Stones (Remastered) Neil Diamond
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1I Am...I Said (Single Version)03:32
- 2The Last Thing On My Mind03:32
- 3Husbands And Wives03:53
- 4Chelsea Morning02:32
- 5Crunchy Granola Suite (Single Version)02:52
- 6Stones (Single Version)03:03
- 7If You Go Away03:45
- 8Suzanne ([blank)04:39
- 9I Think It's Gonna Rain Today02:33
- 10I Am...I Said (Reprise)02:33
Info for Stones (Remastered)
Neil Diamond put in plenty of hard yards to reach the superior status he enjoyed as an American songwriter and performer by the early 1970s. By then, a new album by the Brooklyn-born star was an event, and his seventh LP Stones, released in late 1971, was no exception. After debuting on the American chart on 13 November, and on its way to gold status for half a million sales, it hit the UK bestsellers on 11 December that year.
"Driven by the hit singles "I Am...I Said" and "Crunchy Granola Suite," Stones is a stronger album than most of Neil Diamond's late-'60s records. Instead of padding the album with mediocre originals, Diamond picked several fine covers to fill out the remainder of the album, including Roger Miller's "Husbands and Wives," Joni Mitchell's "Chelsea Morning," Leonard Cohen's "Suzanne," Randy Newman's "I Think It's Gonna Rain," Jacques Brel's "If You Go Away," and Tom Paxton's "The Last Thing on My Mind." There are still a few weak patches on Stones, but the record remains an engaging collection of mainstream pop." (Stephen Thomas Erlewine, AMG)
Stones was only Diamond’s third LP to make the UK countdown, but on both sides of the Atlantic, its success was fuelled by the powerful hit single ‘I Am…I Said,’ to this day one of the strongest entries in his entire songbook. It expressed the views of an artist who felt lost between the worlds of New York and Los Angeles.
“It was consciously an attempt on my part to express what my dreams were about, what my aspirations were about and what I was about,” Diamond later told Mojo magazine of ‘I Am…I Said.’ “And without any question, it came from my sessions with the analyst.”
When Stones arrived, it opened with that hit, which had reached No. 4 in both the US and UK. But unlike the album’s 1970 predecessor Tap Root Manuscript, on which he wrote all but song, this time he was only the composer of three of the ten selections. The others were the title track, which was simultaneously climbing the Hot 100 to reach No. 14 and listed as a double a-side with a third original, ‘Crunchy Granola Suite.’ A reprise of I Am…I Said’ rounded out the album.
Elsewhere, Neil chose to interpret his contemporaries and other favourites. He took Roger Miller’s 1966 hit ‘Husbands and Wives’ down to a reflective tempo and remade the work of such songwriting royalty as Joni Mitchell (‘Chelsea Morning’), Leonard Cohen (‘Suzanne’) and Randy Newman (‘I Think It’s Going To Rain Today’). The album also featured Diamond’s version of Jacques Brel and Rod McKuen’s much-covered and mournful ‘If You Go Away’ and folk figurehead Tom Paxton’s ‘The Last Thing On My Mind.’ (Source: www.udiscovermusic.com)
Produced by Tom Catalano
For Neil Diamond, it’s always started with a song. Over the course of his astonishing career, Neil has sold more than 128 million albums worldwide. He’s charted 56 songs on the Billboard Hot 100, including 12 top 10 hits, and has released 16 Top 10 albums. He’s a member of the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, and in 2011, he was honored by the Kennedy Center for his lifetime of contributions to American culture. Neil has been nominated for three Golden Globes, 13 Grammys, and was named NARAS’ MusiCares Person of the Year in 2009. His 2008 album, Home Before Dark, debuted in the US and UK at #1, and his songs have been covered by artists ranging from Elvis Presley to Andrea Boccelli. But he never would have reached the world, from sold-out concerts to seventh-inning stretches, without his love for songwriting.
In June, after more than forty years as a Columbia recording artist, Neil signed with Capitol Records and moved his back catalogue to Universal, Capitol’s parent company. He has history with both: his earliest hits were on Bang, a Universal imprint, and Capitol released the multi-platinum soundtrack for The Jazz Singerin 1980, which earned Neil three Top 10 singles. Melody Road, his first new original studio album since Home Before Dark, is Neil’s debut as a Capitol artist, and while it represents a new chapter for him, it also reconnects him with his past.
Neil describes Melody Road as a homecoming. It brings him back to the start of his musical journey and the early influence of artists like the Weavers and Woody Guthrie. The songs on the album reflect his lifelong love of folk music. The vocals were recorded live, in much the same way they would have been if the album had been created decades ago, and while the instrumentation is lush, the arrangements are traditional. Like the best folk songs, each of the album’s tracks tells a story, most pointedly on “Seongah and Jimmy,” a song about Neil’s American brother-in-law and Korean sister-in-law, who met and fell in love before they had learned to speak each other’s languages. Despite the specificity of the song, it addresses a universal theme. Melody Road is largely autobiographical, but the stories Neil tells are not his alone.
Neil began working on Melody Road with several new songs, as well as a few that he’d struggled to complete for more than ten years. He couldn’t find the motivation, or the willingness to address the subject matter that initially inspired them, or – in Neil’s words – they weren’t yet ready to be born. With an emotional assist from his wife Katie, he completed those tracks. By the time he was ready to record he had an album’s worth of songs ready to go. The record unfolds story by story, and song by song – the final sequence is exactly the same as the order of Neil’s original demos for the album.
Co-Produced by Don Was (who’s worked with Bob Dylan and The Rolling Stones) and Jacknife Lee (R.E.M., U2), Melody Road was made with a masterful group of musicians, including pedal steel player Greg Liesz, keyboardist Benmont Tench, guitarist Smoky Hormel, and vocalists the Waters Family. Built on guitars, it’s true to the origin of folk, but it’s not defined by it; it was recorded with keyboards, flutes, horns, and, on “Seongah and Jimmy,” “The Art of Love,” and “Nothing But A Heartache,” a full string section. Yet, for all of its expansiveness and rich production, Melody Road is ultimately all about the songs. Neil’s come full circle. He’s brought five decades of extraordinary craftsmanship with him, but he’s returned to where he started, propelled by the simple joy of translating life into song.
This album contains no booklet.