Accomplice Series, Vol. 1 (with Rob Ickes and Trey Hensley) Tommy Emmanuel

• 1 Copper Kettle (with Rob Ickes & Trey Hensley) 03:27
• 2 Raz-Ma-Taz Polka (with Trey Hensley) 01:49
• 3 Flatt Did It (with Rob Ickes & Trey Hensley) 04:10
• 4 It's Never Too Late (with Rob Ickes) 04:08
• Total Runtime 13:34

Info for Accomplice Series, Vol. 1 (with Rob Ickes and Trey Hensley)

Tommy Emmanuel has joined forces with Rob Ickes (Dobro) & Trey Hensley (guitar) to record a digital EP called Accomplice Series Volume 1 with Rob Ickes & Trey Hensley out on May 7. Creative sparks fly on this four song EP, which radiates good vibrations with white-hot picking. It was recorded at TuneSmith Studios in Nashville, TN.

Emmanuel has long been known for his free form guitar style, displaying a mastery of both the finger and flat picking genres. He first hit the music scene from his native Australia as a disciple of the great Chet Atkins, who later conferred on him the title, Certified Guitar Player, one of only five to be so named. Recent years have seen Tommy more involved in the bluegrass world, recording one of his original tunes with Michael Cleveland, Tall Fiddler, and appearing on Kristy Cox’s latest album. He has also been appearing live and virtually with Jerry Douglas.

A music video has been released for the album’s first single, a classic instrumental called Flatt Did It, recorded by Doc Watson and Chet Atkins in 1980. The melody is clearly based on the now standard guitar lick Lester Flatt played, generally known today as The Lester Flatt G-Run.

Tommy says the video was shot as the three of them were tracking this tune, and that the whole time in the studio had a loose, impromptu feel.

“The sessions were very spontaneous, and in fact, I suggested Flatt Did It and Copper Kettle as pieces on the day we recorded them. That’s how it came about. It was very spontaneous.”

Check out the video, where the contrasting guitar styles of Tommy and Trey play off of Rob’s silky reso work. It really looks like they were having a blast.

Ickes agreed, saying that fun was indeed the order of the day.

“I love to hear Tommy and Trey play together. There’s a great respect between the two of them. They are both so brilliant. It’s great to hear them feeding off each other. And this song is just the perfect vehicle for a Dobro, so I’m enjoying the whole thing!”

Other tunes on the EP include Razz-Ma-Tazz Polka and It’s Never Too Late.

In Their Words: “My feelings about the sessions are they were very spontaneous, and in fact, I suggested ‘Flatt Did It’ and ‘Copper Kettle’ as pieces on the day we recorded them. That’s how it came about. It was very spontaneous. ‘Flatt Did It’ is a tribute to Lester Flatt and some of his classic kind of licks. We had the film crew in there for the day and they just rolled the cameras. We actually just played and ignored them almost.” — Tommy Emmanuel

“Well, it’s always great to work with Tommy. He’s such a great artist, and such a great person. There are always a lot of sparks flying when we play together, and all three of us are into lots of different musical genres, so that’s always fun to explore different musical territories when we get together. This song comes from an album that Chet Atkins did with Doc Watson. I love to hear Tommy and Trey play together. There’s a great respect between the two of them. They are both so brilliant. It’s great to hear them feeding off each other. And this song is just the perfect vehicle for a Dobro, so I’m enjoying the whole thing!” — Rob Ickes

“Yeah, this one was Tommy’s idea, and it’s a tune from the Doc Watson and Chet Atkins duo record. Rob and I both have a bluegrass background, and this song was written with the great bluegrass icon Lester Flatt in mind. (Hence the title.) It really was a natural fit and recording it with Tommy was so much fun! Getting to pick with Tommy and Rob any time is always a blast! Working in the studio with Tommy was so much fun, which I think is evident throughout this EP. The great vibe in the studio that day is prominent in the recordings. It was really just the three of us hanging out and playing tunes…what could be more fun?” — Trey Hensley

Tommy Emmanuel, guitar
Rob Ickes, dobro
Trey Hensley, guitar

Tommy Emmanuel
Two-time Grammy nominee Tommy Emmanuel has a professional career that spans over four decades and continues to intersect with some of the finest musicians throughout the world. A household name in his native Australia, Tommy has garnered hundreds of thousands of loyal fans worldwide. Tommy's unique style - he calls it simply "finger style" - is akin to playing guitar the way a pianist plays piano, using all ten fingers.

Guitar legend Chet Atkins was one of the first to inspire Emmanuel to pick up the guitar as a child. Decades later, Atkins himself became one of Emmanuel's biggest fans. In 1999, Chet honored Tommy Emmanuel with the title of "Certified Guitar Player" for his lifetime contribution to the instrument, a rare honor shared by only three other people in the world (Jerry Reed, Steve Warner and John Knowles). Atkins eventually recorded with Tommy in 1996 on "The Day the Finger Pickers Took Over the World", for which Emmanuel received his first Grammy award nomination. This was also Atkins last recording.

After a recent recuperative rest, resulting from an exhausting touring schedule, Tommy is now completely rejuvenated and embarking on a full tour schedule in 2008. A new double live CD and DVD, “Center Stage” filmed in High Definition and recorded at the Sierra Nevada Brewery in Chico, California will be commercially released in Spring ‘08. The DVD portion will also air on Public Television affiliates all over the United States. Every element of modern technology was used in the production of both the DVD and CD. Tommy’s record producer, Kim Person, recorded and mixed the audio tracks, while long-time Sierra Nevada video producer/director Peter Barlow tied the entire package together in state-of-the-art quality. It makes for a stunning package, both aurally and visually.

The double disc Live CD “Center Stage” contains many fan show-stoppers, including Emmanuel’s Beatles Medley, Mombasa, and Initiation – the aboriginal tribute song that has evolved over the years and never sounds the same on any recording – or during any show. Tommy also introduces four never-before recorded tracks, “Ruby’s Eyes”, “Lenny Bro’”, “The Jolly Swagman” and “Papa George” (inspired by George Harrison). Also, included are several arrangements of popular traditional tunes like “House of the Rising”, “Nine Pound Hammer”, “Amazing Grace” – and for his Japanese fans, “Sukiyaki” This new CD is a great mix of the rare, the new, the traditional and the favorites.

Emmanuel's music and life are legendary in Australia. He began playing guitar at age 4, by learning to play by ear without any formal instruction. Emmanuel and his older brother Phil were child prodigies, starting their professional career in the 1960s. By the age of six, Tommy was already working as a professional musician. Shortly after his father's death in 1966, the Emmanuel family was approached by Australian country music star Buddy Williams, who took the family on the road until they were forced by the Australian child welfare department to stop traveling. The Emmanuel children were then sent to a regular school. During these years, Tommy was playing in "The Trailblazers" (with siblings Chris on drums and Virginia on slide guitar) on weekends. He also taught guitar and made numerous television appearances in musical competitions. Emmanuel's first brush with fame came when The Trailblazers won two televised talent contests and produced an EP. He and his siblings worked hard to create the family's sole income for several years. In his early teens, Tommy left home and moved to Sydney to pursue a professional career as a guitarist. Playing in clubs all over the city, Emmanuel soon found himself in high demand as a session player for some of the era's most popular performers. During the mid 70s through the early '80s, he joined one of the decade's biggest, Dragon, recorded thousands of commercial "jingles" and played on recordings for Air Supply, Men at Work and dozens of other popular artists. In 1987, Dragon toured with Tina Turner on her "Break Every Rule" tour.

In addition to his storied career, which includes 16 music and instructional recordings, Tommy is also an accomplished record producer and musical arranger. He is also well regarded for mentoring students by offering guitar workshops and master classes on tour. Other accolades include his 2007 Grammy nomination for “Gameshow Rag’ from “The Mystery” CD, induction into the Thumb pickers Hall of Fame in Muhlenberg, Kentucky (the only non-American so honored), and Acoustic Guitar Magazine readers’ poll for placing in the top 3 favorite artists. Emmanuel was voted Rolling Stone (Australia) Magazine's "Most Popular Guitarist" for two consecutive years. He has earned four Platinum and Gold albums, two consecutive "Golden Guitar" awards (2006, 2007) at the CMAA Awards in Australia. Another stellar career highlight was Tommy’s performance (with his brother Phil) at the Sydney 2000 Olympics Closing Ceremonies, viewed by over 2 billion people around the world. Emmanuel has set sales records that have yet to be broken and performed with hundreds of musical legends including Chet Atkins, Les Paul, Keith Urban, Eric Clapton, Sir George Martin, Tina Turner, Joe Walsh, Stevie Wonder, Nokie Edwards (of the Ventures), Hank Marvin, the Lexington (Kentucky) Philharmonic, the Dortmund (Germany) Symphony, and the Western Australian Symphony Orchestra. In addition, Tommy hosts several annual "TommyFest" concerts, where other stellar internationally recognized musicians are invited to share in a four day all-out celebration of music.

As a solo performer, Tommy’s dazzling performance, flawless guitar skills and voluminous repertoire never fail to amaze and engage his legions. From the wilds of Australia's outback to bustling major cities throughout the world, Emmanuel's flair and unforgettable showmanship have created an enviable fan base that continues to grow even larger every year.

This album contains no booklet.