Nessun Dorma - The Puccini Album Jonas Kaufmann

• Giacomo Puccini (1858-1924): Nessun Dorma
• 1 Manon Lescaut, Atto I: Donna non vidi mai 02:28
• 2 Manon Lescaut, Atto II: 'Oh, sarò la più bella!... Tu, tu, amore? Tu?' 07:41
• 3 Manon Lescaut, Atto II: Ah! Manon mi tradisce 02:39
• 4 Manon Lescaut, Atto III: 'Presto! In fila!... Non v'avvicinate! No, pazzo son!' 03:36
• 5 Le Villi, Atto II: 'Ei giunge!... Torna ai felici dì' 07:26
• 6 Edgar, Atto II: Orgia, chimera dall'occhio vitreo 05:08
• 7 La Bohème Atto I: 'O soave fanciulla' 04:13
• 8 Tosca, Atto I: Recondita armonia 02:55
• 9 Madama Butterfly, Atto III: Addio, fiorito asil 01:47
• 10 La Fanciulla del West, Atto II: Una parola sola!... Or son sei mesi 03:30
• 11 La Fanciulla del West, Atto III: Risparmiate lo scherno... Ch'ella mi creda libero 04:37
• 12 La Rondine, Atto I: 'Parigi! È la città dei desideri' 02:58
• 13 Il Tabarro: Hai ben ragione 02:29
• 14 Gianni Schicchi: Avete torto!... Firenze e come un albero fiorito 02:58
• 15 Turandot, Atto I: 'Non piangere, Liù!' 02:38
• 16 Turandot, Atto III: Nessun dorma 03:07
• Total Runtime 01:00:10

Info for Nessun Dorma - The Puccini Album

Described by The Daily Telegraph as “The world’s greatest tenor”, Jonas Kaufmann dedicates his new album to the most popular Italian opera composer of all time, Giacomo Puccini. Featuring the most loved aria of all time, ‘Nessun Dorma’, alongside stunning pieces from Manon Lescaut, La Boheme, Tosca and more. Together with Jonas Kaufmann, this album includes celebrated Royal Opera House conductor Antonio Pappano and his renowned orchestra and choir of the Accademia Nazionale Di Santa Cecilia.

After years of singing Giacomo Puccini’s heroes on stage to vast critical and audience acclaim, Jonas Kaufmann finally records an album entirely devoted to the world’s most-loved opera composer. His new album Nessun dorma will be released on Sony Classical on September 11, 2015 and will include a selection of the composer’s stupendous tenor arias drawn from Puccini’s greatest operas, including Turandot, Manon Lescaut, Tosca, La Bohème, Madama Butterflyand La fanciulla del West, among others.

Spanning the breadth of Puccini’s output from the early operas Le Villi and Edgar, the album culminates in the mighty aria “Nessun dorma” from his final opera Turandot. Jonas Kaufmann is joined on this album by Maestro Antonio Pappano, the Orchestra dell’ Accademia Nazionale di Santa Cecilia, and soprano Kristīne Opolais.

This fall, Jonas Kaufmann will embark on a European tour with this repertoire performing in Frankfurt, London, Paris, Brussels, Prague and Mannheim. The tour continues in spring 2016 with dates in Essen and Munich. In September 2015, Jonas Kaufmann will also make his first appearance at the “Last Night of the Proms” at the Royal Albert Hall, London, broadcast to millions as part of the world-famous finale of the BBC Proms. Along with a selection of Puccini arias, Jonas will also sing “Rule, Britannia!” – which, according to records, will be the first time this song has been performed by a German singer in the concert’s history.

Puccini’s music made a deep impression on Jonas Kaufmann from an early age, as it has done on many people. But few people are aware of the unparalleled popularity the composer enjoyed in his own lifetime and how this fame came about. As Jonas explains: “Nowadays every-one knows ‘Nessun dorma’ – not least as a result of the legendary first concert given by the Three Tenors on the eve of the FIFA World Cup final in Rome in 1990. But during the last twenty years of his life Puccini was already as famous as Madonna is today. His arias were such popular hits that everyone knew them – at the beginning of the 20th century he was the composer who captured the hearts of each and every one of his listeners.”

A century ago the arias from Puccini’s operas were whistled in the streets. Millions of listeners from every walk of life were moved to tears by La Bohème and Madama Butterfly. His music had mass appeal and was accessible to and loved by all. Puccini had a gift for reaching out to all the men and women of the modern world. His operas no longer contain heroes of a Verdian stamp, which i

Puccini’s music became even more popular than Verdi’s thanks to Enrico Caruso and the invention of the gramophone record. It was the legendary Italian tenor who turned the record into a medium of mass communication. Everyone who owned a gramophone knew who Caruso was, and everyone who listened to Caruso also listened to Puccini. By the standards of his time, Puccini earned as much as Hollywood stars today and he lived the high life. Jonas Kaufmann regards it as a stroke of luck that he was able to record his Puccini album in Rome: “First, I love the city. Second, it is here that the wonderful Orchestra dell’Accademia Nazionale di Santa Cecilia performs. Third, the orchestra’s principal conductor is Antonio Pappano, to whom I owe many hours of happiness on the operatic stage. I was also extremely lucky that Kristīne Opolais, my partner in two stage productions of Manon Lescaut, was able to record a number of scenes with me.”

“No aria is as loved today as ‘Nessun dorma’. The legendary first concert of the Three Tenors took place only a few days before my twenty-first birthday, and I really envied Luciano Pavarotti, Plácido Domingo and José Carreras for this hit of theirs. For a long time I didn’t dare sing ‘Nessun dorma’ myself, since I was so in awe of the aria’s magic and its incredible appeal. Even today, whenever I hear and sing this aria, I still get goosebumps.”

Jonas Kaufmann, tenor
Kristīne Opolais, soprano (on tracks 2, 3, 7, 15)
Massimo Simeoli, baritone (on tracks 9, 11) Antonio Pirozzi, bass (on tracks 4, 8, 15) Orchestra dell’ Accademia Nazionale di Santa Cecilia
Maestro Antonio Pappano, conductor

Jonas Kaufmann
Born in Munich, Germany, tenor Jonas Kaufmann is now internationally recognized as one of the most important artists of our day. He has made sensational débuts in recent seasons at many of the world’s leading opera houses, appearing at the Royal Opera Covent Garden in La Rondine opposite Angela Gheorghiu and in the 2007 new pro-duction of Carmen under Antonio Pappano. He has also appeared as Alfredo in La Traviata at the Metropolitan Opera and the Lyric Opera of Chicago, as well as in the new productions of the work at Paris’s Opéra-Bastille in 2007 and at the Teatro Alla Scala in Milan. He has sung Tamino in Die Zauberflöte at the Bavarian State Opera in Munich. the Vienna State Opera and the Metropolitan Opera, as Belmonte in Die Entführung aus dem Serail at the Salzburg Festival, and as Faust in La Damnation de Faust at the Theâtre Royal de la Monnaie in Brussels. Highlights of the 2007/2008 season included La Traviata opposite Anna Netrebko and his first Cavaradossi in Tosca under Antonio Pappano, both at the Royal Opera House, Covent Garden, Rodolfo in La Bohème at both the Berlin State Opera under Gustavo Dudamel and at the Zurich Opera, where he was also heard in new productions of Humperdinck’s Koenigskinder and Carmen as well as in La Traviata and Don Carlos. In January of 2008 Jonas Kaufmann’s first solo album for DECCA titled “Romantic Arias” became an immediate international best seller. The release was followed in February of 2008 by solo operatic concerts in Munich and Hamburg. In July of 2008 he sang a tremendously acclaimed recital at the Prinzregententheater in Munich.

Jonas Kaufmann began the 2008/2009 with his first performances of Des Grieux in Manon at the Lyric Opera of Chicago opposite Natalie Dessay, followed by his return to Paris as Florestan in the new production of Fidelio for the Opéra National de Paris and a recital, both at the Palais Garnier. In January of 2009 Kaufmann sang the Italian Tenor in the production of Der Rosenkavalier under Christian Thielemann in Baden Baden. He will return to the Zurich Opera in a new production of Tosca staged by Robert Carsen and conducted by Christoph von Dohnányi. Kaufmann will also sing La Traviata in Zurich, after which he will return to the Vienna State Opera in Manon and Tosca. In July of 2009 Kaufmann will sing his first performances of the title role in Lohengrin in a new production at the Bavarian State Opera pro-duced by Richard Jones and conducted by Kent Nagano. He will also appear there in La Traviata opposite Angela Gheorghiu. The current season has included solo operatic concerts in January 2009 at the Mannheim Rosengarten, the Berlin Philharmonic Hall, at the Megaron in Athens, Greece, and at the Théâtre des Champs-Elysées in March. Kaufmann made his début in Moscow in December of 2008 in a concert along with Dmitri Hvorostovsky, and also sang Beethoven’s Symphony No. 9 with the Munich Philharmonic conducted by Christian Thielemann. He dedicates part of each year to song recitals and this season is partnered by renowned pianist, Helmut Deutsch, in recitals in Paris, at the Palais Garnier, the Opera House in Zurich, the Vienna Konzerthaus, the Glyptoteket in Copenhagen, The Nationaltheater in Munich, and at the Haus fur Mozart at the Salzburg Festival.

Jonas Kaufmann completed his musical studies in his native Munich, participated in masterclasses with James King, Hans Hotter and Joseph Metternich and subsequently perfected his vocal technique with Michael Rhodes. He began his professional career at the State Theatre in Saarbruecken in 1994 and was soon invited to make débuts in such important German theaters as the Stuttgart Opera, the Hamburg State Opera as well as international débuts at the Lyric Opera of Chicago, the Paris Opéra and the Teatro alla Scala in Milan.

He made his Salzburg Festival début in 1999 in a new production of Busoni’s Dr. Faust and returned there in 2003 as Belmonte and for concerts of Beethoven’s Ninth Symphony with the Berlin Philharmonic. Kaufmann has been closely associated with the Zurich Opera since 2001; he has appeared there in several new productions which have included Idomeneo, La Clemenza di Tito, Schubert’s Fierrabras, Humperdinck’s Koenigskinder, izet’s Carmen and Monteverdi’s L’Incorozione di Poppea. Other roles in Zurich have included the Duke in Rigoletto, the title role in Gounod’s Faust, Florestan in Fidelio, Tamino in Die Zauberflöte and Belmonte in Die ntführung aus dem Serail. In 2006 he sang his first performances of the title role of Wagner’s Parsifal in Zurich followed by his début in 2007 there as Don Carlos. In 2006 Kaufmann also sang his first Walther von Stolzing in a concert performance of Die Meistersinger at the Edinburgh Festival conducted by David Robertson. He had previously been heard in Edinburgh as Max in Der Freischütz under Sir Charles Mackerras.

Jonas Kaufmann has appeared with some of the world’s leading conductors and orchestras. Among these engagements are performances with the Berlin Philharmonic under both Sir Simon Rattle and Nikolaus Harnoncourt, the Cleveland Orchestra under Franz Welser-Möst and the Vienna Philharmonic under Helmuth Rilling. In the summer of 2007 he sang Beethoven’s Symphony No.9 in Lucerne under Claudio Abaddo and subsequently made his Carnegie Hall début in October of 2007 in the same work.. In 2008 he also performed with the Cleveland Orchestra in Mahler’s Das Lied von der Erde with Franz Welser-Möst, in Verdi’s Requiem in Zurich under Daniele Gatti. His recitals of the song Literature have received high praise throughout Europe as well as in Japan.

In the autumn of 2009 Jonas Kaufmann will return to the Royal Opera House, Covent Garden in Don Carlos under Semyon Bychkov. He will open the 2009 season at the Teatro alla Scala in a new production of Carmen under Daniel Barenboim and will also sing the Verdi Requiem with La Scala in Milan, Paris and Moscow. Kaufmann will sing the new production of Tosca at the Bavarian State Opera where he also sings Lohengrin and Carmen. He will add the title role in Massenet’s Werther to his repertoire for the Opéra National in Paris and returns to the Metropolitan Opera in Tosca and Carmen. In July of 2010, Kaufmann will make his Bayreuth Festival début in a new production of Lohengrin.

Booklet for Nessun Dorma - The Puccini Album