), Charlotte Gainsbourg, Sebastien Tellier, Grace Jones, Malian superstar Oumou Sangaré, Jeff Mills and Hugh Masekela.

"It's no surprise that Tony Allen's [Secret Agent] does nothing to dim his reputation as one of the world's greatest drummers. He's the personification of subtlety, leading from the back and carefully pushing and prodding the music, but doing this so cleverly that half the time people don't even notice he's there. He's certainly a man whose four limbs operate independently, setting up cross- and counter-rhythms that add extra levels of texture and complexity to the music." (Chris Nickson, AMG)

"While seeking to revive Afrobeat from the roots, Tony Allen imposes here a modernist vision and achieves the best possible synthesis between Yoruba foundations, Blue Note jazz arrangements and electro sound resolution." (Les Inrockuptibles)

Tony Allen, drums, percussion
Claude Dibongue, guitar
Rody Cereyon, bass
Yann Jankielewicz, alto saxophone, baritone saxophone
Jean Jacques Elangue, tenor saxophone
Simon Andrieux, trombone
Nicolas Giraud, trumpet
Bola Kamson, backing vocals
Deborah Ohiri, backing vocals
Michael Okorie, backing vocals
Shade Orobiyi, backing vocals
Soji Adetona, backing vocals
Yinka Ogunye, percussion

Digitally remastered


Tony Allen
The drummer and unofficial music director of the late Fela Kuti's band, Africa 70, from 1968 until 1979, Tony Allen (born Tony Oladipo Allen) helped create the sounds of Afro-beat. With his solo recordings, however, Allen has refused to remain stagnant, incorporating dub and avant-garde hip-hop influences into his modern African dance music.

A self-taught musician, Allen began to play drums at the age of 18 while working as a technician for a Nigerian radio station. Within nine months, he had embarked on a professional career as a drummer. Although Allen and Kuti had known each other since the early '60s, when they performed on the Nigerian music circuit with different bands, they began playing American-style jazz together in 1964. Before long, they shifted to an African-influenced style of highlife jazz, which they continued to play for five years.

Forming Africa 70 in 1969, Allen and Kuti began reaching out to an international audience. A few months later, while touring North America for the first time, Allen was introduced to the music of James Brown, Max Roach, and Art Blakey. Despite critical acclaim, the group faced numerous obstacles, including financial difficulties, racial discrimination, and political oppression. Arrested during the first of a long series of government-sponsored raids of black townships in 1974, Allen spent three days in jail. The following year, he released his first album as a leader, Progress. After performing his last show with Kuti and Africa 70 at the Berlin Jazz Festival in 1979, Allen continued to play with his group Lagos until immigrating to Europe in 1984. After temporarily living in London, he settled in France the following year and worked as a session drummer for such transplanted African musicians as Ray Lema and Manu DiBango, and released Never Expect Power Always (N.E.P.A.) in 1985.

Allen was largely inactive for the next decade, although he re-emerged in the late '90s with a string of singles, culminating in the release of Home Cooking in 2002. Reissues of his '70s solo albums started showing up around the same time, as well as Eager Hands and Restless Feet: The Best of Tony Allen, a summation of his post-Fela career. In 2004, a live album came out, and 2006 saw a return to his Afro-beat roots with Lagos No Shaking, which was recorded in the Nigerian city itself.

That same year, Allen co-founded the British alternative rock outfit the Good, the Bad & the Queen alongside Paul Simonon (the Clash), Simon Tong (the Verve), and Damon Albarn (Blur) and released a well-received eponymous album under the moniker in 2007, followed in 2009 by an all-new collection of Afro-beat material called Secret Agent, as well as Inspiration Information, Vol. 4 with Jimi Tenor. He also guested on Zap Mama's full-lengths Supermoon and ReCreation.

In 2010, the Black Voices album was remastered and released in unedited session form under the title Black Voices Re-Visited. Allen further collaborated with Albarn and Red Hot Chili Peppers bassist Flea in the band Rocket Juice & the Moon. They released a self-titled album in 2013. He returned to recording solo in 2014 with a French trio, the Jazz Bastards. The results, titled Film of Life, featured guest appearances by Albarn, American-born Nigerian singer Kuku, and the renowned vocal ensemble Adunni & Nefertiti. It was released by Jazz Village in October 2014.

This album contains no booklet.

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