Live (Remastered) (Deluxe Edition) Fleetwood Mac

Album info



Label: Rhino/Warner Records

Genre: Rock

Subgenre: Modern Rock

Artist: Fleetwood Mac

Album including Album cover

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  • 1Monday Morning (Live at Budokan Hall, Tokyo, Japan 2/3/80)04:00
  • 2Say You Love Me (Live at Kansas Coliseum, Wichita, KS 8/25/80)04:16
  • 3Dreams (Live at Palais de Sport, Paris, France 6/14/80)04:20
  • 4Oh Well (Live at Checker Dome, St. Louis, MO 11/5/79)03:22
  • 5Over & Over (Live at Myriad, Oklahoma City, OK 8/22/80)05:22
  • 6Sara (Live at Checker Dome, St. Louis, MO 11/5/79)07:03
  • 7Not That Funny (Live at Richfield Coliseum, Cleveland, OH 5/21/80)08:59
  • 8Never Going Back Again (Live at McKale Center, Tucson, AZ 8/28/80)04:19
  • 9Landslide (Live at Wembley Arena, London, UK 6/25/80)04:53
  • 10Fireflies (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/4/80)04:36
  • 11Over My Head (Live at Kemper Arena, Kansas City, MO 8/24/80)03:28
  • 12Rhiannon (Live at Wembley Arena, London, UK 6/26/80)07:47
  • 13Don't Let Me Down Again (Live at Capitol Theater, Passaic, NJ 10/17/75)03:57
  • 14One More Night (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/3/80)03:45
  • 15Go Your Own Way (Live at Richfield Coliseum, Cleveland, OH 5/21/80)05:50
  • 16Don't Stop (Live at Palais de Sport, Paris, France 6/14/80)03:54
  • 17I'm So Afraid (Live at Richfield Coliseum, Cleveland, OH 5/20/80)08:32
  • 18The Farmer's Daughter (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/4/80)02:31
  • 19Second Hand News (Live at The Forum, Inglewood, CA 10/21/82)03:52
  • 20The Chain (Live at Richfield Coliseum, Cleveland, OH, 5/20/80)06:50
  • 21Think About Me (Live at Kemper Arena, Kansas City, MO 8/24/80)03:09
  • 22What Makes You Think You're The One (Live at Kemper Arena, Kansas City, MO 8/23/80)04:20
  • 23Gold Dust Woman (Live at The Forum, Inglewood, CA 8/29/77)07:23
  • 24Brown Eyes (Live at The Forum, Inglewood, CA 10/22/82)04:27
  • 25The Green Manalishi (With The Two-Pronged Crown) (Live at State Fair Arena, Oklahoma City, OK 5/18/77)05:27
  • 26Angel (Live at Richfield Coliseum, Cleveland, OH 5/20/80)04:49
  • 27Hold Me (Live at The Forum, Inglewood, CA 10/21/82)04:19
  • 28Tusk (Live at Kemper Arena, Kansas City, MO 8/24/80)06:25
  • 29You Make Loving Fun (Live at BOK Center, Tulsa, OK 5/19/77)04:44
  • 30Sisters Of The Moon (Live at Omaha Civic Auditorium, Omaha, NE 8/21/80)07:17
  • 31Songbird (Live at Omaha Civic Auditorium, Omaha, NE 8/21/80)04:14
  • 32Blue Letter (Live at Barton Coliseum, Little Rock, AR 5/20/77)04:48
  • 33Fireflies (Long Version) (Remix)04:04
  • Total Runtime02:47:02

Info for Live (Remastered) (Deluxe Edition)

When Fleetwood Mac released its first live album in December 1980, it captured the legendary band’s most iconic line-up on stage demonstrating the full scope of their collective, creative powers.

Recorded mostly during the world tour for Tusk, Fleetwood Mac Live delivered a double-album’s worth of exhilarating performances that included massive hits like “Dreams” and “Go Your Own Way,” “Rhiannon,” and “Don’t Stop.”

On April 9th, we’re giving the band’s live debut a much-deserved encore with a deluxe edition collection that features a remastered version of the original release on HighResAudio.

“Then and now, FLEETWOOD MAC LIVE artfully marks a fascinating time period for a group that, in one form or another, has been on the global stage for more than half a century… It’s a wildly entertaining rock ’n’ roll circus in full swing under a big tent of the band’s own creation as they leave audiences dazzled in locales from Paris, France, to Passaic, New Jersey.” – David Wild

When Fleetwood Mac released its first live album in December 1980, it captured the legendary band’s most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Recorded mostly during the world tour for TUSK, FLEETWOOD MAC LIVE delivered a double-album’s worth of exhilarating performances that included massive hits like “Dreams” and “Go Your Own Way,” “Rhiannon,” and “Don’t Stop.”

The original album, produced by the band with Ken Caillat and Richard Dashut, was culled primarily from the 1979-1980 Tusk tour but with a few additions from the 1977 tour supporting Rumours. It was a truly international affair, with songs recorded in cities including Tokyo, Paris, London, Nashville, Kansas City, Tucson, Cleveland, Santa Monica, St. Louis, and Oklahoma City. The band dug back to the Peter Green days for “Oh Well” but mostly celebrated their recent triumphs such as “Say You Love Me,” “Dreams,” “Monday Morning,” “Sara,” “Landslide,” “Over My Head,” “Rhiannon,” and “Don’t Stop.” One rarity was “Don’t Let Me Down Again” from Buckingham Nicks, as captured in Passaic, New Jersey in 1975. Three new songs premiered on Live, too: Christine McVie’s “One More Night,” Stevie Nicks’ “Fireflies,” and a “backstage” rendition of Brian Wilson and Mike Love’s Beach Boys oldie “Farmer’s Daughter” with rich Mac harmonies. Both “Fireflies” and “Farmer’s Daughter” were issued as singles, with the former peaking at No. 60 on the Hot 100. The album itself reached No. 14 on the Billboard 200 and No. 31 on the U.K. Albums Chart.

Fleetwood Mac

Digitally remastered

Fleetwood Mac
The Fleetwood Mac story is an episodic saga that spans more than 30 years. It is the saga of a British blues band formed in 1967 that became a California-based pop group in the mid-Seventies. In between came a period where Fleetwood Mac shuffled personnel and experimented with styles, all the while releasing solid albums that found a loyal core audience. Despite all the changes, two members have remained constant over the years: drummer Mick Fleetwood and bassist John McVie, whose surnames provided the group name Fleetwood Mac. Though most rock fans are familiar with the lineup that includes Lindsey Buckingham and Stevie Nicks-by far the longest-running edition of the band, responsible for the classic albums Fleetwood Mac and Rumours-the group possesses a rich and storied history that predates those epics. Earlier Fleetwood Mac lineups included guitarists Peter Green, Jeremy Spencer, Danny Kirwan and Bob Welch. Fleetwood Mac when Green, Fleetwood and McVie, who were all expatriates from British bandleader John Mayall’s Bluesbreakers, decided to form a band. McVie and Fleetwood had been playing with Mayall, a British blues legend, since 1963 and 1965, respectively, while Green replaced Eric Clapton (who exited to form Cream) in 1966. Initially a quartet, the original Fleetwood Mac also included guitarist Jeremy Spencer and then expanded with the addition of Danny Kirwan prior to their second album. Not surprisingly, the group’s first two U.K. albums-Fleetwood Mac (1967) and Mr. Wonderful (1967)-were heavily blues-oriented. “Black Magic Woman,” a Peter Green song from the latter album, later became a major hit for Santana. In 1969, Fleetwood Mac recorded at Chess studios with American blues musicians, including Willie Dixon and Otis Span; it was released as the two-volume Blues Jam in the U.K. and as Fleetwood Mac in Chicago in the U.S. By decade’s end, however, Fleetwood Mac had begun moving from traditional blues to a more progressive approach. Around this time, the group adopted its distinctive “penguin” logo, based on zoo-lover and amateur photographer McVie’s interest in the birds. There are arguably three “definitive” Fleetwood Mac lineups. One of them is the blues-oriented band of the late Sixties, which arrayed three guitarists (Green, Spencer and Kirwan) around the rhythm section of Fleetwood and McVie. They are best represented by 1969’s Then Play On, a milestone in progressive blues-rock. After Green’s exodus in mid-1970, the remaining members cut the more easygoing, rock and roll-oriented Kiln House. Early in 1971, a born-again Spencer abruptly left the band during a U.S. tour to join the Children of God. The second key configuration found Fleetwood, McVie and Kirwan joined by keyboardist Christine McVie (born Christine Perfect, she’d married bassist McVie) and guitarist Bob Welch, a Southern Californian who became the group’s first American member and a harbinger of new directions. This configuration produced a pair of ethereal pop masterpieces, Future Games (1971) and Bare Trees (1972). Kirwan, who was having personal problems, was asked to leave in August 1972. The remaining foursome, joined by new recruits Dave Walker (vocals) and Bob Weston, recorded Penguin (1973); sans Walker, they cut Mystery to Me (1974). Again reduced to a quartet with Weston’s departure, they released Heroes Are Hard to Find later that same year. Finally, the platinum edition of Fleetwood Mac came together in 1975 with the recruitment of Lindsey Buckingham and Stevie Nicks. The San Francisco duo had previously cut an album together as Buckingham-Nicks. Drummer Fleetwood heard a tape of theirs at a studio he was auditioning, and the pair were drafted into the group without so much as a formal audition. This lineup proved far and away to be Fleetwood Mac’s most durable and successful. In addition to the most solid rhythm section in rock, this classic lineup contained strong vocalists and songwriters in Buckingham, Nicks and Christine McVie. Male and female points of view were offered with unusual candor on the watershed albums Fleetwood Mac (1975) and Rumours (1977). Fleetwood Mac introduced the revitalized group with such sparkling tracks as “Over My Head,” Fleetwood Mac’s first-ever Top Forty single; “Rhiannon,” which became Nicks’ signature song; “Say You Love Me,” which showed of the group’s three-part harmonies; and “Monday Morning,” the driving album opener and FM-radio favorite. Rumours was written and recorded as three long-term relationships-between Buckingham and Nicks, the married McVies, and Fleetwood and his wife-publicly unraveled. The album is a virtual document of romantic turmoil, and its timing reflected the interpersonal upheavals of the liberated Seventies. Resonating with a mass audience like no other album in rock history, Rumours yielded a bumper crop of songs with enduring appeal, among them the Top Ten hits “Go Your Own Way,” “Dreams,” “Don’t Stop” and “You Make Loving Fun.” Fleetwood Mac toured for seven months behind Rumours and reigned as the most popular group in the world. Rumours has to date sold 18 million copies, making it the fifth best-selling album of all time. As a group, Fleetwood Mac has sold more than 70 million albums since its inception in 1967. Under the creative guidance of Lindsey Buckingham, whose skill as a producer and pop visionary became increasingly evident-Fleetwood Mac grew more emboldened with the double album Tusk, released in 1979. A more experimental album, Tusk didn’t match its predecessors sales, but it did earn two more Top Ten hits-"Sara" and “Tusk"-while extending the group’s longevity by forswearing formulas. Solo careers commenced during the three-year layoff that followed another extensive tour. Stevie Nicks, in particular, nurtured a career that rivaled Fleetwood Mac’s for popularity. Fleetwood Mac released two studio albums in the Eighties-Mirage (1982) and Tango in the Night (1987)-but its front-line members were increasingly drawn to their solo careers. Disinclined to tour, Buckingham announced he was leaving Fleetwood Mac shortly after Tango in the Night. He was replaced by guitarists Billy Burnette and Rick Vito, who appeared on the 1990 album Behind the Mask. Eventually, both Nicks and Christine McVie revealed they, too, would no longer tour with Fleetwood Mac. Nicks officially left the band a month after Fleetwood Mac regrouped to perform “Don’t Stop” at President Bill Clinton’s inauguration in January 1993. The indefatigable core of Fleetwood and the McVies recruited guitarist Dave Mason and singer Bekka Bramlett, but the proverbial link in Fleetwood Mac’s chain had been broken one too many times and this lineup’s one album, Time (1995), fared poorly. Then, in 1997, Fleetwood Mac’s classic lineup set aside their differences for a reunion that marked the 30th anniversary of the original group’s founding and the 20th anniversary of Rumours’ release. A concert was filmed for an MTV special and saw release on video and audio formats as The Dance, which found the group revisiting old material and premiering new songs. A full-fledged reunion tour followed.

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