Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version) Philharmonie Festiva & Gerd Schaller

• Anton Bruckner (1824 - 1896): Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version):
• 1 Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): I. Allegro 20:31
• 2 Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): II. Andante quasi Allegretto 18:58
• 3 Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): III. Scherzo 14:19
• 4 Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): IV. Finale. Allegro moderato 19:31
• Total Runtime 01:13:19

Info for Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version)

The present recording is part of BRUCKNER2024 – a project which began in 2011 with the goal to record all symphonies of Anton Bruckner in all versions including the intermediate variants until the 200th birthday of the composer in 2024. Bruckner’s search for the ideal symphony is clearly expressed in the various manifestations of his Fourth, which he himself described as the “Romantic”. Having finished the score of his Third on New Year’s Eve 1873/74, he set to work on January 2 of the new year on his sketch of the first movement of the Fourth. Eleven months later, “at half past eight in the evening” on November 22, 1874, the new symphony was complete. But this act of completion was not his last word. Bruckner made changes, replacing his previous Scherzo in 1878 with the version dubbed his “hunting scherzo”. Apart from that, he composed a new last movement known as the “people’s festival”. The next revision, signed off in June 1880, introduced a further, completely new version of the finale. This then, together with the first three movements, comprised the version now usually performed. Hans Richter conducted the Vienna Philharmonic in the inaugural performance of the Fourth on February 20, 1881, followed later that year by Felix Mottl in Karlsruhe on December 10. It was once again Hans Richter who conducted the symphony in January 1888, this time in its final version.

Philharmonie Festiva
Gerd Schaller, conductor

Gerd Schaller
He is considered to be one of the most important Bruckner interpreters of our times: Gerd Schaller has been working as a freelance artist since 2006 – after completing a degree in conducting and holding positionas at various German opera houses. He is frequently invited by many well-known orchestras in Germany and abroad as a guest conductor.

In addition, in 2008 he founded the Philharmonie Festiva, a symphony orchestra with selected musicians of German top orchestras, with whom he is pursuing his own ambitious projects.

For years, Gerd Schaller's work has focused on the music of Anton Bruckner, whose combination of deep emotionality and extreme complexity had fascinated the conductor since his earliest youth already. This fascination also results in Schaller's large-scale project Bruckner2024, with the aim of capturing all of Bruckner's essential works on CD in a personal perspective until the composer‘s 200th anniversary in 2024. The project started with the symphonies, which Schaller has now all recorded on CD with the Philharmonie Festiva on the label Profil Günter Hänssler, some of them in previously unknown versions. This series has been awarded numerous prizes at home and abroad. One of the highlights was certainly the recording with Schaller‘s completion of the final movement of the 9th Symphony after the composer's sketches, which also was published as a score in 2018.

This symphonic Bruckner cycle was supplemented in the meantime by the recording of some of Bruckner's sacred works, such as the F Minor Mass or the 146th Psalm, as well as the complete organ works, interpreted by Schaller himself on a historical instrument.

In addition to Bruckner's works, the conductor, with his pronounced thirst for knowledge and his constant interest in the new and unknown, is very enthusiastic about the rediscovery of forgotten works and rarities of the repertoire, such as Carl Goldmark's opera Merlin, whose modern premiere he conducted and whose score he recently edited for the publisher Ries & Erler. Furthermore, on the field of opera Gerd Schaller made himself an excellent name with the works of Richard Wagner, Richard Strauss and Giuseppe Verdi, but his broad range of repertoire also includes composers less frequently performed, from Alban Berg to Francesco Cileas. Also for the concert stage Schaller has developed an enormous repertoire encompassing music from the Baroque to the present day.

In addition, the conductor is the artistic director of the Ebracher Musiksommer, a festival he founded in 1990 and which, in recent years, received more and more international attention thanks to Schaller's well-founded Bruckner interpretations in the ideal acoustics of the Abbey Church in Ebrach.

Booklet for Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version)